Penny, the dance captain/manager of the Abbott Dancers, who are just concluding their engagement at the Cocoanut Grove, and Tommy are just about to be married, Penny to join the dance troupe... Read allPenny, the dance captain/manager of the Abbott Dancers, who are just concluding their engagement at the Cocoanut Grove, and Tommy are just about to be married, Penny to join the dance troupe in San Francisco after the conclusion of the honeymoon. But in also being mother hen to t... Read allPenny, the dance captain/manager of the Abbott Dancers, who are just concluding their engagement at the Cocoanut Grove, and Tommy are just about to be married, Penny to join the dance troupe in San Francisco after the conclusion of the honeymoon. But in also being mother hen to the girls in both professional and personal matters, Penny, in having to put out one fire t... Read all
Photos
- Carwood Van and His Orchestra
- (as Carwood Van and His Orchestra)
- Man from Elevator
- (uncredited)
- Cop Escort
- (uncredited)
- Carwood Van
- (uncredited)
Featured reviews
It's a silly little short, intended to show off the acrobatic dancing troupe, and it does so very nicely under the direction of George Sidney. He had begun directing shorts for MGM in 1936, and in 1941 would switch to features. Although he would turn out the occasional swashbuckler, his specialty was musicals, and he would continue to direct them until the end of the 1960s, including VIVA LAS VEGAS.
Besides directing movies, Mr. Sidney was a co-founder of Hanna-Barbera and from 1957 through 1968, the company's president. He died in 2002, age 85.
Unlike many shorts, this one looks like it could easily have been stretched into full-length since the film had a relatively complex plot and since it was acted at break-neck speed. This short is both a musical and has a love story as well--and as I mentioned, this is a lot for a musical short--many others just featured music. As far as musical shorts go, this one isn't bad like some because of the addition of an honest-to-goodness plot, but it also isn't great or especially memorable either. One of the things working against the film (other than the forgettable dance numbers), is that the female lead really is a self-centered jerk and so instead of rooting for her to finally tie the knot, I wanted him to dump her once and for all--and this is not a good basis for a film.
The dancers are so-so. They are entertaining for what they do, mixing in some acrobatic flips and things, but there's nothing exceptional in their talents and routines. The one funny and notable scene in this short film is all eight dancers packed into a police car.
This short came with a DVD of the Thin Man series that I bought.
** 1/2 (out of 4)
MGM short about a man and woman (Truman Bradley, Mary Howard) who are trying to get away so that they can be married but each time they try to leave something comes up at her tap dancing school. That's pretty much the entire story here, which is admittedly pretty weak but there are a few dance sequences here that make this 9-minute film worth sitting through. The Merriel Abbott dancers are the main reason to check this thing out as they do some pretty impressive dance sequences including one where they pretty much hold each other upside down and do cartwheels. The story itself really isn't anything overly special and I think it actually works against the film because the female lead is so unlikeable that you're really hoping the guy will wise up and leave her for good. With that said, if you're a fan of the genre then there's enough here to make it worth viewing at least once.
There are similar affronts today all over the multicinema. But with a little distance, this one is pretty bad.
It is a short to begin with. And 2/3 of it has to be dancing, so the story is as skeletal as possible, more cartoonish than your standard cartoon.
You have your ultrarich handsome, patient guy in love. You have the target of his affection, a sensitive, artistic beauty who manages (owns?) a dance troop of 14 or so dancers. When on stage, the girls are sexy in that way of elegant crotchshowing we are not supposed to notice. When with the owner, they act like children.
The story involves how the "children" get in the way of setting a wedding date, then repair the damage.
The "on tap" part is their tap dancing. They *are* pretty.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
Did you know
- TriviaThe aircraft shown is a 1936 Douglas DC-3, registration NC16094. In 1941 it was requisitioned by the government, converted to a C-49A transport and sent to the U.K. as part of the Lend-Lease program. It served in North Africa and then the RAF sent it to 117 Squadron in India. It was destroyed on the ground in Burma during a Japanese bombing raid in 1942.
- GoofsDuring the outside rehearsal, there are 8 girls dancing. Later, 9 girls get out of the police car that overtakes the car Penny and Tommy are in. Also, 9 girls are with Penny in the cleaner's shop. Then, in the finale dance number, there are 8 girls.
- SoundtracksGood Night Sweetheart
(1931) (uncredited)
Music and Lyrics by Ray Noble, Jimmy Campbell and Reginald Connelly
Played during the opening credits and at the end
Played by Garwood Van and His Orchestra and danced by Merriel Abbott Dancers
Details
- Release date
- Country of origin
- Language
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime11 minutes
- Color
- Aspect ratio
- 1.37 : 1