Guns 1748

Jake Scott's bizarre late nineties historical folly was much derided and ignored at the time and despite some elements of it dating quite fiercely it maintains a characterful tenacity that I really took to. The biggest draw is the cast, Lee Miller and Carlyle are a great double act and brimming with post-Trainspotting intensity. The magnificent Ken Stott in fantastically creepy form as the odious General Chance and even Liv Tyler's love interest gets a chunk of things to do. Alan Cumming's glorious Rochester is the absolute core of the film for me. There's a lot of grotty historical detail (mashed in with the Ibiza-tinged soundtrack) and a weirdly large amount of British comedians hiding in the background. A very young Noel Fielding, Matt Lucas and even Armstrong & Miller as strangely anachronistic dandies. There's a lot to like here, the very definition of a cult film.

England in the 1700's, (1745 to be exact) was not a nice place. The rich were all made up to the eyeballs with ludicrous hair and cuffs you could hide a poodle in. They did, however smell a little better than the poor, who were lucky if they made it through the day without a vital appendage falling off in the street.

It is to this world that the audience watching Plunkett and Macleane are introduced. It's not pretty, but it's very believable and prepares you to accept the lengths to which people will go to clamber from the muck to a better life.

Thrown together through circumstance, Macleane, a semi-respectable gentleman who spends too much on women and gambling and Plunkett, a common criminal with more than a few tricks up his sleeve, find that they can rob together successfully as partners. So they do. A lot.

There's a lot of good ideas in the film, primarily the concept of turning the idea of 18th Century English nobility on its head and making it seem little more than an excuse to wear wigs and lipstick. A refreshing change in these days of Merchant Ivory productions and hey-nonny snooze.

Then there's the obligatory love interest, Lady Rebecca (Liv Tyler) and the vicious baddie, in the form of the Thief Taker General Chance, played with sadistic relish by Ken Stott. Both perform well, but it's up to the two leads, and the chemistry that worked well in Trainspotting to steal the show. Being Highwaymen, they steal it with ease, commanding each scene with humour and grit in equal proportions. Some moments of the film are laugh out loud funny, while others border on the disgusting. Always funny and compelling as an action movie, (the love story is left firmly in second place) Plunkett & Macleane is great fun. Though the efforts of the excellent cast and director Jake Scott, we have another British hit on our hands.

All in all, to blatantly rip off a line from the film:

"It was fantastic and I had a bloody good laugh!"

I can tell from reading the other comments that I am in the small minority of people who loved this film. I rented it several times to share with friends and family, and since they are all into renfaires and the like, they seemed to enjoy it. Maybe not as much as I did, but not everyone is me. I found it to be a fun romp into a world that we so often see the high society end of (Dangerous Liasons, etc..), but not too often from the poor man's point of view. Robert Carlyle and Johnny Lee Miller are two of my favorite actors, both since Trainspotting, and I think they will be for some time to come. If you like English humor, then I think you will enjoy this film.

When I sat down in the cinema to see this I was expecting to see a sort of stylish tongue-in-cheek action film, which had been implied by the trailers. However, it very quickly became apparent that this film was trying to be more.

Normally, I don't approve of films that try to entertain in as many ways possible. For instance, this film tries to mix action with comedy, romance, lightheartedness and gritty seriousness all at once. Most of the time this sort of approach doesn't work in films (just look at Batman Forever) but I was was pleasantly surprised to see that in this case, they pulled it off.

The end result is a highly entertaining film that should appeal to most mature cinemagoers. (However, the weak of stomach should really be warned of one or two scenes.) Robert Carlyle and Jonny Lee Miller pull of a brilliant double act and Ken Stott does a excellent villain. This mixed in with superb costumes and a few decent action scenes makes for a very enjoyable watch.

However, the big let-down here for me is that in having 'The Gentleman Highwayman' there was a real opportunity for some good dialogue but the script was definitely lacking in punchiness and there were few belly laughs. Okay, so the lines weren't terrible but to me it does highlight a problem with recent British films; ignoring a few notable exceptions the screenplays being written today are still relatively mediocre when compared to some of Hollywood's efforts.

Ah, how refreshing to see a vision of 18th century England complete with mud, the pox and gibbets... and accompanied by a delightful techno soundtrack to boot. This is the story of downtrodden highwayman Plunkett (Robert Carlisle) and Gentleman-fallen-on-hard-times Captain Macleane (Jonny Lee Miller), and how they get together and rob the aristo pigs. Plunkett is a hard nut, but MaCleane is far too polite for that, and thus becomes 'the gentleman highwayman'. He falls in love with Lady Rebecca (Liv Tyler), (who to be frank is the only weak part of the whole shebang) and wants to impress her.

The costumes are fantastic. Big, colourful, historically innacurate beautiful togs. Alan Cummings gets all the best threads, and the best lines as Lord Rochester, sporting a very non-18th century eyebrow piercing. The music shifts between swooping glorious choirs and thumping bass-laden techno, which doesn't jarr as you think it should do in a historical film. The script is fast-moving and peppered with modern-day colloquialisms; Merchant Ivory, this is not. There are hilarious parts, disgusting parts, sit-on-the-edge-of-your-seat-and-nibble-your-fingernails parts, but the whole thing chugs along and is wonderfully entertaining throughout. This is cheer-in-the-cinema stuff. Unmissable.