IMDb RATING
5.1/10
1.3K
YOUR RATING
Mothra's twin nymphs and children from the city find a lost city, as well as a giant monster that is attracted to environmental calamities.Mothra's twin nymphs and children from the city find a lost city, as well as a giant monster that is attracted to environmental calamities.Mothra's twin nymphs and children from the city find a lost city, as well as a giant monster that is attracted to environmental calamities.
- Director
- Writers
- Stars
Kentarô Sakai
- Policeman in Ishigaki Island
- (as Kentaro Sakai)
Masahiro Satou
- Tatsuzô Itoman - Funny Teacher
- (as Masahiro Sato)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The first "Rebirth of Mothra" was truly an interesting movie but the second incarnation is weak. All three of the little fairies: Moll, Lora and the evil Belvera return which helps this movie. Mothra is no longer just a youngster from the first but a more mature Moth with new weapons to save the Earth. The best weapon was the ability to change into an underwater Moth. She was like a "slick" looking submarine as she was swimming. Another weapon was the ability to break into little Moths, with the "battle smarts" to battle the evil creature Dagarah internally. Talk about giving someone "heartburn." Dagarah sure had a pain in his stomach. He needed to learn that swallowing your enemy is not the "best policy." The weakest part of this film was a little doll like thing called the "Ghogo." It was supposed to contain much power but this was really hard to believe if you "judge a book" by its appearance. It was so child-like that this film seemed like a "kiddie-fair" whenever you watched this creature move around.
This movie is the first sequel to the first solo effort following the Hesei Godzilla series. Like the first one, this movie is directed toward kids. In this movie, three kids are searching for a treasure of an underwater civilization while Mothra battles an underwater monster called Dagala, who was a product of the civilization. This movie has a very fast pace and some really good special effects. Dagala is an impressive monster as well. However, the special FX crew went way overkill on the monsters' powers. I've never seen so many different types of energy weapons from both combatants. I felt like I was watching a light show instead of kaiju fight sometimes. The underwater Mothra was also too much. This movie also contains some corny scenes (i.e. "jumping" over the chasm and the water slide scene). Overall, this movie is a fast-paced kaiju film with some good special FX and extended fight scenes. However, it does not match the epic quality that the Godzilla series reached.
I thought this was a really enjoyable movie, though aimed very much at kids. It reminded me of the old-style Gamera flicks, but with an important difference: the kid-heros behaved much more like real children than the insufferable brats of 60's monster movies.
However, my adult-brain has some reservations about it. Most of all, I found the inevitable "what I learned from the Monster" message appalling: the kids suggest it's best not to know too much, and much better to stay uninformed and let God straighten everything out. That's probably not the interpretation the film-makers wanted, but I thought that was what came across, loud and clear.
Another problem -- less serious and actually kind of endearing -- is the poverty of the special effects. Oh, don't get me wrong: some of the effects are first rate, especially those involving Mothra's transformations; and the matte shots are way ahead of the first "Mothra" (1996), where I found myself thinking of bad 70's sci-fi. But I've never seen more visible wire-work outside of a Full Moon picture. Otherwise impressive shots of Dagahrla streaking through the skies are ruined by the obvious cables running from its back. Then there's the Gogo, that bizarre Furby-like creature that creates miracles by peeing on things... even when you can't see the wire attached to his head, you just KNOW it's there.
Much more fun and far less ponderous than some of the later Godzilla flicks, this movie will appeal to anyone who has a lingering affection for the old Gamera movies, shortcomings and all. Just try not to think about it too much...
However, my adult-brain has some reservations about it. Most of all, I found the inevitable "what I learned from the Monster" message appalling: the kids suggest it's best not to know too much, and much better to stay uninformed and let God straighten everything out. That's probably not the interpretation the film-makers wanted, but I thought that was what came across, loud and clear.
Another problem -- less serious and actually kind of endearing -- is the poverty of the special effects. Oh, don't get me wrong: some of the effects are first rate, especially those involving Mothra's transformations; and the matte shots are way ahead of the first "Mothra" (1996), where I found myself thinking of bad 70's sci-fi. But I've never seen more visible wire-work outside of a Full Moon picture. Otherwise impressive shots of Dagahrla streaking through the skies are ruined by the obvious cables running from its back. Then there's the Gogo, that bizarre Furby-like creature that creates miracles by peeing on things... even when you can't see the wire attached to his head, you just KNOW it's there.
Much more fun and far less ponderous than some of the later Godzilla flicks, this movie will appeal to anyone who has a lingering affection for the old Gamera movies, shortcomings and all. Just try not to think about it too much...
After kicking the butt of Death Ghidorah, Mothra takes on Dagarah, a creature who was genetically engineered to destroy garbage which went wrong (don't they always?). It's producing starfish-like creatures called Barem, and Mothra's the only one who can stop Dagarah before he destroys the world!
Mothra's more or less the same in this movie (apart from the final battle). The same beam weapons as before, but gets a colour change courtesy of the healing powers of Ghogo.
Dagarah's an odd one. It's original, I'll give it that, but apart from that, it's not a particularly good monster. It's good how Mothra can't touch him, especially when he dives deeper beneath the sea. Apart from that, it's not much good.
AquaMothra is one of the best Mothra forms I've seen. The CGI-fuelled sequence with the multi AquaMothras shooting their beam weapons inside of Dagarah is pretty surreal, but it's meant to be!
Ghogo's one of the most bizarre points of the movie. You can actually see the wire which it's attached to when it bounces! Even more bizarre is its human-healing properties: its urine. I wonder if it's any relation to Trumpy from Pod People, like a mother's niece's friend's friend's sister's person-who-they-met-in-the-mall's cousin's school-friend's pet. Ghogo, you can do magic things! (It's called evil. Or is it more like goofiness?)
I'm not going to talk about the kids. The Elias are not much different. Moll's still determined to stop the creature and Belvera, where Lora is still the unsure, emotional one. Belvera doesn't get much screentime, and when she does, it's in the company of those two nimrods she hired. Garu Garu's back, but its more mechanised this time. When Mothra lifts Dagarah out of the water when it's been killed (or something like it) the princess says something, Mothra's tractor-beam loses hold, and DAGARAH LANDS ON THE TEMPLE, COMPLETELY OBLITERATED!!! Was that meant to happen?
At the end of the movie, there should have been a prelude to MOSURA 3 with King Ghidorah heading towards Earth....
Mothra's more or less the same in this movie (apart from the final battle). The same beam weapons as before, but gets a colour change courtesy of the healing powers of Ghogo.
Dagarah's an odd one. It's original, I'll give it that, but apart from that, it's not a particularly good monster. It's good how Mothra can't touch him, especially when he dives deeper beneath the sea. Apart from that, it's not much good.
AquaMothra is one of the best Mothra forms I've seen. The CGI-fuelled sequence with the multi AquaMothras shooting their beam weapons inside of Dagarah is pretty surreal, but it's meant to be!
Ghogo's one of the most bizarre points of the movie. You can actually see the wire which it's attached to when it bounces! Even more bizarre is its human-healing properties: its urine. I wonder if it's any relation to Trumpy from Pod People, like a mother's niece's friend's friend's sister's person-who-they-met-in-the-mall's cousin's school-friend's pet. Ghogo, you can do magic things! (It's called evil. Or is it more like goofiness?)
I'm not going to talk about the kids. The Elias are not much different. Moll's still determined to stop the creature and Belvera, where Lora is still the unsure, emotional one. Belvera doesn't get much screentime, and when she does, it's in the company of those two nimrods she hired. Garu Garu's back, but its more mechanised this time. When Mothra lifts Dagarah out of the water when it's been killed (or something like it) the princess says something, Mothra's tractor-beam loses hold, and DAGARAH LANDS ON THE TEMPLE, COMPLETELY OBLITERATED!!! Was that meant to happen?
At the end of the movie, there should have been a prelude to MOSURA 3 with King Ghidorah heading towards Earth....
The sequel to the 1996 "Rebirth of Mothra" and like its predecessor it is a mixed bag. In all technical reasoning, this movie's characters suck more ass than the first one's. For some odd reason, the writers thought it was a good idea to mimic the 60s Gamera movies and center the film on child characters. Thing is, 60s Gamera sucked ass, so how was it in any way a good idea? In doing so the human angle is entirely botched from the start, and ruins the movie's remote chance of standing up to Godzilla. It's even more painful in the dubbed version, so please, if you can and at all just stay away from the English dubbed DVD. That means you Sony.
It's a real shame, considering almost every other aspect is done quite well. Mothra Leo is a beautiful rendition of the giant moth, and Dagahra is an impressive foe, looking pretty bad ass. The fight scenes are pretty well executed, although there's some over kill with Mothra and all those laser beams. The temple of Ninai Kanai itself is an awesome miniature and there's actually city destruction in this one. And composer Toshiyuki Watanabe is no Akira Ifukube, but the score is well done and I have to admit some moments were made truly awesome because of it. And let's not forget the final battle where (Aqua) Mothra delivers the bad-ass final blow. I enjoyed the monster scenes and special effects quite a bit, but when the monsters are not on screen I get annoyed.
It's a real shame, considering almost every other aspect is done quite well. Mothra Leo is a beautiful rendition of the giant moth, and Dagahra is an impressive foe, looking pretty bad ass. The fight scenes are pretty well executed, although there's some over kill with Mothra and all those laser beams. The temple of Ninai Kanai itself is an awesome miniature and there's actually city destruction in this one. And composer Toshiyuki Watanabe is no Akira Ifukube, but the score is well done and I have to admit some moments were made truly awesome because of it. And let's not forget the final battle where (Aqua) Mothra delivers the bad-ass final blow. I enjoyed the monster scenes and special effects quite a bit, but when the monsters are not on screen I get annoyed.
Did you know
- TriviaThe last kaiju (monster) film Tomoyuki Tanaka would work on. This film was released a few months after his death. Tanaka created Godzilla and produced every Toho Co. Ltd. tokusatsu (special effects) movie between Godzilla (1954) and this.
- ConnectionsFollowed by Renaissance de Mothra 3 (1998)
- How long is Rebirth of Mothra II?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Rebirth of Mothra II
- Filming locations
- Indonesia(Jungle/forest scenes)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- ¥1,000,000,000 (estimated)
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