La guerre, la musique, Hollywood et nous...

This documentary was released in 1976 and I was never able to watch it because the film flopped at the box office and never made it to my small hometown. To my surprise, I accidentally found it streaming on YouTube. It's never been released on any media VHS, laser disc, or DVD. I had almost given up entirely on finding it. If historical documentaries, old 1940s WWII movies, & Beatles songs are your thing, please give it a look. Thank goodness for YouTube. And of course, this won't be everyone's cup of tea. I always watch historical WWII footage, hoping to get a glimpse of my late father in action. I was so excited to see some scenes of the American military and their jeeps with their girls' names painted on them, hoping to glimpse my dad's Jeep with my mother's name. Sadly, I did not. But our family has a wonderful photo to cherish.

I would love to see this movie again. I saw it at the CINERAMA Dome in Hollywood, CA, 1976. The vinyl LP was a double album and had lots of cool stills and lyrics. I still remember the footage of the youngsters riding out to the english countryside in trains with gas masks on. What will it take to get this film printed again?

All This and World War Two is essential Lennon and McCartney as recorded by other artists. Some interpretations and productions are next to brilliant. All this (and World War Two) is played on a backdrop of amazingly choreographed historical and artistic footage of the War in question. When can we see and hear this on disc in our own homes?

Mind-imploding cinematic disaster from Twentieth-Century Fox pairs archival World War II footage and Fox films from (primarily) the same period along with "choice" Beatles covers. It's sort of like THAT'S ENTERTAINMENT! gone terribly wrong. Did people think that this film would have some sort of educational purpose? Maybe a Fox executive thought this would fill in the void for Beatles fans desperate for the band to reunite? Some of the stock footage is quite interesting, like Japanese-American owned businesses disguising their ethnicity and footage of James Stewart enlisting. So too is a look at some of the fictitious films Fox made in response to the war (in one clip, a woman hears news of Pearl Harbor on the radio and says, "Oh, it must be Orson Welles!"). But most of the music is pretty awful, and cuing "The Fool on the Hill" and "Nowhere Man" with Hitler and Mussolini respectively can't take the place of a scholarly exploration of the subject.

Fox must have had very big hopes for this documentary by Susan Winslow. She had previously produced BROTHER CAN YOU SPARE A DIME for Phillipe Mora which married 30s newsreel and mostly Warner Bros movie footage to gramophone songs of the period...a bit like PENNIES FROM HEAVEN, but as a narrative and narration free jigsaw puzzle of depression era imagery. She later produced the superb documentary on George Stevens: A FILM MAKERS JOURNEY which you must see for a definitive look at this great director's career. This time round, mid 70s and post THAT'S ENTERTAINMENT and just after TOMMY and its retro Brit rock success, somehow the idea to have The Beatles chart-hit songbook narrate World War 2 via Newsreels and 40s era Fox movies must have seemed like a great cocaine boardroom fueled possibility. So the context to create this film was definite and legitimate. It opened in Australia in the same huge 70mm Cinerama screen palaces that screened big Fox pix like The Poseidon Adventure or Butch Cassidy. I saw it at The Plaza Sydney which was the 1200 seat Imax style Spanish galleon plaster palace design - home of those pix above as well as long run reserve seat roadshows like Lucky Lady, and Mad Mad World. The opening salvo of Battleships Beatles and Blitzkreig in mega 6 track magnetic stereo through whopper speakers was enough to derail the subway below and send the audience to Jupiter. What followed was such a bizarre but strangely compelling visual and aural collision that it seemed so ambitious and ugly that it worked. I think there was only about 20 people at that session. It lasted a week or so and was quickly sent into storage. Even a few years later I ran it at my holiday resort cinema without even a wisp of curiosity or possibility that it might become a cult item. Probably it is a noble failure that might now be watchable for half an hour or so, but like BROTHER/DIME it became tiresome after 40 minutes when you realized, ironically, Peggy Lee style 'Is that all there is?". No story, just newsreel - Beatles MTV.