The Decline of Western Civilization Part III

I like P. Shpeeris, so I might be a little biased toward this movie. I think she did a good job with it, but as an interviewer, she comes across as a frustrated mother. Then again, how can anyone not be frustrated with the kids depicted in this film. From the opening interview, it's apparent that the movie's subjects are lazy and pretty stupid. Yes, I know some of them came from broken homes, etc., but they all come across as degenerates. It's hard to be sympathetic toward these teen-age train wrecks, but it's even harder to turn away from this film. And one has to question why these kids are the way they are? Has our country bred a subculture of mohawked hobos? Or, are things really that screwed up for troubled youth? The answers will vary depending on whom you ask, but go into this movie knowing you will be either very sad or very angry.

This movie is an accurate description of a small sect of the punk scene. Since the 80s it has grown so much and has so many parts, and this is just about a few squatters from L.A., most of whom i know. And it is good as a documentary about them but don't pretend that this is at all a documentary about hte punk scene of today

This isn't as easy or as fun of a watch as the other decline movies, but it is just as important, if not more so. While the other films showed us a glimpses of the dark side of the punk world, this film throws us right in the fires with those who have little hope of escaping. It's a harrowing look at a lifestyle many of us might drive by on our way to work everyday and never even think about. I would recommend this film much like I'd recommend the others in this trilogy, though I'd recommend preparing yourself for this one.

As lack of, and, declining access to mental-health care and social/housing and programs due to current pandemic(s), the issue of the street-kid, while they may have become less visible, certainly has gotten no better.

The current pandemic (not to mention the ongoing fentanyl one) have shifted focus and goals of the current programs and they have either been reduced or completely decimated.

Sadly, like at the end, they talk of the kids who died between post-production of this and release, kids on the streets are dropping in record numbers due to unreliable drug sources and just overall compassion being down to the point of non-existant.

I love Spheeris, and highly recommend this, or better yet, Suburbia : the ultimate fictional look into too real problems. Both that and this film still are incredibly relevant and don't feel any less watchable due to the movement of pop-culture. The names of the styles have changed ; the faces and the kids are still the same.

It's a small but significant crime that this didnt receive diddly squat in distribution at the time it was made; I shouldve been able to rent this from my local Blockbuster like 40 times in high school (or at least as with Decline 2 get it on eBay - the first one I got through bootleg from I can't remember where). I just dont see why an indie distributor wouldn't take this as seriously as any other documentary about marginalized people (yes, including the final title card that all profits will go to the homeless and childhood abuse victims).

This could be criticized as not as organized as the first Decline, like there are a few points where it comes close to a home movie (albeit, what a home, or lack thereof), and it may be repetitive in its points and I may have liked to have seen a few more people from the "old days" (Flea and the former lead singer of Black Flag make appearances). But I dont care. It's a Decline doc!

It's an essential document of young people, often genuinely abused and neglected since, well, they're not living on the streets just for kicks, and some talk about being force fed alcohol as babies and being beaten and neglected - and a sadness covers a lot of this. I don't think Spheeris intended that necessarily, but she also doesn't try for anything for effect inasmuch that her approach to camera and cutting or how she asks questions sensationalizes these kids. It creates empathy because, hey, this could have been me or you or anyone else. The humanity is unvarnished, exciting, and distressing. A particularly eerie highlight, so to speak, are parts of an interview she has with a junkie who is... What that looks like.

"Where are you going to be five years from now?" "Drunk!"

PS: look for a Dudes movie poster on one of the walls at the party scene.