Urgh! A Music War

An excellent picture of what the punk/new wave scene was before the sound got co-opted by the mainstream. The Devo live performance really rocks, and you get to see many smaller artists that got overlooked when this genre took over the top 40. It really shows you how much fun and interesting music can be when it isn't being pushed by big labels and a band's sound can be created naturally without pressure to meet a certain standard. Last I saw it aired on the Sundance Channel.

I am now 36 years old and grew up during the disco era, a time formerly considered to be the worst ever in popular music. Since I couldn't deal with the constant disco, I turned to '50's oldies and the emerging punk/new wave scene to save my musical sanity. During that time, I bought the soundtrack album to URGH! and loved nearly every second of it. However, the film itself never played near me, even at the local "oddball" theater and so I assumed that it was doomed to languish in obscurity.

Skip ahead to 1985 and the late, lamented NIGHT FLIGHT program that ran on the USA network on weekend late-nights. NIGHT FLIGHT ran tons of off the wall movies and music shows that were clearly geared for a late-high school and college age audience who more than likely did a lot of drugs. They surprised the hell out of me and my stoner pals by announcing "Up next: the strange world of the punk and new wave scene with URGH! A MUSIC WAR!" I took off like a shot (knocking over the bong and royally pissing off my dorm mates) for the campus store to obtain a blank video tape, and made it back with about two minutes to spare. The trip was worth it, as I witnessed live performances of 32 (!!!) different bands, quite a few of whom I already loved and several more that I discovered that night.

The film chronicles performances from the US and Europe during 1980/81 and though fun, the results are wildly uneven. Here's the bottom line on acts you should not miss: Devo (turning in a kickass version of "Uncontrollable Urge" which really captures how hard they rocked in those days), the Go-Gos (before their first album came out, and when Belinda Carlisle was still chunky doing "We Got the Beat"), Joan Jett (burning up the screen with "Bad Reputation" in her pre-weight loss, pre- "I Love Rock 'N' Roll" days), The Cramps (will Lux Interior's johnson flop out of his silver stretch-pants while performing "Tear It Up"?), Oingo Boingo (turning in an absolutely electrifying version of "Ain't This the Life?" in which Danny Elfmman looks both insane and possessed), Skafish (doing "Sign of the Cross" and featuring Jim Skafish, perhaps the ugliest frontman ever), the Dead Kennedys ( a great rendition of "Bleed For Me"), Klaus Nomi (hands-down the strangest act in this flick, and that's really saying something. He performs "Total Eclipse" in a shattering falsetto, complete with Teutonic accent, and a spaceman/mime/drag queen outfit), XTC ("Respectable Street" as it was truly meant to be heard), X ("Beyond and Back"), 999 ("Homicide"), Magazine ("Model Worker"), Steel Pulse ("Ku Klux Klan") and UB40 (doing the unjustly forgotten "Madame Medusa").

There is a lot of filler and crap, but that may just be my opinion; you may dig the the stuff I hate, so who knows? If you can find this, rent it and sit back for a unique time capsule of the early '80's when pop music made it's last stand to be interesting.

Because of an exclusive contract to publish this movie on a now dead format (CED), the contracts for the individual artists are missing. Because you can't renegotiate a contract without the original to amend, no one can touch this. Its currently owned by its original producer, Miles Copeland (founder of IRS records), and he has the film of THREE songs from each band in storage, but because of the legal land lock he cannot release it. If he does some day, we can look forward to a 6 hour 2 DVD special edition.

Pretty sad to say the very least. We can only hope one day (soon) that the original contracts will be found as this will make a MAJOR DVD release!! Oh, human error!!

By that time, my friends were listening to ugly music like Styx or Emerson Lake and Palmer. They thought I was kind of crazy to listen to X and the Cramps. I had also the big chance to have this film on tape. I also got the double LP of the music. Some of this stuff is still good to listen to (Wall of Voodoo, X, Fleshtones, Police, Cramps) but to see this film is also an incridible experience. See zany John Otway! But for me, the Cramps performance of Tear it up is one the greatest moment of pure rock and roll catch on film. And who was that strange girl of the Alley Cats? Who were the Alley Cats? Their song is amazing! Seems like all these people have a lot of fun back then.

Update (written on 1st Oct '16): In late 2009 Warner Archives in the USA released a very high quality 16:9 (transferred from almost pristine film), glorious stereo, "burn on demand" single layer DVD edition of Urgh! The DVD is not quite perfect - there are just a few very minor split second, but noticeable, audio glitches. It would have been improved greatly if there were chapter marks at the start of each artist's performance (rather than every 10 minutes) and if a running order playlist was printed on the cover. The big advantage over all previous tape and LaserDisc editions is that the synch of video and audio is precise throughout (other editions had severe synch errors especially in both Pere Ubu and Devo - with the audio a full third of a second in advance of the video). The only artist missing from the Warner Archives DVD is Splodgeness Abounds, with their punk version of the Rolf Harris ditty "Two Little Boys" (no great loss). This is likely to be the only version ever released on digital and it is 99% of everything I could have hoped for. NB: because this is a 16:9 transfer from original film we get more information left and right than was shown in any of the 4:3 versions (tape or LaserDisc), and what is cropped slightly from the top and bottom of the film frame is worth the sacrifice.

My original 2003 review. comment was:

Urgh! is the finest ever collection of alternative music performance, by artists at the prime of their stage careers.

An important and lasting legacy of Urgh! was that it brought some previously unknown bands to the attention of a much broader audience than would ever have been possible otherwise. I'm referring here to acts such as Skafish, (the late) Klaus Nomi, The Alley Cats, Gang Of Four, Pere Ubu, X and The Cramps.

No-one could fail to want more of The Cramps after seeing Lux Interior deepthroat his hi-ball mic, while barely staying in his pants. Jim Skafish's "Sign Of The Cross" is another highlight - as a blasphemous anthem of epic proportions.

There are only a few performances that I really thought were so-so (Chelsea, 999, John Otway, Invisible Sex); a few more were "good", but the vast majority were amazingly good.

Even on the poor quality transfer to LaserDisc you can appreciate that Urgh! was filmed with care and with genuine respect for the performers and the viewer really feels like part of the audience.

The bands all sound great - but strangely it's in mono on the LaserDisc & VHS, while the double album on vinyl is in extremely good stereo. So when someone finally gets around to doing it, surely there's a state-of-the-art DVD just begging to be mastered and released? And if a DVD does eventuate, let's hope they make up for the major failing of the LaserDisc, and include Wall Of Voodoo's "Back In Flesh".