In late 1950s New York, a young underachiever named Tom Ripley is sent to Italy to retrieve Dickie Greenleaf, a rich and spoiled millionaire playboy. But when the errand fails, Ripley takes ... Read allIn late 1950s New York, a young underachiever named Tom Ripley is sent to Italy to retrieve Dickie Greenleaf, a rich and spoiled millionaire playboy. But when the errand fails, Ripley takes extreme measures.In late 1950s New York, a young underachiever named Tom Ripley is sent to Italy to retrieve Dickie Greenleaf, a rich and spoiled millionaire playboy. But when the errand fails, Ripley takes extreme measures.
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- Nominated for 5 Oscars
- 10 wins & 81 nominations total
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Yes The Talented Mr Ripley is slow at times, but to me it is always absorbing and very rarely boring. The scenery is simply dazzling and really quite exotic, and the costumes and cinematography are gorgeous too. The music is superb, as is Anthony Minghella's direction. The story is very compelling with a number of interesting and well-handled scenes, while the script is both intelligent and thoughtful. The acting is excellent, Matt Damon does wonderfully in a difficult and perhaps controversial role, and Jude Law, Gwyneth Paltrow, Cate Blanchett and Phillip Seymour Hoffmann are equally terrific. Overall, quite an excellent film. 8/10 Bethany Cox
I'll admit that I rented "The Talented Mr. Ripley" without the slightest clue about what the story entailed. However, this caused no problem as I soon became involved in the twisted and rather bizarre plot; I was immediately interested in the movie as it was unique and unusual right from the start.
Matt Damon portrays the mysterious Mr. Ripley, who, more or less, remains a mystery throughout the film. I was intrigued at how, when you first see him on screen, you are given the impression that he is nothing more than a shy, innocent, and intellectual young man who pretty much keeps to himself. However, this image is only visable for the first five minutes or so, and is virtually shattered once he accepts the offer to go to Italy in search of Mr. Greenleaf's son, Dickie. I was fascinated at how rapidly his personality altered, and suddenly I understood that he was rather odd, as he deceived Mr. Greenleaf in the first place by wearing a Princeton jacket and pretending that he knew Dickie. Now, I haven't explained this entirely, as those of you who have seen this film know, as I am not writing this to create a summary of the plot, but rather to give my comments. Basically, Mr. Greenleaf saw Ripley playing the piano at a wedding wearing a Princeton jacket, and since his son also went to Princeton, he asks Ripley if, by any chance, he knew Dickie. Of course, since Ripley never went to Princeton in the first place, he couldn't possibly have known Dickie. Despite this fact, however, Ripley says that he did know him, and that they were friends. As soon as he says this, he manages to get himself in a deep hole of trouble as Mr. Greenleaf asks him to go to Italy to try and retrieve his son, as he couldn't do it himself due to that fact that Dickie wouldn't listen to his father following a serries of arguments.
I thought that the acting was brilliant, especially that of Jude Law (Dickie) and Matt Damon. I was on the edge of my seat throughout most of the film, and I felt that all the characters were believable in their own ways. I believe this to be a splendidly clever story, which is well written and directed. I thought that the music playing during most of the film was excellent as it matched the strange, eerie atmosphere of the story beautifully.
I would like to conclude this review by saying that this is a very good movie with an unusually unpredictable ending; it's nice to see a movie that doesn't finish perfectly for a change.
Matt Damon portrays the mysterious Mr. Ripley, who, more or less, remains a mystery throughout the film. I was intrigued at how, when you first see him on screen, you are given the impression that he is nothing more than a shy, innocent, and intellectual young man who pretty much keeps to himself. However, this image is only visable for the first five minutes or so, and is virtually shattered once he accepts the offer to go to Italy in search of Mr. Greenleaf's son, Dickie. I was fascinated at how rapidly his personality altered, and suddenly I understood that he was rather odd, as he deceived Mr. Greenleaf in the first place by wearing a Princeton jacket and pretending that he knew Dickie. Now, I haven't explained this entirely, as those of you who have seen this film know, as I am not writing this to create a summary of the plot, but rather to give my comments. Basically, Mr. Greenleaf saw Ripley playing the piano at a wedding wearing a Princeton jacket, and since his son also went to Princeton, he asks Ripley if, by any chance, he knew Dickie. Of course, since Ripley never went to Princeton in the first place, he couldn't possibly have known Dickie. Despite this fact, however, Ripley says that he did know him, and that they were friends. As soon as he says this, he manages to get himself in a deep hole of trouble as Mr. Greenleaf asks him to go to Italy to try and retrieve his son, as he couldn't do it himself due to that fact that Dickie wouldn't listen to his father following a serries of arguments.
I thought that the acting was brilliant, especially that of Jude Law (Dickie) and Matt Damon. I was on the edge of my seat throughout most of the film, and I felt that all the characters were believable in their own ways. I believe this to be a splendidly clever story, which is well written and directed. I thought that the music playing during most of the film was excellent as it matched the strange, eerie atmosphere of the story beautifully.
I would like to conclude this review by saying that this is a very good movie with an unusually unpredictable ending; it's nice to see a movie that doesn't finish perfectly for a change.
Tom Ripley (Matt Damon) is a struggling lower class bathroom attendant in 1950s Manhattan. He's mistaken for being in the world of the super wealthy when an upper crust man hires Tom to retrieve his wayward son Dickie Greenleaf (Jude Law) from Italy for $1000. He finds Dickie with his girlfriend Marge Sherwood (Gwyneth Paltrow) and is lured into the world of the leisure class. When Dickie gets tired of Tom, Tom does the unthinkable and uses his underhanded skills to hang on.
Director/writer Anthony Minghella has instilled a sense of dread and foreboding. The acting is top notch with the most important coming from Matt Damon and Jude Law. There are honorable mentions to Philip Seymour Hoffman, Gwyneth Paltrow and Cate Blanchett. I do wish they play up Tom Ripley's homosexual side with Dickie and intensify the creepiness. Other than that, this movie has the perfect tone and sense of doom. It is such a perverse movie that you almost root for the conniving Tom Ripley.
Director/writer Anthony Minghella has instilled a sense of dread and foreboding. The acting is top notch with the most important coming from Matt Damon and Jude Law. There are honorable mentions to Philip Seymour Hoffman, Gwyneth Paltrow and Cate Blanchett. I do wish they play up Tom Ripley's homosexual side with Dickie and intensify the creepiness. Other than that, this movie has the perfect tone and sense of doom. It is such a perverse movie that you almost root for the conniving Tom Ripley.
A talented cast leads this twisted film about identity and becoming someone else. I enjoyed this movie quite a bit. It makes you think and lingers with you long after the credits roll. Anthony Minghella fills the screen with gorgeous European visuals that really add to the atmosphere. It is a tad long and takes a little bit to get going, but the Talented Mr. Ripley is another great film from 1999.
I was so fascinated by Tom Ripley's character that I watched this movie again and again. There was something about him that I felt sympathetic towards on one hand and gave me the creeps on the other. Sympathetic because in more than one ways he is like you and me. He wants to be rich, he wants approval and he is may be just an opportunist. Creepy because he latches on like a leech, he can't take rejection and though he doesn't plan but once he assumes the identity of someone else he can go to any extent to keep that. Actually one can identify with the character so much that it's almost scary to look inside your dark corners.
Matt Damon played this three-dimensional character so well that I almost became a huge fan of his. Jude Law as Dickie Greenleaf, whose identity Tom Ripley steals was very good as well. The movie is shot in Italy, moves at a leisurely speed and is very atmospheric. One of my all time favorite thrillers.
Matt Damon played this three-dimensional character so well that I almost became a huge fan of his. Jude Law as Dickie Greenleaf, whose identity Tom Ripley steals was very good as well. The movie is shot in Italy, moves at a leisurely speed and is very atmospheric. One of my all time favorite thrillers.
Did you know
- TriviaJude Law learned to play the saxophone and Matt Damon learned to play the piano for this film. However while Damon's training enabled him to recreate the proper keyboard fingering, the music heard in the film is played by Sally Heath (the Bach) and Gabriel Yared (the Vivaldi).
- GoofsWhen Tom talks to Marge after he returned home from San Remo, the cover of a Miles Davis LP is visible in the background. It's the cover sleeve of "Tutu" which was released in 1986. However, the movie is set in 1958.
- Quotes
Tom Ripley: I always thought it would be better to be a fake somebody than a real nobody.
- Crazy creditsThe opening title uses all the adjectives of the complete title before cutting to the final "The Talented Mr. Ripley."
- SoundtracksLullaby for Cain
Music by Gabriel Yared
Lyric by Anthony Minghella
Performed by Sinéad O'Connor
Produced by Anthony Minghella & Gabriel Yared
Sinéad O'Connor performs courtesy of Atlantic Recording Corporation
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Details
- Release date
- Country of origin
- Official sites
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- Also known as
- El impostor
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $40,000,000 (estimated)
- Gross US & Canada
- $81,298,265
- Opening weekend US & Canada
- $12,738,237
- Dec 26, 1999
- Gross worldwide
- $138,033,285
- Runtime2 hours 19 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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