Gadjo dilo

Gadjo Dilo stroked me in a most unconventional way. I saw it at a friend without knowing or expecting what it will be about. Very realistic and sincere, with raw images and beautiful shots, it simply shook me up. The way gypsies are presented is a true insight of their culture and way of living. The acting, done by amateurs at most, is flawless, especially by Izidor who delivers perfectly. Even if the story is hardly present, the movie doesn't need one as it slowly goesdeep with drama, comedy, ethnicity and music. Overall Gadjo Dilo (free translation Crazy Dude) is an unexpected gem from Tony Gatlif that is different from everything I've seen. Misto!

There's several reasons for it. Rona Hartner's acting. Adrian "Copilu minune" Simionescu's music and, maybe most of all, Izidor Serban's intensity. As far as I know, he is a complete acting amateur. My wife is Romanian, and I play bass with one, maybe the only, gypsy orchestra in Sweden - with roma from Macedonia, Serbia and Bulgaria. I know their language a bit, but it is not the same dialect as in the movie, which I guess is "kaldarash", the guys in the band speaks "arlija". We do some of Adrian's songs, though... If you liked this movie I recommend the documentary "Iag Bari", which is a film about the moldovan gypsy brass band Fanfare Ciocârlia.

In life you do come across with little gems of movies. Gadjo dilo represents that, tenderness, simplistic and genuine approach to the soul of the gypsy people. Hard not to be moved by movies like this that essentially portray so beautifully a piece of a persons life. The music is great, a major discovery in my life and although seen it years ago i still treasure it as one of the reasons why i enjoy watching movies. Most of the actors of the movie did not have formal training and they manage to pull it together in a way that accomplished ones would have real trouble to do so. One of those movies that reinstate your faith in the homelessness of the good quality cinema NOT TO BE MISSED

"Gadjo Dilo" shows the trip of a young man in search of a voice that he fell in love with. Stéphane (Roman Duris) is a musicologist that just follows his guts, his instinct, to find the mysterious singer Nora Luca in Romania. He follows a passionate and realistic journey that teaches himself the gypsy way of being. Quite different from the Kusturica approach, Tony Gatlif's music is more intimate of the true gypsy soul and enables us to feel and understand it. With this "musical anthropological" view a stunning portrait of this culture is made, with all it's roughness and spontaneity. As a viewer i grew as a person with this movie, some preconceptions were broken and a great admiration was born for the Romanian nomads.

I believe that "Gadjo Dilo" is a true approach to the gypsy way of being, a music that will inspire your future steps.

This lyrical, poetic masterpiece of cinematic art sucks you into the minds and souls of a still enigmatic, clannish culture, as Stephane, the urbanised, DAT-carrying Frenchman confronts both his own Western attitudes and the wistful, dogged independence of an oft persecuted race. The veracity of the work borders on cinema verite, such is the power of the performances coaxed with consummate skill by writer/director Tony Gatlif, himself a Romany, from a largely non-professional cast.

The plot hardly bears mentioning, as this is an exemplar of film as art, i.e. an exploration of the human spirit. One could wax lyrical about Stephane's mission to find the gypsy singer who's voice chicken skins him as a journey into his own psyche, or other such pyschobabble, but ultimately, even though framed by a love story and imbued with classical dramatic elements of pathos, comedy and tragedy, through all the elements that make film such a singular artistic vehicle - sound, music, image, performance - this work envelops you in swaddling-cloth, twists at the core of your soul, and vicariously makes you pursue the Holy Grail of the meaning of life.

I can't claim to have seen anything in at least a year, probably dating back to "Welcome to the Dollhouse", that has touched me in the way that this work did. For all those who think that trite eye candy like "Saving Private Ryan" represents a milestone in cinema art, an education moment in the company of Stephane and his collective muse will persuade you that true artistic creativity lies in exposing the seemingly mundane banalities that constitute our daily lives.