Au-delà du cauchemar

Dumb, moronic film was shelved for 5 years (completed in '82, released in '87), because of poor pacing, editing, and horrible death scenes. What little plot there is, is about teenagers winning a vaction to a camp they once attended when they were younger. However once they get there and people start turning up missing they start to believe that the disapperances have something to do with the accidental death of a friend at the camp years earlier. Sound familiar??

Rated R; Graphic Violence, Sexual Situations, Profanity, and Graphic Nudity.

Paul Hunt's "Twisted Nightmare" was actually made in 1982 and in the same setting of "Friday the 13th Part III".The film was withheld until 1987.It's easy to see why.A group of teenagers go to a lakeside camp named Camp Paradise built on an ancient Indian burial ground.Two years ago mildly retarded and virginal Matthew was burned alive in the barn.His charred body was never found.Two years later the teens are invited back to camp where demonic killer starts slaughtering them."Twisted Nightmare" rips off "Friday the 13th","The Ghost Dance" and "The Burning" and offers plenty of clichés.There is nudity galore and the bodycount is quite high,but all sixteen killings are shown mostly off-screen.The acting is pretty amateurish too.6 out of 10.Now let's go and explore the barn.

"Twisted Nightmare" won't pull out any surprises as it's a deranged, if run-of-a-mill camp-based slasher, but it does have some interesting novelties ranging from the fact it was filmed around the same time as "Friday the 13th Part 3" (to only be released a couple years later) and that in was shot in the same area as that film too. Those would remember the barn of doom (and again it seems to hold some sort of attraction).

A group of old friends are mysteriously invited back to Camp Paradise, but no one has been there since the strange death of Matthew (a simple kid who was picked on by them). His death was unexplainable as he was turned into a scorching human torch and the body was never found. So the friends are together again along with Matthew's sister, but not too soon one-by-one the group start getting picked off.

For being a low-end slasher it has its recycled conventions, but it was a competently done (on the technical side) for what it is. A quickie, but well delivered slasher that reminded me of a cheaper version of woodland slashers "The Burning" and "Madman". The killer is pretty much in the same mould as "Madman" --- an unstoppable scruffy brute that's disfigured and who likes to growl. The story is old-hat (despite an interesting back-story about how the campsite is cursed) with a sluggish beginning before getting on with things before leading onto a insanely predictable revelation, the forced dialogues are lame and the acting for most part is bad (leaden or ripe). However it does bestow a healthy body count throws about the nudity quite freely and has its nasty moments. Junky and cheesy, but entertaining. Director Peter Hunt uses the locations rather well, but it seems to work better during the night sequences with the cat and mouse chases between the bulky killer and self-obsessed victims. There are some atmospheric touches with beaming blue lighting and mist, but even then the vision can become quite murky and editing rather jerky (like the first death sequence). The death scenes are hit or miss, some coming off while others not so. Moments do become laughable, like the use of slow-motion. The music is an unhinged, but mangled mixture sounding ominous but then breaking into something sunny and bright.

I found this movie way back on a shelf in my closet. I had to blow the dust off the video box to read the title. With our curiosity aroused my wife and I sat down to watch it. When it was finished she made me promise to clean out the closet more often!

Among the slasher sub-genre this is a forgotten film; and perhaps we'd all be better off if it stayed that way. It is certainly disjointed enough to seem like a dream and there are plot points which we think will be important but which are forgotten immediately after they are introduced. The film begins with an American Indian Medicine Man being burned at the stake by Cavalry troops for allegedly practising black magic. He vows to return from the dead for revenge. Flash forward 200 years (give or take a decade) to some college pals returning to a campsite where they spent a summer holiday a few years before.

Now here is where the plot gets going. The retarded brother of one of the kids was burned to death in an accident, after which the group all went their separate ways; apparently through a collective feeling of guilt. Hardly has night fallen before someone starts getting rid of the visitors one by one in increasingly gory ways. Is it a resurrected Indian spirit? Has the burned boy come back from the dead? Does the dead boy's sister know more than she is saying about what is happening? Will you hit the fast forward button on the remote? Only the answer to the last question is obvious!

The plot is so full of holes even the minimal gore cannot save the plot. In fact the few bloody moments are photographed so dark you can barely see what is happening. The "tearing an arm out by the roots" scene was done much better, and clearer, in the equally obscure Bigfoot movie NIGHT OF THE DEMON.

This one is for lovers of obscure movies only . . . and even they will come away from it scratching their heads in disbelief.

My review was written in September 1988 after a screening at Liberty theater on Manhattan's 42nd Street.

"Twisted Nightmare" is a perfunctory horror film bringing back to null effect rather corny genre themes. Ongoing theatrical release is unwarranted compared to many direct-to-video titles, though pic has a catchy moniker.

Main mystery stems from pic's origins: print caught had a 1982 copyright (in Roman numerals) on-screen, het ad materials and date of MPAA rating imply the film actually was made in 1987. Pic probably is fresh, but plays like the look-alike films made at the beginning of the decade when horror boomed.

A group of young people are summoned to Camp Paradise, where they camped regularly until two years ago when Mathew, the brother of pretty brunette Laura (Rhonda Gray), died mysteriously in flames. Confused storyline blames the subsequent one-by-one murdes of the cast members on those old standbys: (1) ancient revenge against the white man (plus a black couple for good measure) for desecrating Indian burial ground, the site of the camp, and for massacring local Indians (only survivor was a medicine man, whose grandson is tghe sinsiter farmhand-type resident of the camp), and (2) unbalanced Laura's obviously telegraphed need to avenge her bro's death.

Gory killings are standard for horror flicks, while Paul Hunt's execution of a "Friday the 13th" or "The Outing" type screenplay is relentlessly dull. Cast is attractive but the acting is flat. Big, hairy monster (mainly shown in silhouette) is disappointing.