Mrs. Tingle

I will have to disagree with many comments on this movie saying that it was only a bomb. I thought this movie was quite interesting, surely not a great one, but good. The high point of this movie, in fact, is Helen Mirren. I was quite impressed with her inspiring performance - it kind of reminded me of Kathy Bates in "Misery". It is quite rare to see such a great performance like Helen Mirren's in an horror/suspense movie and this is the main reason why I have decided to comment on "Teaching Mrs. Tingle".

I was zapping until I saw Ms. Mirren's elegant face. Damn, this woman's hot! I think I missed about the first half hour but seeing the utter crap that this film is, I certainly haven't missed much. This is just another one of those trashy teen thrillers and the only good thing about it is (obviously) Helen Mirren. I loved the way she transforms from mean to vulnerable to manipulative. The character is not the best written character (then there's a whole lot wrong with the sloppy writing let alone inconsistency, plot holes and lack of characterization) but this woman pulls it off with brilliance. Katie Holmes is one of the most uninteresting actresses and she should just stick to that snoozefest soap 'Dawson's Creek' where she continues 'advising' her co-stars. Oh wait, that's been long cancelled, hasn't it? Barry Watson and Marisa Coughlan are equally pathetic. I'm sure the director and the writer hated their teachers which is why they want to teach the kids of today that it's alright to kidnap your teacher and beat her up, no matter how mean she is in class because that will surely get you an A.

First of all, Helen Mirren alone is worth watching in this. Don't take it too seriously and watch it for what it is - a late 90s teen romp, often pretty exceting, but also pretty funny, and you'll have a good time.

This isn't a dreadful film, merely insipid. The plot is deeply flawed and implausible. It tries to be a number of genres and fails at each. It fails as a comedy, as a suspense thriller and as a horror movie. It almost succeeds as science fiction. The direction is uninspired and Katie Holmes, cute cherub face that she is, should be modeling teen clothing, not acting. The only thing that keeps this movie from being a 1 out of 10 is Helen Mirren. Her performance is fabulously nefarious and is (almost) worth suffering through the rest of it. Her ability to transmute from imperious to faux sympathetic to deviously manipulate and control her prey shows masterful range. Other than Marissa Coughlin's delightful Exorcist rendition, Mirren is the only reason to see this movie. A solid 3.0.

History teacher Mrs Tingle seems to have it in for student Leigh Ann Watson, who has her heart on achieving a writing school scholarship. She receives another low grade from Tingle, which doesn't help. When one of her classmates Luke steals the paper of the final history exams and pops it in her bag, Mrs. Tingle finds it sticking out. She threatens the three that she will go to the principal about it, but he's not available. So before she reports it the next morning. Leigh, her friend Jo Lynn and Scott head to her place that night and try to convince her not tell the principal. However due to Tingle's stubbornness, that find themselves reverting to drastic measures to stop this getting out.

Wasn't fan of it when I first saw it, and after another viewing, I'm still not one. Writer Kevin Williamson was on a roll after penning the successful contemporary teen horror films; 'Scream (1996)', 'I Know What You did Last Summer (1997)', 'Scream 2 (1997)' and 'The Faculty (1998)'. He was riding the success (also not to forget the TV show 'Dawson's Creek), but this project would be the final bump. The difference there, compared with this entry was other then writing the screenplay, he was also making his debut in directing. The strange thing though, was that I found his direction to be competently done, but material he stormed up to flavourless and tired. It seemed to get caught in playing both a black comedy and straight-out thriller, without making it gel. The script is cluttered with quick-wit, on-going gags, trivial stretches and gimmicky references towards other films, but the problem is that it's too watered-down with so many contrived developments and sappy moral currents disrupting the flow. The fractured script had to be more strong and potent, since it's a small-scale production that feels like you're watching a stage show because of its mostly confined sets. It tries to play mind games with the characters, but these moments are there to only serve the story's poor progression into a puddle of stupidity and senselessness. The film's ending takes the cake. Williamson's polished direction is sound, but more so in a pedestrian way and therefore it lacks suspense and the pacing even with its taut surroundings can really plod on. You eventually feel it after the halfway mark, and it shows up how minor the story is. The performances are tolerable enough, although if it weren't for Helen Mirren's classy, icy portrayal of manipulative prowess as Mrs. Tingle and a buoyant Marisa Coughlan, we would have been stuck watching a vapid goody-to-shoes Katie Holmes. Barry Watson is modest in his slacker part and Molly Ringwald has a lesser role. The soundtrack packs enough energy, but I found it terribly overwrought and shapeless in its choices.

Watchable, but mechanical all round.