Cherry wants to be a prom queen. Trouble is, she's not nominated. Double trouble is, she's not like the other girls. She'll stop at nothing, not even murder and mayhem, to get what she wants... Read allCherry wants to be a prom queen. Trouble is, she's not nominated. Double trouble is, she's not like the other girls. She'll stop at nothing, not even murder and mayhem, to get what she wants.Cherry wants to be a prom queen. Trouble is, she's not nominated. Double trouble is, she's not like the other girls. She'll stop at nothing, not even murder and mayhem, to get what she wants.
- Awards
- 2 wins & 2 nominations total
Francile Albright
- Wanda Clark
- (as Fran Albright)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Think of an extremely low-rent version of "Heathers," and you've got "Pep Squad." That sums up the flick in a nutshell. I must give credit where credit's due, though. The film has a nice visual appeal to it. I liked the cinematography, I liked the wild color schemes, I liked the costume designs. But without good acting, a film has no redeeming value. I'd rather watch a film with little visual appeal, with good actors and sharp dialogue (i.e.: "The Brothers McMullen" or any Edward Burns film). The actors either recite their dialogue in monotones or scream it out like they're in a bad soap opera. This is why I don't badmouth most mainstream actors. Let's face it, most actors who are mainstream are mainstream for a reason. If they're not "great" actors, they're at least competent. People badmouth Leo DiCaprio, but when was the last time you saw a movie where he recites the dialogue as if he's reading it off the page? It's a shame, because the director seems like he knows his stuff when it comes to mis en scene (sp). At the same time I can't totally praise Steve Balderson (the director). He did write the screenplay, which contains some horrible dialogue. He might be slightly racist too, since there's a black principal in the movie, who inhabits a culmination of African-American stereotypes.
Okay,
It's not absolutely terrible. It's just, well a feeble attempt at humor, art, and drama. The performances suck generally. It looks as if there was no director on board. There are some original ideas, but their execution was guided by an apparent pre-schooler. It looks kind of like an experiment. The cinematography is excellent though. See this movie if you want to feel better about the movies you've made or if you like really bad B-movies with a mediocre plot and stupid story.
It's not absolutely terrible. It's just, well a feeble attempt at humor, art, and drama. The performances suck generally. It looks as if there was no director on board. There are some original ideas, but their execution was guided by an apparent pre-schooler. It looks kind of like an experiment. The cinematography is excellent though. See this movie if you want to feel better about the movies you've made or if you like really bad B-movies with a mediocre plot and stupid story.
Balderson's first effort was obviously a first effort. I must admit that I think the version of this film I saw was a pre-release, being that I saw it sometime in '97 or perhaps earlier. The acting in this film was inconsistent, some scenes being quite believable and others not even close. This is understandable given that this film was most of the cast's first. The plot in this film is not even close to realistic. Again, understandable for the same reasons. When I met Steve and some of the other members of the cast and crew during filming (I used to live in Manhattan, KS, near where it was filmed), they were all genuinely excited about the project, but it was obvious they were not seasoned actors and crew members. I didn't like this film, but must concede that it was a valiant first effort. I look forward to Balderson's next film with Dennis Hopper!
This totally made me think of all those great 80s movies - only, with David Lynch or some sicko remaking them with some guns and lots of bad language. I think the F word was the only one in the script. Except for the genius DIE TERRA DIE part... And the GYNOCOLOGIST remarks.
This is up there is my TOP 10 fave movies of all time. And the music is awesome.
Brooke Balderson and Amy Kelly have more energy than any other actress in their age group. Seriously, it comes bursting through the screen. I haven't ever experienced viciousness like that. In any movie. EVER. This is one piece of work!
This is up there is my TOP 10 fave movies of all time. And the music is awesome.
Brooke Balderson and Amy Kelly have more energy than any other actress in their age group. Seriously, it comes bursting through the screen. I haven't ever experienced viciousness like that. In any movie. EVER. This is one piece of work!
If you like B movies, "Pep Squad" is a B Movie in the best sense of the word. Why it went straight to video is beyond me. It's mix of humour and artistry makes it stand out as the "El Mariachi" of teen flicks.
First time director Steve Balderson has fashioned not only an exceedingly witty script (Fave moment in a film full of fave moments: The cheer Cherry pays the cheerleaders to do), but has an eye for what Brian DePalma called "film as a visual medium". Take the costumes, each character given a very specfic look and tone through wardrobe, take the finale- a breathtakingly clever denoument set to a new wave version of the star spangled banner. Balderson also knows what B fans come to see and has seen fit to throw in the occasional bit of shock violence and gratuitous nudity (though even that is shot with a fair degree of look and purpose).
Special mention must be made of the director's sister, Brooke Balderson who, in the time warped town the film takes place in, is the most warped of all- a teenage Cruella DeVille. She's perfect- snarly, mean and way over the top. Then there's Jane Wiedlin look alike Summer Makovkin...well let's just say she's appealing on a purely personal level.
"Pep Squad" is what would happen if David Lynch, in full "Twin Peaks" mode, decided to make a John Hughes film. I can say nothing more than run out and rent it and let's get this film the cult following it so richly deserves.
First time director Steve Balderson has fashioned not only an exceedingly witty script (Fave moment in a film full of fave moments: The cheer Cherry pays the cheerleaders to do), but has an eye for what Brian DePalma called "film as a visual medium". Take the costumes, each character given a very specfic look and tone through wardrobe, take the finale- a breathtakingly clever denoument set to a new wave version of the star spangled banner. Balderson also knows what B fans come to see and has seen fit to throw in the occasional bit of shock violence and gratuitous nudity (though even that is shot with a fair degree of look and purpose).
Special mention must be made of the director's sister, Brooke Balderson who, in the time warped town the film takes place in, is the most warped of all- a teenage Cruella DeVille. She's perfect- snarly, mean and way over the top. Then there's Jane Wiedlin look alike Summer Makovkin...well let's just say she's appealing on a purely personal level.
"Pep Squad" is what would happen if David Lynch, in full "Twin Peaks" mode, decided to make a John Hughes film. I can say nothing more than run out and rent it and let's get this film the cult following it so richly deserves.
Did you know
- TriviaFinal film of Jean McDonald.
- GoofsThe 'Premiere Edition' DVD packaging credits 'The Aslum' as the production company instead of 'The Asylum'.
- ConnectionsReferences The Hollywood Squares (Daytime) (1965)
- SoundtracksSuper Mega Zsa Zsa
Written by Pleasant Gehman
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- Also known as
- I've Been Watching You 2: Prom Night
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- See more company credits at IMDbPro
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- Budget
- $500,000 (estimated)
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