Mike's alcoholic father tells him there is only one thing that makes life worth living: "the empress". To Mike, however, the empress is love that lasts forever, not sex that lasts for days.Mike's alcoholic father tells him there is only one thing that makes life worth living: "the empress". To Mike, however, the empress is love that lasts forever, not sex that lasts for days.Mike's alcoholic father tells him there is only one thing that makes life worth living: "the empress". To Mike, however, the empress is love that lasts forever, not sex that lasts for days.
Fiona Mogridge
- Julie
- (as Fiona Lee-Fraser)
Anna Livia Ryan
- Dianne
- (as Anna Liva-Ryan)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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I loved this film. It tells the story of a single 36 year old, Mike (Reece Dinsdale) and his constant efforts to find that elusive thing called romance. He tries too hard each time as he doesn't really have a clue about the opposite sex, or feelings, or have any grasp of the downside of jumping in at the deep end. His best mate (John Hannah) is a lot more laid back, and surprise, surprise, he gets through without too many hiccups which must be pretty sickening from Mike's point of view.
The other story that is intertwined is the story of Mike's dad and long lost mum. Now that is true romance and everything that it is - the parts were brilliantly played by seasoned actors Frank Finlay and Susannah York.
Every role was played well and the thoughts and dialogue were well scripted and funny. I doubt if there is anyone who can truly say they have never been in one of these romantic predicaments.
I must just add another observation though about the previous comment. How is this film too English? I think all concerned would far prefer it to be too British (there is a difference) which I don't see as a problem and certainly nothing to be ashamed of. We have a different way of life and different attitudes but as long as people appreciate that then enjoyment of the film shouldn't be hampered. I haven't seen Swingers yet but I will look out for it to do a British comparison!
The other story that is intertwined is the story of Mike's dad and long lost mum. Now that is true romance and everything that it is - the parts were brilliantly played by seasoned actors Frank Finlay and Susannah York.
Every role was played well and the thoughts and dialogue were well scripted and funny. I doubt if there is anyone who can truly say they have never been in one of these romantic predicaments.
I must just add another observation though about the previous comment. How is this film too English? I think all concerned would far prefer it to be too British (there is a difference) which I don't see as a problem and certainly nothing to be ashamed of. We have a different way of life and different attitudes but as long as people appreciate that then enjoyment of the film shouldn't be hampered. I haven't seen Swingers yet but I will look out for it to do a British comparison!
I really enjoyed this film. A good and fairly unpredictable plot as well as great acting from all involved. A film in the great British drama tradition. It comes with a humorous twist and set in everyday grey London.
A perfect film for a Sunday morning viewing...
A perfect film for a Sunday morning viewing...
This movie undoubtedly immediately recalls feelings of vulnerability that is recognizable for most men, regardless of where they live. Although the story of this movie is not very original (indeed, fear of rejection in love is not a rarity in any movie at all), the way he expresses his feelings of desire and vulnerability are both very witty and touching in a no nonsense way. Even an actor such as Hugh Grant doesn't show his emotions of insecurity and sorrow so intensely as Mike does.
In general, in a vast majorities of the movies ever made, men show their emotions far less intense in very probing love scenes, contrary to most women do in movies. In spite of this, many men all over the world undoubtedly often feel the pain of love as intense as Mike does often without openly showing it neither verbal nor non verbal. Therefore, this movie has remained with me all along: this movie is a nutshell for every man who want direct recognition of repressed feelings about the pain of love. Finally, I think the way Mike deals with the ups and downs of finding a durable intimate relationship are both a consolation, consolidation and very instructive for any man. Nevertheless, I wouldn't recommend this movie if one only prefers complicated love stories with cryptic psychological plots!
In general, in a vast majorities of the movies ever made, men show their emotions far less intense in very probing love scenes, contrary to most women do in movies. In spite of this, many men all over the world undoubtedly often feel the pain of love as intense as Mike does often without openly showing it neither verbal nor non verbal. Therefore, this movie has remained with me all along: this movie is a nutshell for every man who want direct recognition of repressed feelings about the pain of love. Finally, I think the way Mike deals with the ups and downs of finding a durable intimate relationship are both a consolation, consolidation and very instructive for any man. Nevertheless, I wouldn't recommend this movie if one only prefers complicated love stories with cryptic psychological plots!
A US distributor told me that the problem with this film is that >it was too english. She was right, too. It occasionally made me >laugh but Reece Dinsdale's failure to find a girlfriend and >constant winging annoyed the hell out of me. Funny that the same >cannot be said for Johnny Favareau in 'Swingers' which is a much >better film about the same topic.
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'So This is Romance' has a fine angle on men and women in pursuit of love. The pitfalls and pratfalls are humorously portrayed as 'Mike' decides whether to date his ex again, or go for the new love. Both have the plus sides, but Mike being Mike makes the wrong decision, argues with his ex (As usual) and discovers his new flame is now back with her ex... thus losing both. Contrasting this roller coaster of emotions is Tony (John Hannah) whose relationship with his girlfriend is on and off more than a traffic light. And to reflect them all in a slightly more positive light is Mikes Dad, a drunk who craves the return of his wife, Mike's Mum. Mike gets them back together and all do they fight. So Mike gives up, then, alone on a cliff top who should turn up but the one...when you least expect it.
Did you know
- TriviaSusan Duerden's debut.
- ConnectionsReferences Pretty Woman (1990)
- SoundtracksWhoever You Are
Performed by Prefab Sprout
Words and Music by Paddy McAloon
© 1995 Published by EMI Songs Ltd
Courtesy of Columbia Records/Kitchenware/Sony Music Entertainment (UK) Ltd.
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- Romance and Rejection
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