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7.1/10
419
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Two men, one an aristocrat, and one a drunken lawyer, fall in love with the same woman during the early stages of the French Revolution.Two men, one an aristocrat, and one a drunken lawyer, fall in love with the same woman during the early stages of the French Revolution.Two men, one an aristocrat, and one a drunken lawyer, fall in love with the same woman during the early stages of the French Revolution.
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You should not do this. You should not compare a film to its literary source: they are two different media, each with its own codes of expression and interpretation. But I couldn't help it: I had to do this. Only to constate that the movie gives up almost all the motives of interest present in the novel. Note that sometimes movies are on the same level as literary sources: for what concerns "A Tale of Two Cities", see for exemple the old and quite forgotten silent movie of the same title, directed in 1917 by Frank Lloyd: it stands out of its own, Dickens or no Dickens.
Apart from the comparison, this is quite a lenghty TV film, quite static, a little boring sometimes, but by no means badly realized. I will call it: quite well done, and quite useless.
Apart from the comparison, this is quite a lenghty TV film, quite static, a little boring sometimes, but by no means badly realized. I will call it: quite well done, and quite useless.
In my youth I set myself the task of reading Dickens. I read Great Expectations, David Copperfield, Little Dorrit and a few other novels with great pleasure. I decided that I could skip the ones I judged weaker, and so I never bothered with A Tale of Two Cities. On the basis of this ITV series I made the right choice. Dickens is never interesting when he deals with events taking place before he was born, and so it is here. I don't care about Dr. Manette and his daughter, Sidney Carton and his death-wish, or any of the other plot threads.
The cast is starry: John Mills, James Wilby, Jean-Pierre Aumont, Anna Massey (whom I remember from so many TV dramas) and many more capable performers, many of them French. The sets are well-designed, costumes appropriate... ho hum.
The cast is starry: John Mills, James Wilby, Jean-Pierre Aumont, Anna Massey (whom I remember from so many TV dramas) and many more capable performers, many of them French. The sets are well-designed, costumes appropriate... ho hum.
10docp
This is without doubt one of the real gems of the British TV scene ever. The story, the characters, the costumes and the acting are all without fault and could never be bettered. Do not pass up the opportunity of seeing this series if it ever should arise. From the opening scenes to the tear-jerking conclusion there is drama, excitement, romance, heroism and self-sacrifice, often several of them simultaneously. It is altogether a most marvellous experience and a real landmark in the history of recorded drama. I don't doubt that Charles Dickens would have been proud to have been associated with it.
Of the six adaptations of A Tale of Two Cities seen, in personal ranking this one is number 3, number 1 is the 1935 film and number 2 is the 1958 film. The Paul Shelley adaptation is very good on the most part, Chris Sarandon's is decent while the Burbank Films Australia animated adaptation is the only one below average. This mini-series is not perfect, the biggest flaw is the execution of the mob scenes which are under-populated, unexciting and tension-less, almost too polite. Some of the hair-styles are on the wacky and anachronistic side(too 80s-looking). The costumes and sets are accurate and are rendered lovingly, and helped by the fluid photography. The music is haunting, beautiful and emotional, especially in the poignant final scene. There is also a very literate and thoughtfully adapted script and the direction is mostly competent apart from the mob scenes. The adaptation is faithful to Dickens' very concise if initially complicated book while not forgetting to give the storytelling life. The tragedy is very affecting(the ending is a tear-jerker as it should be) and the suspenseful moments quite intense, Cruncher's funny moments are judged well. The acting is good on the most part. James Wilby, Xavier DeLuc and John Mills stood out. Wilby's Sydney Carton is handsome and movingly characterised, DeLuc is dashing and succeeds in not making a far less interesting character dull and Mills is wonderfully sympathetic that you are touched by his presence. Serena Gordon's Lucie is very tender, Kathy Kriegel is a very bat-out-of-hell Madame DuFarge, Anna Massey is perfect as Miss Pross, the Cruncher of Alfred Lynch is sly and hilarious, Jean-Pierre Aumont evokes sympathy too and Jean-Marc Bory is a creepy Evremonde. The idea to mix English and French actors was a great one and it paid off, something that it does better than the other adaptations. In conclusion, not perfect but a very good adaptation on the whole. 8/10 Bethany Cox
I think the commenter from Florida may be discussing the awful film made for television in the early '80s. This mini-series made in 1989 does not have no-name B-list actors. They are all superb British and French actors. I would just caution people that they need to be aware which version they have gotten hold of to watch. The costuming is they only thing that seems a little out of place in this version. As to highlights of this version, I would have to say that James Wilby as Sidney Carton does excellent work. He is actually heartbreaking to watch. It is easy to make this pivotal character much too maudlin, but this is not the case here.
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- A Tale of Two Cities
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- 3h 8m(188 min)
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