Foreign Correspondents

I've had the pleasure of seeing this film twice now and am looking forward to a third. Mark has done an amazing job interweaving two stories about real people experiencing real dilemmas in life. He avoids the stereotypical Hollywood glitz, glamour, happy endings and tragic hero deaths to instead create a film that will leave you pondering about the fate of all the characters long after you leave the theatre because they are YOU! Everyone who sees this film will be able to pick out at least one character and say "Wow! That's ME!!" Because of this, my one word of caution would be that it can be a very emotionally draining film, but still extremely satisfying because it makes you think and feel. It's impossible to give away the ending because there isn't one, just as in real life. Mark leaves that up to you. So when you've had enough of the special fx movies and are ready for a film that plays to all your other senses, come check this one out.

The musical score is one of the best I've heard in a long time!

The story with Danova has a lot more zing to it; Wheaton doesn't have an especially likeable part to play, but that doesn't mean that he's not acting well. I was invited to see an early screening for this film in San Francisco; it was well received there, but then many in the audience had acted as extras in the film. Chris Farrell does a nice job with the music; but the title suggests too much of a comparison with the famous Hitchcock film -- which isn't apt; these are love stories or friendships, teenagers on the verge of adulthood. A good first effort, and given the difficulty factor of having a very low budget -- more credit is due to all involved. Melanie Lynsky, a tremendously gifted actress -- she did terrific work in the outstanding film "Heavenly Creatures -- is largely wasted here. She sacrificed, basically paid her way from New Zealand, just to be given another chance to act -- after having a complex and challenging role in one of the greatest films of the nineties, she hadn't received many offers. But the part Kines gave her is one of a wallflower, more or less. Yelena Danova was new to me; yet she appeared to be the brightest light in either section. Lynsky could well have the potential to be another Bette Davis type star; but she'll need more imaginative or experienced directors to work with for this to happen. Or she may have to write her own scripts, like Katherine Hepburn did.

Quiet, poignant duo of thematically intertwined stories of love and yearning. Acting is excellent, the characters themselves are very believable (okay, not all of them are entirely likable, but they are believable.) The storylines never take the easy cliche.

A very pedestrian romantic movie - actually two short films that were put together. (It's obvious as the film moves along that they were conceptualized separately.) The acting is ok, but it's full of cliched characters and Wil Wheaton plays what is supposed to be a romantic, appears to be a demented stalker. Technically, the film is passable, thought the loud and very overly orchestrated music is way too much for such an indie film. The director seems like an assembler more than a leader by the plotting in this film.

One has to admire Mark Kines for making a truly independent movie.

Unfortunately, the first story is a little weak and I agree that Melanie Lynskey is underutilized. She is supposed to have a boring life, but the vignette doesn't rise up to the challenge of making a boring life seem interesting to a viewer. However, Will Wheaton does have a great role as the awkward neighbor.

I understand the second story is loosely based on an incident in the director's life. It is unfortunate that this could not have been the subject of a full-length feature. Corin Nemic (of Parker Lewis Can't Lose fame) is great, and I'd like to see him again. Unknown Yelena Danova is also excellent. I really cared for the characters and those in supporting roles. Yelena's host parents are interesting and the Father has some unexpected character development. The hilarious and telling scene in a bookstore featuring Martin Mull is an added bonus. The secondary theme of Cultural Variations and how strange Americans can be to foreigners is expertly handled.

Overall it is a great first outing and I'd recommend it to any indie fans.