A wannabe cop gets rejected from the police force due to his short stature but keeps himself busy by working as a security guard. However, unwilling to give up his dream of being a cop, he m... Read allA wannabe cop gets rejected from the police force due to his short stature but keeps himself busy by working as a security guard. However, unwilling to give up his dream of being a cop, he masquerades as a cop n sexually n physically abuse prostitutes. Sometimes he takes free mas... Read allA wannabe cop gets rejected from the police force due to his short stature but keeps himself busy by working as a security guard. However, unwilling to give up his dream of being a cop, he masquerades as a cop n sexually n physically abuse prostitutes. Sometimes he takes free massages n free threesome by threatening massage parlor owners. One fine morning he witnesses... Read all
- Eddie
- (as Jason Carns)
- Linda
- (as Linda Harris)
- Taller Masseuse with Eddie
- (as Mary Tomkins)
- Massage Parlor Girl in Pink
- (as Sally Martin)
- Girl in Beach House
- (as Gloria Jane Medford)
- Police Lt. Jim Cable
- (uncredited)
- Eddie's Boss
- (uncredited)
- Massage Parlor Manager
- (uncredited)
- Policeman on Car Radio
- (uncredited)
- Policeman Bob
- (uncredited)
Featured reviews
"A Climax of Blue Power" is hostile and gritty, and without a trace of political correctness. It also plays like a real movie, with a plot, characters and believable acting. There's even a car chase. Carns is effective in his role, his physical attractiveness (he sort of looks like a young Kurt Russell) never overshadowing his creepiness. Carnon, who's made numerous softcore movies ("Drop-Out Wife," "Booby Trap"), is another standout. (Incidentally, Carnon's scenes in this movie all appear to be softcore; an obvious stand-in was used for the hardcore close-ups). Also appearing are Frost's frequent producing partner Wes Bishop, as a detective, and Uschi Digard in a non-sexual and, surprisingly, fully-clothed cameo.
Director Frost made some of the most stylish roughies of the 1960s ("The Pick-Up," "The Defilers," "Hot Spur"). "A Climax of Blue Power" essentially uses Frost's roughie template and repackages it in a hard-X format. Though the movie has a few shaky production and story issues at its beginning (like why does a hooker keep flagging down johns in front of a police car and an unconvincing day-for-night scene), this is a must for fans of Frost's work, as well as aficionados of rough sex.
The film was obviously cheaply made and naturally this has lead to a very gritty and downtrodden atmosphere, which bodes well with the hardcore sex. The sex definitely is hardcore and director Lee Frost (who previously directed odd porno-noir The Pick-Up and dismal Nazisploitation trash Love Camp 7) definitely leaves nothing to the imagination as we get to watch the lead character have his way with various female members of the cast. The sex is gritty just like the atmosphere though it well filmed and largely very erotic also. The acting does leave a lot to be desired, although Jason Carns is thoroughly convincing in the lead role. The film all boils down to the scenes at the end where we get to see the lead have his way with the murderess he witnessed earlier on and these are the best parts of the film. The film takes a bizarre turn and the sex scene towards the end is very brutal. Overall, A Climax of Blue Power certainly wont be everyone's cup of tea; but if you like your rough seventies porn with a story; this is probably one of the better examples. Recommended.
This is directed by prolific director Lee Frost who probably also wrote the script. This is actually a very interesting story that is well paced. It also is hardcore porn. The sex sometimes gets in the way although it sometimes is part of the story. Most of those scenes I fast-forward thru as I didn't find most very exciting. It's interesting to note that Angela Carnon plays the murderess who does get fully nude but had a body double for the sex who doesn't look anything like her.
This was an interesting movie. The acting was just okay. Some of the sex scenes either were boring or just uninspired. Maybe went on too long. I think this worked better as a movie with some sex. It did not work as a porn with some story if that's what you want.
Stuck in a low-paying, dead-end job as a night watchman in a shabby warehouse, Eddie has plenty of time to fume about the life he'll never have. So he does the next best thing: He buys a police uniform and outfits his car to look like an LAPD cruiser. In the dark hours before his night watchman shift starts, he cruises the streets of LA, looking for hookers and other women deserving to be "busted." When he finds them, he makes the arrest--so his women think--but once alone in his car, Eddie lays his hand on the table: He'll drop the charges if they put out for him. This they do, and we get to watch as angry, bitter Eddie rapes them every which way before ditching them.
The real LA police become aware that a horny citizen is impersonating a cop to extort sex from various women, but without a good lead, their case is stymied.
Meanwhile, as Eddie relaxes on the beach he overhears an argument in a nearby house which ends in murder. Worse, the woman's crime is labeled a suicide by investigators and their ineptitude only enrages Eddie further. Soon he hatches a plan to exact sexual revenge on the murderess, while taunting the tall-but-incompetent LAPD...but who will emerge victorious?
It seems like a very interesting erotic exercise that Lee Frost (a director more versed in R-rated plots) applies here, including explicit sex scenes, of course, and providing a certain realism to the violent vignettes.
In certain sexual acts one immediately senses the use of substitute actresses, as well as the technical resource of close-ups to avoid discovery. And that is where A Climax of Blue Power falters, a masterful film embedded in the underworld of commercial pornography.
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- A Taste of Blue Power
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