The Woman in White

As an adaptation The Woman in White(1982) is very faithful to the book(which is a masterpiece)- not that that is essential when it comes to adapting source material- without too faithful or bogged down, it is also the only adaptation of the book that does that. As a dramatisation it is outstanding and one of the better period dramatisations of the 80s, with the slightly rushed final episode being its own detriment and even that is not enough to mar everything else that is so brilliant here. The script is thoughtful and tightly compressed, often sounding like the writing being lifted out straight from the pages of the book, it develops the characters very well too, Count Fosco is every bit the immoral man as he should be(while appearing to others as the opposite). The story takes its time to develop, but considering as it's a lengthy book and how far from easy to adapt it is that is beneficial. It is a good length, with all the themes and most situations intact and with all the emotional resonance, and is not too tedious at all despite the deliberate pacing. Visually it is an evocative adaptation with everything looking beautiful and in a way that you feel that you have been transported back in time to the time and place, a great atmosphere and fluid photography. It has been criticised on Amazon for being dated and poorly lit, that was not the case with me who thinks that it has held up well. The music is appropriate and lovely to hear, though sometimes the sound is on the hollow side. The direction makes the drama compelling and is sympathetic to the emotions that fill each scene. The acting is superb, especially from a strong-willed Diana Quick, Alan Badel's creepy and sinister(without forgetting the subtlety) Count Fosco and Ian Richardson's memorably languid and authoritative Mr Fairlie, every bit a nervous wreck. Jenny Seagrove is simply enchanting, Georgine Anderson has the right degree of iciness as Madame Fosco and Daniel Geroll is good too. Overall, outstanding and the best version of the book by some considerable margin. 10/10 Bethany Cox

I saw this 1978 BBC production when it was rebroadcast in the early 1980s on US television. (PBS, I think, or possibly A&E.) It has remained 'stuck' in my mind ever since.

From the understated elegance of the acting and production design to the fabulous adaptation of the original novel, this miniseries is and ought to be a classic. Walter Gerroll and Jenny Seagrove are incredible, and the gentleman who plays Count Fosco is as gently creepy as you could want-- but the one who really steals the show is Diana Quick. Strong and determined, she becomes more beautiful the better you get to know her. Seagrove has the 'looks,' but Quick has the character.

A wonderful series.

Let me endorse the other positive reviews of this program. The telling of the story is genuinely suspenseful, and just when other dramas of this ilk typically start to loose vigour or founder on their accumulated implausibilities, 'The Woman in White' steps up to a higher tempo and becomes even more intriguing. The cast are outstanding, all the way down, and the production values excellent. The only drawback is that the images in this DVD, of a program first aired in 1982, appear a bit soft and the colours a little muddy. During the first few minutes, I feared this would detract from my enjoyment, but I found the acting so strong and the story so well told that the technical shortcoming paled into insignificance. The series will repay repeated viewings because the plot is intricate, and you may not get all the connections on the first run through.

This version of The Woman In White is so good. I wish it was available on DVD. The casting is great, the pacing exciting, the mystery will truly hold your interest. If you get a chance to see this one take it. The part of Count Fosco is so well cast. He is truly sinister. The two women that are supposed to look alike really do, and the part of the sister is played to perfection. The invalid uncle is played exactly like he is written so obviously a hypochondriac who only cares about himself. The other characters are equally well acted.

There is no comparison between this version and the later 1997 version. I watched the 1997 version when it was first broadcast on Master Piece Theater, thinking that it was a repeated showing of this one, but was greatly disappointed when I found that not only was it not the version I loved, but that it was a very poor retelling of the story.

Why, oh why, has the BBC not released this version on DVD? Judging by reviews I have seen of other versions of the Wilkie Collins classic, they are pretty poor.

This version provided unmissable viewing on Wednesday evenings back in 1982, with Alan Badel as the ominous Fosco, plus the delectable Jenny Seagrove, and a frightening woman with a hairy upper lip.

This version was also memorable for the innovative camera work and visual effects -- all non-computerised.

I hope this version has not been subject to the same BBC videotape re-use programme that has lost other classics for good, such as Michael Wood's IN SEARCH OF THE DARK AGES.