Pi
- 1998
- Tous publics
- 1h 24m
A paranoid mathematician searches for a key number that will unlock the universal patterns found in nature.A paranoid mathematician searches for a key number that will unlock the universal patterns found in nature.A paranoid mathematician searches for a key number that will unlock the universal patterns found in nature.
- Awards
- 8 wins & 12 nominations total
Stanley B. Herman
- Moustacheless Man
- (as Stanley Herman)
Featured reviews
I am generally wary of movie portrayals of scientists and people who are supposedly scientific geniuses. It seems that most movie-makers are not scientifically inclined and never manage to do a convincing job. Pi, however, is a very interesting movie and Sean Gullette does a reaonably good job of portraying a genius on the edge of insanity. My fears that this would be another typical bad science movie were quelled very quickly, never to return again. Of course, they didn't get all the details down pat, but most of it was believable (or close) and some of it was correct. Comments on science aside though, I think this was one of the more interesting, and certainly one of the most original, movies I have seen this year.There are provocative metaphors hidden (well, not very deeply) throughout the movie (esp. the bugs), and the subject is so completely novel that it is really worth seeing. In conclusion I would say that if you think a movie about number theory would be boring, in regard to this movie you would be wrong. If, like me, you think a movie about number theory would be exciting but probably done badly, then you will have to accept that this movie is not really about number theory, but about a number theorist. As far as the execution goes though, you needn't worry about it, it is a pleasant relief from the usual.
This screenplay must have been turned down one hundred times before someone would finance it. I don't blame them. However, what could have been a travesty was saved by great acting, directing, cinematography, and sound. This brilliant/bizarre film turns a genius's quest to find the code for Wall Street into an adventure that engulfs all of human existence, and God. A brilliant example of how proper film making can turn straw into gold. Some viewers may be put off by the bizarre fits the main character faces, or the intrusion of complex mathematics into film, forcing the viewer to think, but if you watch this film, you will be rewarded a unique movie-going experience few other films will give you. This film gives you a look into the mind of man plagued by the genius he was given.
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the movie has some guidelines that follow the mathematical path, though strangely interpreted. It resembles the Lynch series, ("Eraserhead" actually), though Lynch uses more colour... I recommend it to all the freaks (lest they should go nuts like Max...) and to the movie freaks, that like to admire pure art. the number i've written is PI, with the precision of 216 decimals... and don't fool yourselves, it doesn't have any pattern, it just runs infinitely...
the movie has some guidelines that follow the mathematical path, though strangely interpreted. It resembles the Lynch series, ("Eraserhead" actually), though Lynch uses more colour... I recommend it to all the freaks (lest they should go nuts like Max...) and to the movie freaks, that like to admire pure art. the number i've written is PI, with the precision of 216 decimals... and don't fool yourselves, it doesn't have any pattern, it just runs infinitely...
Pi is the oddest, hippest, most chilling account of the descent into the abyss.
Following mathematical clues derived from an analysis of the stock market, Maximillian Cohen begins his descent into madness as he attempts to discover the nature of everything through the peculiar numerical entity known as Pi.
Thrilling enough, but then combine with generous amounts of Kaballistic mysticism, black and white footage and a soundtrack like an audible fractal, and you have a sensory snare which drags you along for the ride into Max's impending breakdown.
Obsession has never been so exciting.
Pi is an utterly gut-wrenching, mind expanding phenomema. If you have ever wondered about the universe, God or the nature of insanity, Pi will take you where you don't want to go.
Following mathematical clues derived from an analysis of the stock market, Maximillian Cohen begins his descent into madness as he attempts to discover the nature of everything through the peculiar numerical entity known as Pi.
Thrilling enough, but then combine with generous amounts of Kaballistic mysticism, black and white footage and a soundtrack like an audible fractal, and you have a sensory snare which drags you along for the ride into Max's impending breakdown.
Obsession has never been so exciting.
Pi is an utterly gut-wrenching, mind expanding phenomema. If you have ever wondered about the universe, God or the nature of insanity, Pi will take you where you don't want to go.
I have yet to come even close to fully appreciating the sheer artistry and complexity of Darren Aronofsky's stunning mathematical/sci-fi thriller, "Pi". Watching this film, one can tell from the subdued effects, grainy black-and-white filter, and guerrilla-style filmmaking that this must be a low-budget independent film - NOT to try and downplay its impact, as many independent films can clearly surpass any typical Hollywood movie, in terms of style and subject matter.
"Pi" is a perfectly concrete example of how the relative absence of special effects, explosions, etc. can still help create an engaging, and thoroughly unique viewing experience. Overflowing with intensity and hyperkinetic camerawork, this is a frightening roller-coaster ride of a film; despite clocking in at less than 90 minutes, "Pi" is by no means short on resonance - but rather leaves a heavy feeling of exuberance and fascination with the material that lasts long after it's finished. At the same time, though, people who aren't as open-minded to more obscure, abstract films like this would be, I think, surprised. This is not as complicated or bewildering a film as I had expected. If one can be able to focus intently on the story, the result is rewarding, and doesn't provide for much head-scratching. Its style seems rather modern, rather hip...at times it reminded me of "The Matrix" (which, ironically, was released the FOLLOWING year) what with its slick techno musical score and its flashy opening credits.
To shy away from this film simply because of its math content is to be completely shallow and ignorant. The way it handles the material is a whole lot more interesting than you'd probably think. Like "A Beautiful Mind", "Pi" is an instant classic that serves to re-awaken my erratic interests in my poorest subject, mathematics. It's original, it's interesting, and above all - genius.
"Pi" is a perfectly concrete example of how the relative absence of special effects, explosions, etc. can still help create an engaging, and thoroughly unique viewing experience. Overflowing with intensity and hyperkinetic camerawork, this is a frightening roller-coaster ride of a film; despite clocking in at less than 90 minutes, "Pi" is by no means short on resonance - but rather leaves a heavy feeling of exuberance and fascination with the material that lasts long after it's finished. At the same time, though, people who aren't as open-minded to more obscure, abstract films like this would be, I think, surprised. This is not as complicated or bewildering a film as I had expected. If one can be able to focus intently on the story, the result is rewarding, and doesn't provide for much head-scratching. Its style seems rather modern, rather hip...at times it reminded me of "The Matrix" (which, ironically, was released the FOLLOWING year) what with its slick techno musical score and its flashy opening credits.
To shy away from this film simply because of its math content is to be completely shallow and ignorant. The way it handles the material is a whole lot more interesting than you'd probably think. Like "A Beautiful Mind", "Pi" is an instant classic that serves to re-awaken my erratic interests in my poorest subject, mathematics. It's original, it's interesting, and above all - genius.
Did you know
- TriviaThe film cost only $60,000 to make, most of which was raised in the form of individual $100 contributions from director Darren Aronofsky's friends and family. When it was later bought by Artisan Entertainment, each contributor got back a $150 return on their investment.
- GoofsMax mentions that the Golden Mean is represented by the Greek letter theta. In fact it is denoted using the Greek letter Tau or, more commonly Phi, whereas phi is used to denote 1/Phi. Phi is for Phidias, a 5th Century BC Greek sculptor who employed the ratio.
- Quotes
[repeated line]
Maximillian Cohen: When I was a little kid, my mother told me not to stare into the sun, so when I was six I did...
- Crazy creditsLeonardo DaVinci listed under "Special Thanks"
- Alternate versionsDVD version includes deleted scenes:
- Max being threatened by Farrouhk, Devi's jealous boyfriend;
- Max climbing up a pile of discarded computer parts and monitors;
- ConnectionsEdited into Sabores do Saber (2014)
- SoundtracksI Only Have Eyes For You
Performed by Stanley B. Herman (as Stanley Herman)
Written by Al Dubin & Harry Warren
Published by WB Music Corp. (ASCAP)
- How long is Pi?Powered by Alexa
Details
Box office
- Budget
- $60,000 (estimated)
- Gross US & Canada
- $3,221,152
- Opening weekend US & Canada
- $31,069
- Jul 12, 1998
- Gross worldwide
- $3,221,152
- Runtime1 hour 24 minutes
- Color
- Sound mix
- Aspect ratio
- 1.66 : 1
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