The History of Tom Jones, a Foundling

I was looking for an earlier version of this movie because I saw it mentioned in an article in Vogue (about a designer, I think it was Diane von Faustenberg, who modeled her wedding on this movie) and got the impression that it would have beautiful costumes. I rented this version without realizing it was the wrong one but I was not entirely disappointed.

The costumes were okay but it was the story I loved. It is such an interesting and engaging story and the acting was good. I couldn't wait to see what else could happen to poor Tom Jones next. I thought that Honor, the lady's maid was an exceptionally entertaining true character and that Benjamin Whitrow as the good squire was totally believable, he was the personification of a good sober man. The movie is long but I couldn't tear myself away from it. In a world of movies with weak plots this movie was hearty as stew. I'm going to try to find the 1960's version too.

This was a spectacular, delightful series -- energetic, lusty, and highly amusing. It was graced with wonderful performances all around, particularly from Blessed, Whitrow, Beesley, and a hilarious Kathy Burke in the role of Honour. Once the story gets past Tom Jones as a boy it really starts moving and keeps you enthralled. Without a doubt, this was one of the best BBC productions to come out in recent years -- another prime example of the superiority of British televison compared to most of the drivel that comes out of the States!

Other posters have stated that the Finney version of this story is the best.

I wholeheartedly disagree. This story, as with most of Henry Fielding's stories, is intended as a parody of English 'morality' in his day. The Finney version is a lot of fun, but it's just a film about silly people wandering the countryside. In the A&E version, Brian Blessed performed his character (Mr. Western) in exactly the over-the-top correct way to ridicule the English wealthy. Mr. Allworthy was absolutely perfect as someone who believes that since he is a good honest man, the rest of the world must be good and honest as well. Tom's aunt has the line that in my opinion sums up the meaning of this book/movie (paraphrased), "It is not enough that your actions are good, you must make sure that they appear to be so."

I am indeed a big fan of these screen adaptations of classic old novels. And this is just another great series that I have come across.

"The History of Tom Jones, a Foundling" tells a wonderful story that is lovable and highly entertaining. It is typical enough to make you love and sympathize with the heroes, and at the same time hate the devilish villains, but with enough subplots to keep the story interesting and keep you wondering what's going to happen next.

The actor, Max Beesley, who at the first time was just a newcomer, did the best job anyone could ever have done for the character. Other actors brought much delight and joy to the story. The characters were intelligently created, both leads and minors, and they were all interpreted so well by a talented cast.

Let's see....if you love the old-traditional British story with just enough laughs and dramas, something that will leave you with a good feeling in the end and a story that you would want to watch again and again, then this is definitely the right choice for you!

This mini-series produced by the BBC and A & E has got to be one of the finest things television has given us. It ranks with I Claudius and Elizabeth R as great dramatic art. Full of wit, great storytelling, and wonderful acting, this version of Henry Fielding's classic tale gives the Albert Finney movie from the 60's a run for it's money and emerges triumphant.

Firstly, the adaptation is masterful. Having Fielding himself narrate the story (delightfully played by John Sessions) was a stroke of genius. It has the advantage of presenting this boistrous tale in much more detail than the previous movie. Fielding's characters are so rich (much like Dickens) that

you don't mind spending alot of the time with them. Characters like Allworthy, Partridge, Thwackum and Square are comparative non-entities in the Tony Richardson movie. Here they emerge as sharp etched portraits that give the story so much more substance. In addition, the 1963 movie had to leave out large chunks of the story to tell it in under three hours. Additionally, Richardson's screenwriter John Osborne changed many details of the story to account for cutting out so many characters. Simon Burke and his collaboators on this project stick to Fielding with great results.

The direction by Metin Hüseyin is simply wonderful. He tells us the story and relishes every moment. The mini-series is cast with a splendid ensemble of actors. The great Brian Blessed has a field day with the boorish Squire Western. Frances de la Tour as his prune faced sister doesn't erase memories of Dame Edith Evans from the movie version, but she is very convincing nonetheless. James D'Arcy's Mr. Blifil is a brilliant, consistant job of careful, understated, contrived villainy. And Lindsy Duncan is a revelation as the evil Lady Balleston. Joan Greenwood is not nearly slimey enough in the movie version. Duncan manages to outdo Glenn Closes's sensual depravity in Dangerous Liaisons.

Max Beesley doesn't mug his way through the role like Albert Finney did. He plays Tom as more of the Candide-like innocent and is all the more attractive and sympathetic because of it. Samantha Morton's Sophia is simply unbelievable. She has a wide emotional range throughout the story and plays each moment to near perfection. She also exudes more capricious youthfulness than did Susannah York in the movie. The large supporting cast is excellent; not a weak performance among them.

I must also mention the delightful musical score by Jim Parker that adds to the movie's entertaining virtues.

Yes, the Tony Richardson won't Best Picture at the Oscars. But frankly, it's looking very dated these days. To be sure, it has it's wonderful moments, but it is far superceded by the newer effort.

So thank God for the BBC and A & E who continue to bring us classics like this in versions far more lucid than Hollywood could muster. Don't be swayed by Julie on the title page. This is a clear winner!