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This film was quite a surprise, I knew its vibe screamed 90s and that was one of the reasons I was so drawn to it, the other one being that it's a multiple point of view story, which if done very well, it can be really effective and efficient in telling a story. So the premise is a drug deal gone awry, and told from three different perspectives, of course each providing us different takes on the same problem and how it got the characters there in the first place. Really interesting, well executed. The acting is great, especially Timothy Olyphant and William Fichtner, who stand out in my opinion. One of the most interesting
aspects of the film is that the people involved are just young, naive people, rather than gangsters and evil-spirited people. Timothy Olyphant's character is
kinda shady, but he's really charismatic and that's an engaging quality. There is an arousing mixture of characters that constantly mess up and the results
are exhilarating.
Go is clearly an underrated film, and if you are reading this, I highly recommend it to you.
Go is clearly an underrated film, and if you are reading this, I highly recommend it to you.
"Go" reads like a very very good sophomore offering by a very very good up-and-coming director. You can almost see a bright future for everyone involved in the film, from the director (Doug Liman) to the screenwriter (John August) to all of the young actors. The script is clearly the winner, with witty dialogue and a convoluted plotline (or plotlines, depending on how you view it) centered around a dozen or so GenX-er Los Angelenos on Christmas Eve. The film slickly moves you from one plotline to the next, as you follow one minor disaster leading to other minor disasters.
The film being a "sophomore offering," of course, has some drawbacks. Yes, it is tangentially derivative of "Pulp Fiction." And yes, it does scrounge a bit from this teen flick and that. In some cases, certain plotlines wrap up too neatly, and in other cases the plotlines don't converge nearly as neatly enough. But what the film may lack in originality it certainly makes up for with style and quirks.
The real discovery in all this is the cast. Sarah Polly stands out (listen to her mild Canadian accent slip through once in a while) as the world-weary checkout gal who's first and only foray into drug-dealing unleashes a legion of trouble for her. Desmond Askew (wonderfully punny name) is this Pulp Fiction's Tim Roth, glib and cocky as his well-ordered world whirls and crumbles around him in a neatly choreographed disaster. As the sinister drug supplier, Timothy Olyphant is particularly menacing, exuding equal amounts of danger and innocence, sexiness and insecurity. The characters in "Go" never become cardboard parodies of themselves, and they never dissolve into charicatures of themselves for the sake of plot or atmosphere.
So watch the film, soak in the plot, atmosphere, and the characters. At the risk of sounding glib myself, by all means "Go."
The film being a "sophomore offering," of course, has some drawbacks. Yes, it is tangentially derivative of "Pulp Fiction." And yes, it does scrounge a bit from this teen flick and that. In some cases, certain plotlines wrap up too neatly, and in other cases the plotlines don't converge nearly as neatly enough. But what the film may lack in originality it certainly makes up for with style and quirks.
The real discovery in all this is the cast. Sarah Polly stands out (listen to her mild Canadian accent slip through once in a while) as the world-weary checkout gal who's first and only foray into drug-dealing unleashes a legion of trouble for her. Desmond Askew (wonderfully punny name) is this Pulp Fiction's Tim Roth, glib and cocky as his well-ordered world whirls and crumbles around him in a neatly choreographed disaster. As the sinister drug supplier, Timothy Olyphant is particularly menacing, exuding equal amounts of danger and innocence, sexiness and insecurity. The characters in "Go" never become cardboard parodies of themselves, and they never dissolve into charicatures of themselves for the sake of plot or atmosphere.
So watch the film, soak in the plot, atmosphere, and the characters. At the risk of sounding glib myself, by all means "Go."
One of the best this year! A wild ride that is hard to not compare to "Pulp Fiction", but if you didn't like Pulp, you won't like Go. I loved both, so this is a treat! Doug Liman had directed a worthy follow-up to Swingers, in the eyes of 7 kids and a drug deal gone way bad. The funniest moments come from Desmond Askew and Taye Diggs in Las Vegas. Never once is this movie dull. Watch with an open mind and a wild imagination!
This film has traces of Pulp Fiction embedded in it, but it's got a little "Swingers" and other films to it as well. All in all it's an entertaining movie which ends without epiphany for these characters (like .....). This film has multiple stories but does not try to be alternative and cool. It just wants to work! Sarah Polley (whom I never heard of at the time but follow her work now) was great; Katie Holmes wasn't quite Katie Holmes - and that was good; Fichtner's good; but my favorite was Timothy Olyphant who did a kick-ass job of a charasmatic bad-guy (it was hard not to hate him by the end). I've read the other comments and these people just take this thing TOO seriously! It's not the movie of 1999, it's not "Pulp Fiction", it's just "Go". I have this movie on DVD and heard Doug Linman's commentary: he sounds like he had a lot of fun making this. I had a killer time watching this. I guess if I came in with different expectations I would've hated it like everyone else on this site!
Covid sucks and it's been a pretty boring year. The only possible positive I can think of is having the time to find classic movies like this. 'Go' came out in 1999, when I was in High School, but I'm still surprised I haven't watched it before. I remember hearing it was a "Tarantino wanna be" from Doug Liman, but it's so much more. First, the story/plot is simple to follow but very entertaining. Not only does it have a great story but it's executed to perfection by the well chosen cast. Just to name a few members: Katie Holmes, William Fichtner, Taye Diggs, Timothy Olyphant, Jay Mohr, Sarah Polly, and it even has the debut of Melissa McCarthy. It's very rare to find a movie with this kind of cast and I was blown away by it. My favorite thing about the movie: It's length. It's a perfect amount of time to entertain you, but not take up a huge chunk of your day. It's direct and to the point, with no wasted screen time. I wish we had more movies like it.
If you haven't had the chance or maybe if you are just bored like I was, give this movie a chance and you won't be disappointed.
If you haven't had the chance or maybe if you are just bored like I was, give this movie a chance and you won't be disappointed.
Did you know
- TriviaThe director picked the grocery store that the movie was filmed in because of its "run-down, big city" quality. When the producers paid the owner of the supermarket for permission to film there, the owners took some of that money and repainted and repaired the store, for a more "hollywood" look. The director and producers were understandably unhappy with this, since the only reason they picked the store was how it looked in the first place. The producers, after getting consent from the store, hired a crew to bring the store back to what it had looked like before. The finished product is what you see in the film.
- GoofsWhen Ronna, Manny, and Claire play Dead Celebrities in the back room of the grocery store, Manny says that Omar Sharif is dead. At the time this film was made, he wasn't. However, this could be deliberate to illustrate how little the group really know about deceased celebrities.
- Crazy creditsAlley Cat... Princess Leah Lucky Buttons
- Alternate versionsDVD includes 14 deleted scenes: they consist mostly of alternate takes of existing scenes (for example Ronna and Simon discussing outside the store) and longer versions of scenes featured in the theatrical release (such as the first conversation between Todd Gaines and Claire). Also included, however, is an alternate ending for the Vegas storyline, where Simon and Marcus find out they left Todd's credit card in Vegas and realize that the goons are on their tracks. They barricade themselves in Simon's apartment. Meanwhile Victor and his son are at Todd's apartment and are waiting for Simon. Claire finds Todd's gun and points it at Victor unaware that the gun isn't loaded. After a fight, Todd manages to wrestle the gun out of Victor's hands. Todd goes to Simon's apartment and, after Simon lets him in, punches him in the face.
- ConnectionsEdited into Go: Deleted Scenes (1999)
- SoundtracksFire Up The Shoesaw
(LP Version)
Written by Justin Robertson and John Barry
Performed by Lionrock
Courtesy of Time Bomb Recordings/Arista Records, Inc.
Contains "These Boots Are Made For Walkin"'
Written by Lee Hazlewood
- How long is Go?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Viviendo sin límites
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $20,000,000 (estimated)
- Gross US & Canada
- $16,943,454
- Opening weekend US & Canada
- $4,706,795
- Apr 11, 1999
- Gross worldwide
- $28,451,622
- Runtime1 hour 42 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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