Ellen Foster

i've read positive reviews of this program and only signed on here to counterpoint the first writer. EF is a brilliant little book and the title character is so far from being a brat that the first reviewer here sounds like one of ellen's relatives. i don't know how successful the film is in conveying the powerful combination of poverty and abuse that EF overcomes on her own, but the book is a dry-eyed treasure, just like its heroine.

Anyone with a heart could not help but like this movie. There was not a dry eye in the room, as we watched the movie. Ellen Foster shines, whether she is smiling or crying in the movie. The emotion she is feeling is expressed without words. She is a bright and intelligent little girl, mature beyond her years because of her circumstances. Abused by her father and abandoned by her relatives, she overcomes the trials life hands her and finds a place to belong. Isn't that what all people strive for in the end?

I give this movie a ten out of ten. I would recommend that people view it with an open mind.

Jena Malone is an actress to look out for, she is very talented. No wonder she played a young Ellie in the Jodie Foster movie Contact. Her quality reminds me of Jodie Foster.

I am usually a fan of Hallmark Hall of Fame TV movies, but this one failed to win my heart. At best, it was a SEMI- entertaining flick with Jena Malone playing a "troubled" girl (now is that creative or what?)who fails to get along with completely anybody. In other words, she's a complete little brat. If I want to see a movie about a troubled child, I will watch the first half of Jane Eyre. At least that one is entertaining and shows a vague human side behind all of Jane's "fiestiness." I failed to make the same connection with Ellen and that makes for a rather unlikeable little character and a none too likeable film. I'd give it a five out of ten at MOST.

I was astonished to read the review characterizing Ellen as a "brat" who "couldn't get along with anybody." The title character in the story is sweet, gentle, and patient (although sometimes pushed to the point of frustration with people who repeatedly trample her.) She, in fact, gets along with everyone in the movie who is even slightly kind to her. The movie is a heartwarming and thought-provoking story that avoids being whiney or saccharrine-sweet.

Because the passage of years has a way of fogging most adults' memories of their own "childhoods" - especially in the intangible areas of feelings, hopes, hurts, decisions, goals, strategies, etc., they will often conclude that "children" are sort of non-sentient, non-human beings - blank pages in-putting a stream of data for use in their later, more important after metamorphosis existence. I read a review once of "The Cure", a movie starring young actors Joseph Mazzello and Brad Renfro, where a critic in a backhanded compliment called them "two of the best pre-actors around." I suppose that was because, being under twenty-one, they must be "pre-people." Judging by a few of Jena Malone's recent public remarks, not to mention her own real-life experiences, I'm sure she would object to such an attitude. Certainly, her film career belies that attitude. The movie "Ellen Foster" is a good case in point. In it she portrays an eleven year-old girl who, when buffeted by the cruelty and insensitivity of the supposed wise adult world responsible for her care, sets out determinedly to shape a world for herself that does make sense. Ellen belongs to no one but her own unique really human self.

However, it isn't just the character who achieves the point. More important, by her powerful performance, Miss Malone certainly proves she is an actor - and person - of substance. Her ability to read and interpret with such perception and sensitivity the inner being of Ellen as she goes through her trials and sets out on her steadfast quest is precisely on point. This movie is a tour de force for Jena Malone. In the field of acting, she takes a back seat to no one ... of any age.