IMDb RATING
6.1/10
8.5K
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A botched robbery leads two crooks and an unwitting buddy into a web of passion, crime and murder in this twist-laden film noir.A botched robbery leads two crooks and an unwitting buddy into a web of passion, crime and murder in this twist-laden film noir.A botched robbery leads two crooks and an unwitting buddy into a web of passion, crime and murder in this twist-laden film noir.
- Awards
- 1 win total
Terrance Sweeney
- Priest
- (as Father Terrance Sweeney)
Jamie Galen
- Barry
- (as a different name)
Terrence Howard
- Jimmy
- (as Terrence Dashon Howard)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Having met his old buddy Bryce for the first time in years for a drink, Nick gets a call from him in the middle of night asking for help. He goes to Bryce's place where he gets told that Bryce pulled a girl that night, took her home, started messing around and then had sex. However immediately after sex the girl says that she is going to the police to tell them that she was raped. Bryce then takes Nick downstairs where he has the girl tied to a billiard table to prevent her leaving. The two men try to work out what they are going to do, but are things what they seem?
Opening with an interesting set-up, this film jumps back in time and immediately undoes itself with a plot that is interesting but not as good as it really should have been. The plot follows the fall of Nick as he needs more money to cover firstly the dreams he has and then the problems he gets into when he tries to get the money by crime. Essentially this film could have been a mix of Tarantino, Mamet and Usual Suspects twists but it falls short of any of those targets but still manages to produce a reasonably good drama with elements of each. The plot isn't as good once it jumps back four months although it still has enough movement to keep things going. The twists are not that great and the plot itself doesn't make as much logical sense as it would like to think that it does. Nor is it as clever as it would like to think the small town America was well painted but the work on the characters was not as good.
Nivola leads the cast well with a nice performance of subtlety even if the material isn't always there for him. Witherspoon walks the film rather easily with a simple role that only really gets interesting towards the end. Of the rest of the cast Brolin is OK, Howard makes a solid appearance and generally everyone else turns in solid performances. It was a film that I felt the characters could have been more important and better developed but they were still good enough for the cast to work with.
Overall this is a fairly typical thriller with a twist. It seems to want to be a bit like Tarantino with the dialogue edge of Mamet and the twists of things like Suspects but it doesn't really get close to any of them. Still, it produces an engaging thriller that, although not original, is distracting at least.
Opening with an interesting set-up, this film jumps back in time and immediately undoes itself with a plot that is interesting but not as good as it really should have been. The plot follows the fall of Nick as he needs more money to cover firstly the dreams he has and then the problems he gets into when he tries to get the money by crime. Essentially this film could have been a mix of Tarantino, Mamet and Usual Suspects twists but it falls short of any of those targets but still manages to produce a reasonably good drama with elements of each. The plot isn't as good once it jumps back four months although it still has enough movement to keep things going. The twists are not that great and the plot itself doesn't make as much logical sense as it would like to think that it does. Nor is it as clever as it would like to think the small town America was well painted but the work on the characters was not as good.
Nivola leads the cast well with a nice performance of subtlety even if the material isn't always there for him. Witherspoon walks the film rather easily with a simple role that only really gets interesting towards the end. Of the rest of the cast Brolin is OK, Howard makes a solid appearance and generally everyone else turns in solid performances. It was a film that I felt the characters could have been more important and better developed but they were still good enough for the cast to work with.
Overall this is a fairly typical thriller with a twist. It seems to want to be a bit like Tarantino with the dialogue edge of Mamet and the twists of things like Suspects but it doesn't really get close to any of them. Still, it produces an engaging thriller that, although not original, is distracting at least.
What a shame that someone decided to make this movie. It attempts to be clever, it attempts to be deep, and it attempts to be dramatic, but fails on all counts. The director attempts to make a poor mans Usual Suspects, with a suspensful opening, including a extreme close up on a cigerette starting a fire. We think it will play into the evil plot further down the line. The characters are then shown close to the end of the story and play out a few of the scenes. They then cut back to the beginning. We are supposed to put together a puzzle. The movie's puzzle starts out interesting enough, but by the end we are left with a cop out. A weak ridiculous ending where there are no consequences for the actions taken, a happy hollywood fairy tale. And the cigerette imagery at the opening, barely plays into the plot at all. An excuse to put a cigerette starting a fire at the beginning of a movie. Suffice to say, this movie sucks. The performances of the actors are intelligent and well played.
"Best Laid Plans" has invited a lot of comparisons with "The Usual Suspects", but with its caper-plan-gone-awry storyline it reminded me more of "Palmetto" - except that it's not as good as either of those films. The whole set-up is rather laborious, and the payoff, while clever, doesn't really amount to much. Ultimately, this is a very unexceptional movie; you can easily find many of its equivalents in the "crime" section of your local video store. What makes it worth your time are the performances; Nivola, in particular, has an engagingly laid-back presence and Reese Witherspoon is good as usual. (**1/2)
Like the title might suggest, I'm sure there were some great ideas behind this movie, but they got lost trying to come together. It's a fairly watchable thriller for most of the running time, mostly due to Nivola and Witherspoon giving muted performances. But the problem with this kind of thing is that it just isn't clever enough to really outsmart the audience. It isn't necessarily that you know what's coming, but the fact that you know SOMETHING is coming, some kind of twist, that it has to be pretty off the wall to take you in. Unfortunately, here the movie plunges into farce and it's a let down after an often tense, and well calculated build-up.
Still, Nivola is always nice to watch :-)
Still, Nivola is always nice to watch :-)
The only reason I watched this is because my girlfriend threatened me to. This is movie is sooo desperate to be a post modern crime thriller that it looks and feels so relentlessly superficial.
Most scenes are decked out in unpleasant pastel colors and interiors are always lit with warm lights. It's nice to look at but has a student filmmaking feel to it that distracts me.
Something else that is quite unreal is the scene in which Nivola and Witherspoon discuss their forthcoming crime...on a roof in front of a neon sign on a sofa. Yeah...like people keep sofas on roofs in front of neon signs. This was obviously an attempt by the director to add a little sparkle to an otherwise BORING scene. Which is also the reason he throws in some cliched camera angles. It's a "film noir" you see...so diagonal shots on an ordinary scene are standard.
Composer Craig Armstrong was obviously hired at the last minute when the director heard the score for Romeo and Juliet to provide a superficial (that word again) soundtrack. It sounds like it belongs in a totally different movie. But perhaps this is a good thing. There isn't much theme but the music does evoke some weird feelings from us. Much like the feelings the characters have. It's cool and I wish more scores were this way.
The "twist" wasn't too obvious to me. Once it occurs it takes away all the tension and stress right away and will relieve you big time. It even manages to change the tone of the whole movie to light-hearted.
In case your wondering my girlfriend lists this as number 2 in her top 3 movies. Number 1 is Devils Advocate and 3 is Moonwalker...ugh!
Most scenes are decked out in unpleasant pastel colors and interiors are always lit with warm lights. It's nice to look at but has a student filmmaking feel to it that distracts me.
Something else that is quite unreal is the scene in which Nivola and Witherspoon discuss their forthcoming crime...on a roof in front of a neon sign on a sofa. Yeah...like people keep sofas on roofs in front of neon signs. This was obviously an attempt by the director to add a little sparkle to an otherwise BORING scene. Which is also the reason he throws in some cliched camera angles. It's a "film noir" you see...so diagonal shots on an ordinary scene are standard.
Composer Craig Armstrong was obviously hired at the last minute when the director heard the score for Romeo and Juliet to provide a superficial (that word again) soundtrack. It sounds like it belongs in a totally different movie. But perhaps this is a good thing. There isn't much theme but the music does evoke some weird feelings from us. Much like the feelings the characters have. It's cool and I wish more scores were this way.
The "twist" wasn't too obvious to me. Once it occurs it takes away all the tension and stress right away and will relieve you big time. It even manages to change the tone of the whole movie to light-hearted.
In case your wondering my girlfriend lists this as number 2 in her top 3 movies. Number 1 is Devils Advocate and 3 is Moonwalker...ugh!
Did you know
- TriviaThe opening shot of the film showing the bar and neon sign and then the bar's interior is an homage to Orson Welles and Citizen Kane (1941), with the camera appearing to pass through the glass window in one continuous movement.
- GoofsBrice wears glasses when in a bar with Nick and at the house when Nick arrives until they go down stairs when he's seen without them on then he's got them on again when he enters the basement but he's got them on again when standing by the pool table.
- Quotes
Bad Ass Dude: Boy, you got a funny idea about chivalry. When me and my lady go driving, she always rides up front with me.
- Alternate versionsThe DVD contains some deleted scenes:
- Alternate Opening Titles featuring a vagrant named Cal, riding a bicycle decorated with recycling goods.
- At the pool Nick and Bryce discuss what to do with Lissa.
- Cal collects some tins.
- Nick and Lissa sell the belongings of Nicks's deceased father.
- An extended version of the scene where Nick and Lissa plan to leave Tropico. Here Lissa tells Nick that she wants to get out at all cost.
- A longer version of the scene on the roof of the hotel which fleshes out Lissa's devotion to Nick.
- An extended version of the scene where Nick and Lissa plan the robbery.
- Nick kills some time, buys some cigarettes and inadvertently starts the bush fire.
- An alternate ending which is not as clearly positive as in the final film, but is instead "hopeful".
- SoundtracksWhy Can't He Be You
Written by Hank Cochran
Performed by Patsy Cline
Courtesy of MCA Records
Under license from Universal Music Special Markets
- How long is Best Laid Plans?Powered by Alexa
Details
Box office
- Budget
- $7,000,000 (estimated)
- Gross US & Canada
- $27,816
- Opening weekend US & Canada
- $14,872
- Sep 12, 1999
- Gross worldwide
- $27,816
- Runtime1 hour 32 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1
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