Robo Vampire

This movie is so terrible that it is wrong for one to own it. it must be viewed then instantly given away.(Trust me you wont have the urge to watch it again!) I say it should be called the Ring because 7 days after making it all of the actors careers DIED! Check the filmographies...its true. The only one who had a career after this movie was uncredited in the film! (good decision)My vote for worst film ever and for that reason all should at least see it once! Remember pass it along don't keep it to yourself. I was given a copy just over a year ago and that copy is now circulating through North Carolina at last check. Enjoy!

If robo vampire doesn't make you laugh till you cry then you have no sense of humor. Everything about it is so bad, it begs for you to watch again to catch even more plot holes, or at least a couple more laughs.

The movie claims to be about some drug agent who gets killed and is then reborn as a vampire-fighting robo warrior. But really the movie revolves around a plot about a kidnapped(and somehow beautiful) female agent named Sophie, with a robotic story planted on.

Everything is purely cheese in this movie. Robo-Warriors' costume looks like something you'd see in an elementary school play. He fights vampires that do everything but suck blood( they hop, they appear out of the ground, they shoot fireballs out of their arms). A third subplot about a half-naked ghost chick is completely confusing and terrible. The best part is when the blonde haired female drug agent Sophie jumps out of a window from enemies, and her stunt double is clearly a gray haired man in a dress(!).

On top of all of this you have to remember that the only reason that there are vampires in this movie is because the drug dealers hired them!

I don't care what anyone says, movies this bad should be cherished, and MUST be seen to be believed.

The reason this movie isn't at the top of the "worst ever" list is simply that it's not yet as well-known (or infamous) as "Plan 9 From Outer Space," "Manos," or "The Beast of Yucca Flats." This is one of those movies that makes you gape in disbelief. The ludicrous storyline pits Robo Warrior (who's dressed in floppy silver coveralls, motorcycle goggles, and a car radio antenna) against a cadre of traditional Chinese hopping vampires. The vampires are being controlled by drug dealers, naturally enough, who employ a Taoist monk to help them create a Vampire Beast. Said beast is a guy in a Mandarin robe and a gorilla mask! Then the Beast's dead finacee, a girl in a see-through nightie, shows up, and the pushers decide the couple should go ahead and get married... But that's only half of the movie. There's also ample footage cut in from another movie, a generic Asian-made shoot 'em up. In my favorite scene, the slow-walking Robo chases the slow-hopping Beast in the pokiest slow-speed chase since OJ and the LAPD. If Ed Wood had lived to see "RoboCop" and "A Chinese Ghost Story," this is the movie he might have made. It's that bad. And it's that good. Scour the bargain bins for this one.

A drug-lord recruits Chinese vampires to protect his business from government narcotics agents. When one of their people is captured, the authorities not only send in a rescue team but also create an indestructible cyborg to take on the enemy.

I knew it, I knew it! Although my copy of Robo Vampire names (blames?) someone called Joe Livingstone as director, everything I saw screamed Godfrey Ho. The insane, disjointed story (the result of two or more films badly spliced together); the crappy kung fu; the awful dubbing; the ridiculous special effects: Ho's inimitable touch was all over this nonsense.

Featuring quite possibly the worst RoboCop rip-off ever (the cyborg's suit is made from padded silver lamé), a hopping vampire in a rubber gorilla mask with fireworks up its sleeves (?!?!), a yucky scene in which a woman packs heroin inside the stomach of a dead animal, a female ghost who bares her breasts in order to distract her foes, and numerous badly stuffed dummies being thrown about in poorly choreographed fight scenes, this has to be one the most bonkers and least comprehensible efforts in Ho's canon. Consequently, it also proves to be one of his more entertaining efforts.

6.5 out of 10, rounded up 7 for IMDb.

Convincing a friend to watch ROBO VAMPIRE is an exercise in trust. It's near impossible to explain in any great detail what's so fun about it. It's something that has to be experienced first-hand. I had zero knowledge of what to expect when I first sat down to watch this beauty. It was one of 50 public domain Z-grade movies in a cheap collection I grabbed for $10. Then an Internet search brought me to the cover art of Robocop clutching what I assumed to be the titular vampire in the foreground while the world exploded behind them. I was sold, if cautious. What I proceeded to watch was beyond words. I was often so wracked with laughter that I was forced to pause the movie so I wouldn't miss a minute of it. It's hard to put the plot of ROBO VAMPIRE into words with any sort of confidence but I'll try my best to give you an idea. It's about heroin smuggling in Asia. There's a drug kingpin who's grown tired of a particular "anti-drug agent" (I'll assume he means DEA) named Tom, and he's hired a Taoist to train vampires to handle it. Tom dies in a bust gone wrong and, before his corpse has time to cool, he's turned into a robot cop. A sort of…Robo-Tom. Meanwhile, in another potentially unrelated storyline, another "anti-drug agent" named Sophie is taken hostage by what may or may not be the same drug operation and a special team is sent to bring her home.

When the movie was finally over and I had endured the hurricane of pure insanity that was ROBO VAMPIRE, I found some info that gave some context to what I had just watched. There's a very distinct feeling that you're watching two entirely separate movies play out through ROBO VAMPIRE and that's because you essentially are. It was a product of Filmark International Ltd and producer Tomas Tang, who would shot a bunch of random martial arts footage and insert it into half-finished movies to create a cinematic Frankenstein. Once you're aware of that, it's impossible not to notice. It didn't click with me the first time I watched it but now I can't help but notice the whole Robo-Tom plot thread never once crosses over with the Sophie rescue thread. Not a single character crosses the border between stories. ROBO VAMPIRE is about 65% rescue and 35% robot versus vampires. This is all wrong. It needs to be 75% robot/vampires. Maybe more. The rescue operation has its moments. There's a great stunt dive when Sophie does a running jump through a window and we see a stocky, hair man in a bad wig and nightgown nail the landing. There's plenty of bloodless gunfights and martial arts battles with stuntmen throwing themselves around. The dubbing is generic action movie dialogue and characters are interchangeable because no one is anything more than one-dimensional. It serves its purpose but the real gold is to be found in the rare occasions when we rejoin Robo-Tom and the vampires.

Where to start?! Well not that anyone will be surprised but Robo-Tom looks nothing like Robocop. He's a no-budget rip-off, covered in silver-painted safety padding with goggles and a helmet. The vampires wear some sort of traditional Chinese dress and are at least given a little makeup to give the impression of decay on their faces. And they hop! These vampires can only movie via hopping, jumping, leaping, or straight up teleporting. Their attacks include corrosive smoke and bottle rockets fired from their sleeves. In addition to the hordes of regular vampires, there's one super vampire of which the Taoist is super proud. You can tell he's more powerful than the rest because the character has a gorilla's face (i.e. a gorilla Halloween mask). The super vampire is also in love with a ghost woman who is mad because she was hoping to live eternally in the afterlife with her beloved only to watch him become a vampire slave. The Taoist agrees to marry the two together as long as they are under his command. Meanwhile, Robo-Tom proves to be effective against vampires but still can't handle a direct bazooka blast. That's totally fine though because, even when he's melted to a puddle of liquid aluminum foil, all he needs is a little soldering a maybe a new battery before he's back on the beat. ROBO VAMPIRE is totally bonkers and, even when there's no robot or vampires on screen, never let's you get bored. The best news of all? There's two "sequels" out there from Tomas Tang that I haven't seen yet.

Bucket list updated.