Ellen Foster

I was astonished to read the review characterizing Ellen as a "brat" who "couldn't get along with anybody." The title character in the story is sweet, gentle, and patient (although sometimes pushed to the point of frustration with people who repeatedly trample her.) She, in fact, gets along with everyone in the movie who is even slightly kind to her. The movie is a heartwarming and thought-provoking story that avoids being whiney or saccharrine-sweet.

Ellen Foster is the story of a 10 year old girl desperately searching for a true family to call her own. When her mother dies she is left with her father until taken away when the school learns he hits her. She stays with a teacher who volunteers to take her in and who gives her a taste of what a happy family could be like. This ends when her harridan of a grandmother lies in court by telling the judge that she wants custody. Turns out she just wants cheap slave labor, and she goes so far as to tell Ellen that she intends on making her pay for the death of her mother, though Ellen had nothing to do with anything that the father did to her. Soon the grandmother has a stroke and then dies. She is taken in by one of her aunts who is nicer than the grandmother but only on the surface. Ellen's cousin despises her and this situation soon leads to a fight that has Ellen leaving the house on Christmas Day to go to The Foster house. She thinks that the home is a family named Foster, but it is a woman who takes in girls that are unwanted or orphaned. Jena Malone as in her previous film, Bastard Out of Carolina, stars as the abused child, but rather than seem like the pedestrian movie of the week, it is a standout performance. She may still be considered a child actress, but it is very hard not to notice that she's got some great acting chops.

I am usually a fan of Hallmark Hall of Fame TV movies, but this one failed to win my heart. At best, it was a SEMI- entertaining flick with Jena Malone playing a "troubled" girl (now is that creative or what?)who fails to get along with completely anybody. In other words, she's a complete little brat. If I want to see a movie about a troubled child, I will watch the first half of Jane Eyre. At least that one is entertaining and shows a vague human side behind all of Jane's "fiestiness." I failed to make the same connection with Ellen and that makes for a rather unlikeable little character and a none too likeable film. I'd give it a five out of ten at MOST.

i've read positive reviews of this program and only signed on here to counterpoint the first writer. EF is a brilliant little book and the title character is so far from being a brat that the first reviewer here sounds like one of ellen's relatives. i don't know how successful the film is in conveying the powerful combination of poverty and abuse that EF overcomes on her own, but the book is a dry-eyed treasure, just like its heroine.

Because the passage of years has a way of fogging most adults' memories of their own "childhoods" - especially in the intangible areas of feelings, hopes, hurts, decisions, goals, strategies, etc., they will often conclude that "children" are sort of non-sentient, non-human beings - blank pages in-putting a stream of data for use in their later, more important after metamorphosis existence. I read a review once of "The Cure", a movie starring young actors Joseph Mazzello and Brad Renfro, where a critic in a backhanded compliment called them "two of the best pre-actors around." I suppose that was because, being under twenty-one, they must be "pre-people." Judging by a few of Jena Malone's recent public remarks, not to mention her own real-life experiences, I'm sure she would object to such an attitude. Certainly, her film career belies that attitude. The movie "Ellen Foster" is a good case in point. In it she portrays an eleven year-old girl who, when buffeted by the cruelty and insensitivity of the supposed wise adult world responsible for her care, sets out determinedly to shape a world for herself that does make sense. Ellen belongs to no one but her own unique really human self.

However, it isn't just the character who achieves the point. More important, by her powerful performance, Miss Malone certainly proves she is an actor - and person - of substance. Her ability to read and interpret with such perception and sensitivity the inner being of Ellen as she goes through her trials and sets out on her steadfast quest is precisely on point. This movie is a tour de force for Jena Malone. In the field of acting, she takes a back seat to no one ... of any age.