The Forest

This film is awful yet I actually watched the entire thing. It's weird. I thought it was going to be a stereotypical slasher film - and it is in one way, the people isolated in the woods with a killer - but in another way, it's different than most slashers because of the ghost kids and wife.

Ghost kids that are waiting on their killing dad to be dead so they can go somewhere in the ghost world (they haven't a clue as to where that is)... and the dead mom wanting to hurt her kids -- just weird. OH and the ghost kids help the one girl to live and her husband. The rest of the film is the crazy cannibal slasher dad trying to kill the couples. That's about it... not much else to the film.

There is something about this film that kept me watching until the ending... I guess just the weirdness of it all.

4/10

A friend and I went through a phase some (alot of) years ago of selecting the crappest horror films in the video shop for an evening's entertainment. For some reason, I ended up buying this one (probably v. v. cheap).

The cheap synth soundtrack is a classic of its time and genre. There's also a few very amusing scenes. Among them is a scene where a man's being attacked and defends himself with a number of unlikely objects, it made me laugh at the time (doesn't seem quite so funny in retrospect but there you go).

Apart from that it's total crap, mind you. But probably worth a watch if you like films like "Chopping Mall". Yes, I've seen that too.

The Forest starts off in standard backwoods horror fashion, with the murder of a couple hiking in the mountains, stabbed with a hunter's knife by an unseen assailant. The action then cuts to two friends, Steve (Dean Russell) and Charlie (John Batis), as they discuss getting away from the daily grind -- including their wives Sharon (Tomi Barrett) and Teddi (Ann Wilkinson) -- by going on a lad's camping trip. When their spouses hear of the men's plans and also decide to go camping, the men scoff, making the women even more determined to assert their independence. The wives head out first, hiking to a remote spot, although they fully expect to be joined by their concerned husbands before nightfall - but will either of the women live that long with a crazed killer on the prowl?

While this all looks set to be a whole lot of brutal fun, the men and women fighting for their lives against the killer cannibal (as he is later revealed to be), writer/director Don Jones soon pulls the rug from under his viewer's feet with the introduction of three rather unconventional characters: a ghost woman and her two spectral children. The woman is the cannibal man's dead wife, who he murdered for her philandering ways, while his kids killed themselves after falling ill. All three spirits now wander the woods, the children helping the living to escape their flesh-eating father.

With corny echoing voices, pasty faces and twee outfits, the ghostly kids really detract from the horror, making the whole movie a rather laughable experience, even as the hikers are killed and cooked by the cannibal. The film is also lacking in gore, with only a fairly decent compound fracture and a slit throat looking as though any effort was made in this department. Light on scares, light on splatter, and heavy on the cheesy schmaltz (the ghostly moppets finding peace with their father after he is finally killed), The Forest is a disappointing oddity that, rather unsurprisingly, now wallows in obscurity.

I first saw this in the late 80s on a vhs.

Revisited it recently on a ff mode.

The director tried his level best to make a genre mash up but failed miserably maybe due to the budget.

The movie also failed to cash in on the atmospheric feel of that a forest set up.

They even failed to make it a poignant story regarding the two kids' harassment by the mother n their death due to starvation n illness.

The wife's lover is attacked n chased by the husband but to my surprise the lover keeps throwing different objects n the husband keeps getting different weapons.

Later the lover dies on a circular saw which ain't even switched on.

A grown up woman while being chased by a killer meets two small kids n she tells them "pls dont kill me, pls dont hurt me". Whoa man!

Shudnt she be worried about the killer n not the helpless kids.

The title of this obscure and (almost righteously) forgotten 80's slasher inevitably reminds me of The Cure's mega-smash-monster hit song with the same title, hence a piece of the lyrics in the title-section of this user comment. Also, I didn't have anything else to say that was useful, anyway. But hey, "The Forest" isn't totally hopeless and not even *that* bad, actually. If nothing else, at least it obeys the, admittedly unwritten, first rule of 80's slasher: kill someone within the first 10 minutes of playtime. Sure you've heard about the basic premise of this film a dozen times before, but don't let that discourage you from watching it, as "The Forest" has a couple of things more to offer than just an appealingly sinister cover image. It's actually a bit of an atypical 80's slasher! The main characters aren't ordinary brainless teenagers and the script has solid ambitions towards supernaturalism. The concept isn't always successful, let alone plausible, but it's more than interesting enough to hold your attention and there are even are a couple of surprisingly strong moments of tension and plot twists to enjoy. Two married couples decide to go camping in the most isolated woods of California, but due to a stupid bet the wives travel separately from their husbands. Barely set up for the night, they receive uncanny visits from a mother looking for her two children, the children themselves and finally the father who's out hunting for human flesh. The demented family may be real or imaginary, but the women are definitely in danger and by the time their husbands arrive, they have already vanished. The men too encounter the family, and they find out more about the slightly dysfunction background. "The Forest" is a weird and unusual film, to say the least. It's not exactly a masterpiece of plotting, but the thoroughly strange atmosphere will certainly appeal to open-minded fans of 80's horror. The murders are fairly gruesome and will-filmed, including a slit throat and a painful saw-massacre, and the filming locations are stunningly beautiful. The more you contemplate about the story and its abrupt twists, the less it makes any sense, so my advice would just be to enjoy this odd viewing experience for as long as it lasts and not a minute longer. The acting performances are just above average, the music is okay and at least director Donald Jones (also responsible for the 70's exploitation-sickie "Schoolgirls in Chains") tried to be a little more creative that the majority of 80's horror films. Too bad it ultimately fails.