Dream No Evil

If David Byrne made a movie combining elements of European art cinema, Southern Gothic, a dash of Polansky, principles of Bertolt Brecht's estrangement effect, Eraserhead, and Irish Ceili Dancing, it would be this movie. It has to be seen to be believed. And be seen it must. I'm not kidding. You have to see this movie. Tubi is your friend.

Dream No Evil is made with such earnestness that you can't help but admire it. It's not a horror movie so much as a psychological drama with psychokiller elements (speaking of David Byrne). If you are a fan of bizarre, surreal, or just wackadoodle cinema, put this one at the top of your list. I understand the negative reviews, but if you don't take it too seriously this is a very entertaining movie.

I have been an ardent admirer of the delightfully deviant, uniquely inspired genre filmmaker, John Hayes ever since I had the goodly fortune to enjoy his ominous, sporadically goofy, grievously Gothic oddity 'Grave of The Vampire' (1972). 'Dream No Evil' is arguably Hayes's most exquisitely eerie expression of his altogether singular filmmaking artistry. Not unlike fellow indie marvel, Robert Allen Schnitzer, I sincerely feel that these quality Blu-ray restorations will draw worthy scrutiny upon this somewhat unfairly neglected cinematic iconoclast, whose wonderfully off-beat, idiosyncratic visions are manifestly unlike any other filmmaker.

'Dream No Evil' opens tersely in an orphanage wherein a terrified young girl, Grace McDonald (Brooke Mills) has a screaming nightmare, crying out desperately for a father who may or may not still be alive, or if alive, may have simply abandoned her. While Grace grows up into a beautiful, physically healthy young woman her morbid obsession over her absent father warps her objectivity, ultimately sending her on a hallucinatory pilgrimage into a waking, techinicolor nightmare. Ice-cold corpses reanimate at will, intricate dreams become terrifyingly real and her darkly incestuous fantasies are so vividly rendered, she is wholly consumed by make believe. Grace's morbid fantasies prove to be anything but harmless, as they all too frequently say, be careful what you wish for!

The calamitous rupture in her tormented psyche is deftly orchestrated by Hayes, and the heady, evocative milieu of a barnstorming, roadside preacher with all its attendant hysteria is no less memorably staged. The inimitable, Michael Pataki imbuing the barnstorming role of Rev. Paul Jessie Bundy with all the unfiltered zeal such a flamboyant misfit requires! Dream No Evil's delirious final act is a suitably terrifying expose of a deranged, murderously-inclined psyche, both morbidly fascinating and existentially repellent at the same time. Grace's astonishingly angelic beauty, lustrous red hair and lissome charms belie an uncommonly vibrant, 3-dimensional, preternaturally destructive madness, 'Dream No Evil' remains a luridly immersive Freudian phantasmagoria one is unlikely to forget!

I pride myself in being able to sit through some pretty awful movies. To me, low budget doesn't always equal garbage. There are a lot of hidden diamonds on the rough out there that the world passed by because they weren't marketed well or never got solid distribution. I'd hoped Dream No Evil would be one of those movies, but it's anything but. It's a tedious, slow journey into absolute nothingness.

A young orphan girl who suffers from bad dreams is eventually adopted, but she still longs to, one day, meet her real father. She grows up and becomes a flamboyant preacher's assistant in their church act which seems much more circus than the churches I've attended. She falls for a guy, she meets her real father, and then she goes insane and starts chasing people with an axe in the last 5 minutes of the film.

There's not a lot of logical story progression in Dream No Evil. There's an odd, fairy tale-esque voice over throughout that seems to have been added to help better explain what the hell is going on, but it's about as useful as buying a hooker for a nun. Character motivations come and go and you never know why anyone is doing anything.

I'm sad to report that Dream No Evil is a film better left buried.

I wanted to like this film more than I did. Sadly, the grindhouse filmmaking missed more opportunities than it took.

Brooke Mills carries this little film with her mesmerizing beauty. I simply could not take my eyes off her. Her performance is good, as is that of Edmond O'Brien as her father. But although the basics of a decent story are there, the script left so little to work with that they relied upon her mere presence onscreen. Great as that may be, it simply is not enough.

This film is a fun diversion and time capsule of the early 70s. Enjoy it for what it is, and try to overlook a weak script and journeyman directing that failed to deliver on what could have been.

The DVD of this movie that was released as part of the Psychotronica collection encourages you to mock this movie. And heck you can mock it if you want to, I'm not here to judge how you view movies. I am here however, to tell you whether or not I liked it and why.

So yeah, I liked this movie. Why? Well, Brooke Mills is worth watching no matter what she is doing for one. What she's doing here is giving it her all to play a seriously screwed up woman in search of her father. Good stuff indeed.

Another reason I enjoyed this flick is that it is one of those low budget wonders where everything seems to take place in some weird uncharted part of America where everything is just a little off. Some people call that schlock, I call it home.

So watch Dream No Evil or don't, it makes no difference to me. If you do watch it I think you'll like it.