A young socialite struggling to control her necrophiliac urges is torn between her affection for a kind businessman and the mortician who supplies her with bodies.A young socialite struggling to control her necrophiliac urges is torn between her affection for a kind businessman and the mortician who supplies her with bodies.A young socialite struggling to control her necrophiliac urges is torn between her affection for a kind businessman and the mortician who supplies her with bodies.
- Race Driver
- (as Toby Halicki)
- Party Guest
- (uncredited)
- Bald Cult Member
- (uncredited)
- Love Slave
- (uncredited)
Featured reviews
This is one of the few movies about necrophilia where there is really an equal emphasis on the "necro" and "philia". There's a very disturbing scene where the creepy mortician picks up a male prostitute and proceeds to embalm him while he's still alive(!), but generally this movie isn't nearly as gruesome as stuff like "Der Mosquito", "Lucker", "Beyond the Darkness" or "Nekromantic". It does, however, have one of those sappy 70's love plots (complete with a syrupy 70's soundtrack) that is definitely odds with the more gruesome content. But, in my opinion anyway, it also makes the film more interesting than if it had just been a pure gorefest.
This film is also yet another entry in strange series of 70's exploitation films (i.e. "Dream No Evil", "Toys Are Not for Children", "Baby Rosemary") all focusing on female Norman Bates-types whose obsessive love for dead or absent fathers results in severe adult sexual dysfunction, and ultimately tragedy. The most recent movie it resembles is the "indie cult" film "Kissed" with Molly Parker. But while others may disagree, I definitely prefer 70's exploitation to modern-day "indie" quirkiness. This is definitely worth seeing.
Helped along by a very professional sounding theme tune (sung by Kit Fuller), and a lively score echoing films of much more mainstream cinema, this is a shocking film that will make you think for a long time afterwards. Unfortunately, the good acting and imaginative story is let down by some chronically bad editing - particularly when we are suddenly introduced to the character of Alex - but this aside, you should find much more to enjoy about this movie than you will find to dislike about it.
"Love Me Deadly" is to necrophilia what "Max Mon Amour" is to bestiality: one of the last taboos to be tackled in an grown-up fashion, but which can be appreciated by an audience without needing to visit a seedy sex-shop; where story comes first, and titillation is far down the line.
Did you know
- TriviaMany of the guests at the party were played by crew members. Buck Edwards, who plays the cult member with a shaved head, is briefly visible as a guest in the background.
- GoofsOn the poster the leading lady is shown as brunette. In the film she is bleach blonde.
- Quotes
Lindsay Finch: Don't you understand? I said, I'm not going.
Fred McSweeney: I believe I do understand. I recognised you from the Baxter funeral on the seventh. I couldn't help but notice your affection for the deceased.
Lindsay Finch: You must be mistaken. I know no one named Baxter. Please, I don't want to be rude...
Fred McSweeney: The word is, necrophilia. Turn on your lights and follow that car.
[they drive off]
Fred McSweeney: You're upset. Don't be. We're quite normal people, just with different passions. Our drives and needs aren't understood by many people, so we have to keep them secret. You're not alone. In our group we have several members who... who participate.
- ConnectionsFeatured in Mad Ron's Prevues from Hell (1987)
- How long is Love Me Deadly?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Secrets of the Death Room
- Filming locations
- W. Olympic Blvd. at Alvira St., Los Angeles, California, USA(Lindsay and Fred drive to cemetery)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $42,500 (estimated)