Common Law Wife

"Common Law Wife," a made-in-Texas drive-in quickie directed by exploitation maestro Larry Buchanan ("Mars Needs Women," etc.) has it all: inept cinematography, bad acting, dubbing that's reminiscent of a Sir Run Run Shaw production, and, best of all, twisted, hate-filled characters like lusty old Uncle Shug, who wants to get rid of his aging common law wife, a shrieking harridan played by Anne McAdams (who would go on to have a lengthy career), so he can shack up with his niece, Jonelle, who wants to get rid of HIM -- permanent-like! Jonelle (stripper name: Baby Doll) has been takin' it all off in New Orleans, and damn if they didn't cast a real stripper in the part!

No nudity here, just your garden variety sleaze and down-home depravity. They don't make 'em like this any more, which is either a good thing or a bad thing...

In her film debut in the title role, veteran exploitation queen Annabelle Weenick (under her original alias of Anne MacAdams) really brings the opening and closing scenes of this misanthropic trash shot in Forney in Texas to life; and it lags badly during the interminable middle section when she's offscreen.

That the script is by a woman may account for why the scenes between the female characters are far more entertaining than those with the men - with the notable exception of those between Linda and her rancid old sugar daddy Shugfoot Rainey. Did the sheriff's wife pleading with her sister Jonelle not to steal her husband inspire Dolly Parton?

The uncredited jazz score - presumably library music - gives kick to the proceedings.

Annabelle Weenick has been shacked up with rich, creepy George Edgley for five years now. He's grown tired of her and tells her to get out so niece Lacey Kelly can take care of him. She consults a lawyer, buys a wedding band, and tells him that under the laws of the state, they're actually married, and she's going nowhere. Meanwhile, Miss Kelly shows up, crawls into uncle lap, and goes to stay with her sister until matters settle. Deciding that it would be best if Edgley died, she sleeps with her brother-in-law, the town's sheriff, and when he turns down her idea, she sleeps with moonshiner Bert Masters.

Much is implied, but little is shown save good-looking women in their foundation garments. Apparently Larry Buchanan shot some footage, had to abandon the project, and then Eric Sayers shot some more.

While there is little doubt in my mind that a collaboration of sleaze could be very interesting, these two auteurs are not John Waters and David Lynch. They're a couple of players on the edge between smoking-room pornography and exploitation films, working with performers who look good but can't do much. Edgley is a creepy, mean old man, I'll give you that, and the camerawork is good if inconsistent, but I'm sure William Wyler wasn't sitting up late worrying about this competition.

Originally shot as Swamp Rose a few years earlier, then chopped up and added to new film shot by a different director and even featuring 2 different actresses playing one character - somehow strange forces intervened and created this booze-soaked trashfest of enjoyability. Baby Doll is coming to town to stay with and "take care of" her Uncle Shug, but unfortunately he's having a problem getting rid of his common-law wife who refuses to leave (played by the ever overacting, always entertaining cult star Annabelle Weenick). Baby Doll is played by 2 different actresses, but I didn't notice until after I read it - and is a beautiful atrocious monster who you just can't take your eyes off of. Trashy fun with a great ending.

There's histrionics galore in this stark, trashy melodrama that should do the trick for hicksploitation aficionados. Annabelle Weenick stars as Linda, the live-in girlfriend for miserly old coot Shugfoot Rainey (George Edgley), who's made his fortune in oil. Shug is about to kick the over the hill Linda to the curb in favor of his own niece Baby Doll (Lacey Kelly), a stripper from New Orleans. Linda isn't about to go quietly - Hell, she isn't about to go at all, once she learns that according to Texas law, she is Shugs' common law wife. But the nasty, conniving, trampy Baby Doll is equally determined to lay claim to Shugs' money.

"Common Law Wife" was begun as a color feature by Texas based schlock purveyor Larry Buchanan (of "Mars Needs Women" fame) in 1960, under the title "Swamp Rose". Eventually, it got recut, and supplemented by new footage shot by director Eric Sayers, with the final film completely shown in black & white. It's basically fun, but the unaware should know that for a movie running just over 76 minutes, it IS padded to a degree. (Lots of cutaways to ducks in this thing!) It also isn't quite as interesting when it starts exclusively focusing on Baby Doll, and the way that she plays up to a moonshiner named Bull, while also making time with Jody the Sheriff. (And he's already married.) Still, Kelly, a stripper in real life as well, is compulsively watchable, especially when she does a steamy dance routine.

This may be a somewhat rough slog for some viewers, seeing that the principal trio of characters are not exactly nice people, but this will only add to the experience for others. The performances suit the material, with Weenick - to eventually gain her greatest fame in S.F. Brownriggs' "Don't Look in the Basement" - making the most of her starring film debut.

Worth a look for those that dig regional exploitation features from decades past.

Seven out of 10.