Le baiser

There is not much to this film. It was made for Kinetoscope parlors with peep-show machines, and was probably rarely shown on a big screen (at least in the 1890s). It features May Irwin and John Rice in a short scene from their Broadway stage success THE WIDOW JONES.

The important thing about this film is the camera placement. Intead of seeing the actors full-length as if photographed on a stage, the photographer placed the camera near them so that we can clearly see their faces. The actual kiss is an innocent kiss as an old husband would kiss his wife. However, the closeness of the images disturbed many Victorian era people who felt a kiss was a private moment and should not be seen in public. While neither Irwin or Rice went on to make many more films, they were certainly some of the first celebrities to be immortalized on film. Looked at in this context, it is certainly an interesting little film.

I discovered silent movies one day when I was too sick to go to school and the local educational TV station ran several of them. That was where I was exposed to this early Edison short. Later I discovered this simple film, showing nothing more than 2 people kissing, was blasted by clergyman who used such terms as "A lyric of the stockyards" to describe this intimate act blown up larger than life and projected on a screen. Here moving pictures were still in their infancy and already certain people who let zealotry replace common sense were calling for censorship! Some things never change! We are lucky that so many Edison shorts survived for us to see these days. You have to wonder what all the fuss was about.

In 1896 the Edison Company purchased the rights to a motion picture projector that had been invented by C. Francis Jenkins and Thomas Armat. The projector was renamed the Vitascope and had its commercial debut on April 23, 1896. During its first year the most popular film shown using the Edison vitascope was the May Irwin Kiss.

May Irwin who was a Canadian actor, comedienne and singer. Her first starring role on Broadway came in 1895 in a musical comedy created for her by J.J. McNally, called The Widow Jones. In one key scene at the end of the play, Irwin and her co–star, John C. Rice, kiss each other with something of a flourish. Many were scandalized when they recreated their stage kiss for Edison's camera the following year, and one clergy member denounced the film as "a lyric of the stockyards". Critic Herbert Stone complained, " . . . neither participant is physically attractive and the spectacle of their prolonged pasturing on each other's lips was hard to beat when only life size. Magnified to gargantuan proportions and repeated three times over is absolutely disgusting!" Despite, or perhaps because of these derisive reviews, the May Irwin Kiss became the most popular film produced that year by Thomas Edison's film company.

It was just like the Edison company to create a big scandal by filming a couple kissing in grotesque closeup view. From the beginning, they had never really been an especially 'clean' company, in the sense of keeping with the moralities of the time. (Instead, if you want to know the truth, they were actually just the opposite). You had the boxing films, scandalous enough already considering how illegal the sport was at the time; you had cockfights, a despicable sport similar to bullfighting; you had dancers like Annabelle Moore showing their ankles and belly-dancing, etc. And what did they do to demonstrate the first use of film editing? They reenacted the beheading of Mary Stuart. So it's no surprise that when it came to picking a scene from the famous Broadway musical "The Widow Jones", they of course chose the kissing bit. Today, it's a fairly innocent kiss, not a romantic movie star kiss, not a quick peck, just a sweet little display of affection. Unfortunately, such displays of affection, famous Broadway musical or not, just weren't acceptable at the time--and as result of the film's release, there were cries of censorship.

Furthermore, that's not the worst of it. After news of the scandalous feature spread throughout the cinemas, it appears to have inspired further remakes, including Edison's own "The Kiss" of 1900. So I guess, thanks to Edison, this 20-second clip is the big reason why Hollywood and the other companies all around the world went perverse on us and to this day indulge in violence and sex. Sad, but so true. Who would have though a brief kiss on the lips inspired all the garbage shown in movie theaters today?

The Kiss is simple that. It's about 20 seconds long, each second pure and innocent as your first kiss. Even the way it is filmed, very close and personal, that it makes you feel like it is the first time you are witnessing a kiss. You're never going to see this unless you take a History of Film class. Make sure you're there for the first day of class because that's when they're going to show this flick. It stands today as one of the first motion picture shorts in America.