Arabesque: La peur aux trousses

Without a doubt the best! of the 4 spin-off TV movies from the 'Murder, She Wrote' TV series.

Superb styling. A great story that pans out well, with a couple of surprising plot twists at the end. More worthy of Lansbury's dramatic scope than, sadly, the rest of the TV spin-offs, this is one film that is well worth setting the set-top box to record.

With wonderful subtle references to other 'train crime' movies: the film noir 'Double Indemnity'; 'The 39 Steps' (the rural train station at which Jessica Fletcher disembarks is amusingly named 'Hannay' after that film's lead character Richard Hannay); and of course another famous Hitchcock train movie: 'North by Northwest'. Plus there are elements of 'The Lady Vanishes' when one of the lead characters disappears; all the more poignant, of course, as Angela Lansbury herself starred as 'the lady' in the 1978 film version of the 'TLV'!

Indubitably a fun film for die-hard fans of the TV series. And the most watchable of the spin-offs. Maybe this is because it was the first (made in 1997) of the 4 movies. But in any case the other 3 spin-offs in this TV franchise are little more than self-indulgent, rambling & soporific TV 'dross'. This initial TV movie, however, is a more 3-dimensional film.

A well-scripted story in which the plot gives Lansbury the chance to really act. Enjoy. It offers a fun couple of hours' viewing.

It is good to see Jessica Fletcher (Angela Lansbury) back in action in the first TV movie after the Murder, She Wrote TV series ended. This time, Jessica meets a woman named Sarah (Mel Harris) while on a train to El Paso. Sarah disappears and leaves her purse behind, setting a stage of events where Sarah is believed to have witnessed a homicide and a criminal is pursuing her to reclaim a possession, leading the involvement of the FBI and leaving Jessica caught in the middle of the mayhem.

This movie possesses the same charm, sleuth tactics and plot twists and turns of the TV series, and is filled with some intriguing plot points and daring investigation scenes that puts Jessica all over the map that one would find compelling. The direction and pacing are pretty good, aside from the plot that tends to drag a little towards the middle of the movie. The acting is also pretty spot on.

With all the finger-pointing and unpredictability elements in the movie, you would be eager to find the truth of the matter and who is behind the all the criminal activities. It is a good TV movie that is a nice throwback to the heyday of the TV series.

Grade B

Anyone who has viewed more than two or three of Jessica's 40-minute TV episodes can set their watch by the little scene where she stops and says "Now let me see if I've got this right" - her chance to help all the dumbos to keep up with the plot.

Well 80 minutes is very different from 40 minutes, and I personally would have welcomed at least one of these idiot-board updates in the course of this bigger and busier version of 'Murder, She Wrote'. No fewer than 37 characters are listed, and their names flung about like confetti, so we only dimly understand who's who in the zoo. But don't let that put you off; the masterly ending will make the same impact anyhow.

The story takes us by rail into the baking sands of Arizona, about as far as you can get from Cabot Cove, both geographically and spiritually. Trains are always good for murder mysteries, with plenty of enigmatic strangers and chance meetings. And with Jessica on board, it's a safe bet that one or two passengers won't quite make it to their destination.

By about the midpoint, we've learned to mistrust every snarling male, but not, of course, certain gracious females who are so keen to confide in Jessica. (This view takes a bit of a knock in the closing stages.)

We can't reveal much more without giving away some key twists that are vastly superior to anything seen in the standard episodes. As for the murder-motive, this relates to a hi-tech agenda that manages to look just as fresh and topical now as it would have done in 1997 - a singular achievement. There are some pleasing touches, like a wacky hotel receptionist (Susan Blommaert) who turns out to be one of Jessica's most devoted fans. And only the inaudible dialogue at a key moment in the dining-car scene lets down the production values.

At the end, Jessica is pointing out the murderer's careless mistakes in her best schoolmarm style. (But regular viewers may like to know that we're spared the usual spluttering "But that's ridiculous..." protest from the other party this time round!)

Okay . . . . the four "Murder She Wrote" movies are currently on Amazon Prime. It can be confusing how to find them, however. You must do a search for "Murder She Wrote" (New). It will show 4 seasons. Seasons 2, 3 & 4 are all showing the description of Season 2, even though they are actually the remaining two movies. Hopefully, Amazon will correct this eventually.

I never watched many of the TV episodes until the last few years, when I saw them all on Peacock. You do get really attached to Jessica, and are sad when all the episodes are watched. Seeing these movies instantly brings back that attachment. Jessica is the same, at least in this first movie.

It's an interersting story, although I guessed who the killers were before the ending, even though I wasn't trying to do so. Jessica ends up in Arizona after a train ride that ended up with one passenger missing and one murdered. Both the FBI and higher government powers are involved, which I found dull; but Jessica herself is never dull, and it was great to see the late, great Angela Lansbury in action again.

Headed to a lecture by train, Jessica is sent on a mysterious journey after she has a brief encounter in the dining car with a woman -who witnessed the murder of a man trying to expose a serious flaw in a top-secret government satellite code - who later vanishes.

This feature length MSW is a well-plotted and enjoyable mystery with Jessica doing what she does best - putting her nose where it doesn't belong and solving a case of murder, witnesses and codes. Loved the train setting, though halfway in the setting changes to Arizona and rugged landscapes and long winding roads. The plot can be over convoluted and it's not always clear how Jessica comes to her conclusion, but it's still fun with its twist and turns.