When a criminal mastermind's perfectly planned armored truck carjacking goes awry, he begins to suspect he is being double-crossed.When a criminal mastermind's perfectly planned armored truck carjacking goes awry, he begins to suspect he is being double-crossed.When a criminal mastermind's perfectly planned armored truck carjacking goes awry, he begins to suspect he is being double-crossed.
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According to Adam Ant 'Ridicule is nothing to be scared of...'so I'm unapologetically bigging up the fallaciously forgotten, unfairly misbegotten Michael Caine 90s heist flick 'Shadow Run' (1998). While this competently made crime potboiler has a serviceable plot, and attractive scenery, 'Shadow Run' is manifestly all about Sir Michael Caine's renowned prowess for creating indelibly fascinating rogues, and alongside the inimitable 'Caine', there's an equally 'able' cast!!!!??? Namely, James Fox, Kenneth Colley, Christopher Casenove, Tim Healey, and some especially enjoyable work from TV hero Leslie Grantham who has a palpable screen chemistry with the iconic Caine.
Happily, 'Shadow Run' proved to be far more eccentric in its execution than I could ever have hoped for, and while an aloof James Fox never fully engages with the pulpy material, a stern, darkly energized Michael Caine is magisterially menacing as the sadistic strangler Haskell, and 'Shadow Run' arguably contains the finest 'Thematically apropos pointing with a mustard-tipped sausage' acting that I have ever seen! Meaty stuff indeed!!!! While many seem overly hung up on the modest budget and formulaic text, I relished the wonderfully unexpected whimsicality therein, with Geoffrey Reeve's 'Shadow Run' frequently playing out like a glossier, feature-length episode of 'Dempsey and Makepeace', incongruently intertwined with a bizarrely retrograde Billy Bunter-esque subplot!!!!?? Another major plus being the scintillatingly perky presence of Rae Baker, who makes for some salaciously snackable screen candy! While this agreeably bucolic, visibly low budget B-thriller is appropriately pacey, Shadow Run's indelible legacy are all of its sublimely plentiful peccadilloes!
Happily, 'Shadow Run' proved to be far more eccentric in its execution than I could ever have hoped for, and while an aloof James Fox never fully engages with the pulpy material, a stern, darkly energized Michael Caine is magisterially menacing as the sadistic strangler Haskell, and 'Shadow Run' arguably contains the finest 'Thematically apropos pointing with a mustard-tipped sausage' acting that I have ever seen! Meaty stuff indeed!!!! While many seem overly hung up on the modest budget and formulaic text, I relished the wonderfully unexpected whimsicality therein, with Geoffrey Reeve's 'Shadow Run' frequently playing out like a glossier, feature-length episode of 'Dempsey and Makepeace', incongruently intertwined with a bizarrely retrograde Billy Bunter-esque subplot!!!!?? Another major plus being the scintillatingly perky presence of Rae Baker, who makes for some salaciously snackable screen candy! While this agreeably bucolic, visibly low budget B-thriller is appropriately pacey, Shadow Run's indelible legacy are all of its sublimely plentiful peccadilloes!
The English do it so well. No thousand-bullet shoot outs (that almost all miss the target), no silly car chase, no pseudo- moralistic theme that the bad guys suffer and righteousness will prevail. Just a plausible story, superb acting, and great directing and production.
A corrupt security official (Fox) knows when the truck will leave and who else knows the codes. He also knows Haskell (Caine), an evil and unscrupulous career crook. They scheme to hijack the truck that has tons of special bank-note paper.
Enter an unlovely schoolboy (in his one and only movie credit). He hinders but strangely also helps the heist. There are other awful schoolboys who are part of the twists and turns of the story.
A radio black-out is organised, they divert the truck to a lonely road. There are a few casualties along the way, and eventually just one bullet, and one car explosion. Fitting!
There are good performances from support cast including Tim Healy and Rupert Frazer. OK, so it's not perfect, there is a strange, unexplained scene where the boy controls a cage on a construction site and Haskell conveniently goes inside it. A minor detail.
A corrupt security official (Fox) knows when the truck will leave and who else knows the codes. He also knows Haskell (Caine), an evil and unscrupulous career crook. They scheme to hijack the truck that has tons of special bank-note paper.
Enter an unlovely schoolboy (in his one and only movie credit). He hinders but strangely also helps the heist. There are other awful schoolboys who are part of the twists and turns of the story.
A radio black-out is organised, they divert the truck to a lonely road. There are a few casualties along the way, and eventually just one bullet, and one car explosion. Fitting!
There are good performances from support cast including Tim Healy and Rupert Frazer. OK, so it's not perfect, there is a strange, unexplained scene where the boy controls a cage on a construction site and Haskell conveniently goes inside it. A minor detail.
It took quite a while before I could figure out all of the pieces of this scheme and the people involved which I enjoy. I don't like to know everything within the first ten minutes. Caine plays a crook and somehow manages to get a local schoolboy involved in his scheme. Or the schoolboy decides to help Caine with his crime. Caine is a great actor. He is very believable as always. Good dialogue and other actors were very good (Caine's callgirl, School Headmaster and Professor). There aren't any hum-drum moments in this film. The excitement/suspense slowly keeps building up scene after scene. The gigantic church on the outskirts of town becomes the focal point of the heist becoming a success and at the last minute they have to shake it down so their plan won't fail. There's a lot of suspense and tense moments. Caine winds up being too ruthless for my tastes and the ending kind of fell short for me. But it's worth a look.
This film is a poor example of how bad British Film-making can be. This was given to me free with my DVD player and it is the biggest waste of money I have never spent in my life. It looks like it was made in the 1980's and imagine my disbelief when I found out it was it was only filmed in 1998. I do despair that people willingly parted with their money to fund this dire waste of film stock. It is an embarrassment to all those people involved in the making, funding, acting and the viewing public.
The only good thing about this film is that the DVD does make a fantastic coaster.
Please, if I only do one right thing in my life, it should be to warn you. Do not watch this film.
The only good thing about this film is that the DVD does make a fantastic coaster.
Please, if I only do one right thing in my life, it should be to warn you. Do not watch this film.
This really wouldn't look out of place as a student film. Leaden script, poor acting and a plot that never really gets going are just a few of the things that can be said. Caine is OK, but you get the feeling that the rest of the cast just don't care. In fact with better production values and a little more believable action this film could have been at least half-way decent. In the mid- to late-sixties there may have been a call for this type of film but not now. Then, it would have been slightly dangerous and risque, perhaps even exciting (then again perhaps not). Now it collects dust as it sits on the shelves of the local video outlet (really - it does!). The film is just a shadow of what could have been.
Did you know
- GoofsAbout 5 minutes into the film, there is a long dialog between Caine & Fox. Caine is wearing sunglasses and the reflection shows a crew member standing several feet away, not Fox.
- ConnectionsFeatured in Un tueur aux trousses (2003)
Details
- Release date
- Country of origin
- Language
- Also known as
- Fuera de cobertura
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 34 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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