Dans la chambre de Vanda

Unsurprisingly, it's pretty dull in those four walls. I say unsurprisingly because when it comes to serious boredom junkies are right up there with bankers, dentists, and interpretive dancers. Just a veritable cornucopia of solipsism with its attendant staring off into space, desultory, pointless conversation, coughing (lots of that), yelling, mumbling to oneself and more staring off into space. And, if that doesn't get the point across, director Pedro Costa thoughtfully provides the viewer with copious shots of Lisbon slum dwelling demolition. I lasted about an hour and fifteen and would have pulled the plug sooner had it not been for some of the most perversely lovely cinematography this side of a Caravaggio or a Zurburan.

Bottom line: Next time I wish to visit Portugal vicariously I'll crack open a can of sardines. C plus.

Vanda Duarte is a heroin addict in Lisbon. She and her family live in a crumbling building in the slums. It's a fictional story filmed in the documentary style. It's as realistic as fake gets. I would wonder if I didn't know the truth of the fictionalization. Maybe I would think that this is the real thing. It is rather long at almost three hours. It's basically an experimental film but it's a really good one. I'm willing to sit through the three hours but some of this is a bit too dark. The filmmaker obviously did not want to use too much artificial lighting. There is some great shadow use. The biggest trade-off is that some of this film comes off as a black blank. The setting is terrific. They are using the real places. The drug use looks real although I don't have the experience to judge. All in all, this is good work.

The fact that I watched this entire, nearly three-hour, film, despite the fact that it is basically a repetition of the same fifteen minutes over and over and over again, speaks volumes. The film is somehow intoxicating, even hypnotic, thus evoking the very sort of psychological affect which it portrays. Despite the fact that the film is extremely depressing and pointless, we continue on, just as the characters continue on with their depressing and pointless lives as they spend their days scraping heroin dust off of phone books and coughing like tuberculosis victims in between drags off of foil and cigarettes. The film, in other words, self-referentially reflects itself, which is probably why it received critical acclaim but is hated by some "ordinary" filmgoers.

This movie follows somehow in the wake of the Eye Cinema or Cinema of Truth (Dziga Vertov, Jean Rouch etc.) though with a much different and unusual subject: the everyday life of a group of drug addicts living in a degraded quarter of the outskirts of Lisbon. It's performed almost entirely by non-actors I mean by the drug addicts themselves who live before the camera as if it was not there, in a remarkable and genuine display of realism which impresses deeply our minds and feelings. These people whom we see verging slowly towards their own moral and physical ruin move before our eyes like ghosts still endowed with conscience and sentiments, capable of reasoning about their own disgrace in a very lucid way which makes us feel that we are in front of human beings after all, worth of our comprehension and compassion not to mention the fact of our own responsibility for that situation in this strange society we live in. This is the best movie about drug addicts I've ever seen and it should be seen mainly by those who persist in ignoring this problem or who think that it can be solved by fighting production and distribution of drugs instead of trying to fight consumption I mean deviating people chiefly youngsters from the inclination to consume drugs which will allow them to evade hardship and dullness of life. Although if it will be necessary to reform society for that purpose. The camera has apparently no leading role in this movie almost limiting itself to show us those people living (?) before our eyes. Their gestures, words, looks and above all their silences have so much weight on our hearts and minds that they are almost unbearable. After seeing this movie we can but feel that we all must do something and quickly.

Pedro Costa´s «No Quarto da Vanda» is a dramatic picture of our present reality with real people that live day after day trying to find a way to explain their actual state, as drug addicts. It is also a film about generations full of addictions and social problems that don´t have any solution yet... Powerful, contagious and extremely real this is «No Quarto da Vanda» , an absolute masterpiece! 10/10