Independent Nell Prescott gets involved in intrigue and heroism during the American Revolution and meets Benjamin Franklin along the way.Independent Nell Prescott gets involved in intrigue and heroism during the American Revolution and meets Benjamin Franklin along the way.Independent Nell Prescott gets involved in intrigue and heroism during the American Revolution and meets Benjamin Franklin along the way.
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Why on earth would anyone make a movie about the American Revolution and get the simplest facts wrong? This purports to be happening in 1778, with Benjamin Franklin aiding the heroine and her rebel pals. The fact that Franklin was in France then is dismissed with his airy explanation: "oh, I'm there some of the time, but there's so much work to do here . . . " He was a public figure and a famous man; he could not have slipped casually away from France for months on end without it being noticed. And for some reason he has his secret hideout/laboratory in New York, not in Philadelphia--why?
When she's looking for "Poor Richard," she shows no recognition of the name, although it was about as famous as Franklin himself. His almanack and the sayings from it were very well known.
What a silly film. About the most I can say for it is that it's pretty--nice scenery, some handsome horses, some lovely if not particularly historically accurate clothing. But it's much more a fantasy than a history.
When she's looking for "Poor Richard," she shows no recognition of the name, although it was about as famous as Franklin himself. His almanack and the sayings from it were very well known.
What a silly film. About the most I can say for it is that it's pretty--nice scenery, some handsome horses, some lovely if not particularly historically accurate clothing. But it's much more a fantasy than a history.
"Taking Liberty" does just that -with military and political facts, social strata, clothing, food, drink, music, all the day-to-day minutia of 18th century Colonial life. Within the first three minutes of the opening credits, we are treated to the unbelievable sight of a Tory woman riding astride. Never mind that she's wearing petticoats, too: it just would not have been done, certainly not by a woman of her class. David Odgen Stiers may be well-cast as Benjamin Franklin, aka "Poor Richard", but the part as written reduces this incredibly significant and complex man to a cartoony caricature, one surrounded by gewgaws and experiments gone awry and prone to spouting pithy parables and folksy sayings masquerading as wisdom. Some of Franklin's words are, in fact, incorporated into the narrative to give some color and shading to the times. Points to the movie for that, but beyond that bit of grounding, this is purely made-for-TV tosh.
It's bad enough that we have become so ignorant of our own beginnings of a nation, the hard truths buried under bunting and masked by a mythology of our own making, but it hasn't become quite so awful as to let pseudo-history such as "Taking Liberty" stand in for the real deal. Alan Alda once said that making a movie about the American Revolution was an exercise in futility - and then he went and made a movie about making a movie about the American Revolution. "Sweet Liberty" took certain liberties of its own, but it does offer a glimpse as to why Rev War movies are difficult, to say the least. If you cannot take yourself seriously, then you must take yourself completely lightly. Instead, "Taking Liberty" wants us to take their zipped-up-the-back dresses and button-down-the-front shirts as seriously as it wants us to take a Benjamin Franklin played for laughs. Were it not for the ever-hammy, scenery-chewing David Warner as Sir Leopold, this turkey would be utterly unwatchable.
RevWar reenactor types, however, may LOVE this movie, as it is a non-stop gagfest of farby clothes, fabricated history and outrageously inappropriate and anachronistic conduct. Good for a laugh but not much else.
It's bad enough that we have become so ignorant of our own beginnings of a nation, the hard truths buried under bunting and masked by a mythology of our own making, but it hasn't become quite so awful as to let pseudo-history such as "Taking Liberty" stand in for the real deal. Alan Alda once said that making a movie about the American Revolution was an exercise in futility - and then he went and made a movie about making a movie about the American Revolution. "Sweet Liberty" took certain liberties of its own, but it does offer a glimpse as to why Rev War movies are difficult, to say the least. If you cannot take yourself seriously, then you must take yourself completely lightly. Instead, "Taking Liberty" wants us to take their zipped-up-the-back dresses and button-down-the-front shirts as seriously as it wants us to take a Benjamin Franklin played for laughs. Were it not for the ever-hammy, scenery-chewing David Warner as Sir Leopold, this turkey would be utterly unwatchable.
RevWar reenactor types, however, may LOVE this movie, as it is a non-stop gagfest of farby clothes, fabricated history and outrageously inappropriate and anachronistic conduct. Good for a laugh but not much else.
Did you know
- TriviaFilmed as a TV pilot on location at "Old Salem" a living history museum in Winston-Salem, North Carolina. Salem was founded by members of the Moravian Church in 1753.
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