Dixie

Abigail Clayton presents a truly enjoyable performance in this film.

Her portrayal of an underage girl's exposure to the wicked world around her, and her ensuing submersion in same is an erotically supercharged story made all the more enjoyable by her innocent sensuality. Unlike today's over-emoted "actresses" and their all too obviously faked moans and groans, Clayton conveys her own gratification (which is, or should be, the ultimate aim of any adult movie) by letting the moment carry her away, thereby giving the viewer a sense of Clayton the person, and not Clayton the actress. Supported by a better than average cast of characters,as well as an actual story line, this movie is a rare gem in a genre loaded with terrible trash.

I worked on this film with Rick Beaty (pseudonym=Steve Brown), and it was always fun, although long hours! Katie (pseudonym=Abigail) was really cute. Because of the police pressure against adult filmmakers in Los Angeles at the time, Rick would drive up to San Francisco to make his films. He drove his boss's Cadillac that had a mobile phone in it. His boss, Tom Parker, of Topar Films, financed Rick's movies and Parker also owned several cinemas in L.A. that he bought from Lou Scher. Lots of amazing memories behind the making of this film as well as may others he and others make around this time. There's plenty of material here to write a book about adult film production in the 70's.