Jacques Brel Is Alive and Well and Living in Paris

I saw this film in 1975 as part of the AFI series at UCLA. Walking into the theatre, I had no idea what to expect and had never heard of Jacques Brel before. I became a huge Jacques Brel fan that evening and have enjoyed his music for the last 27 years. This film is a delightful cabaret of music video before it even existed. Ellie Stone's torch singing performance, in particular, made me a fan for life. The rest of the cast was equally dynamic; I can still hear "Next" being sung inside my head. Brel's work is touching, political, brilliant. This film was available on video for a very short time in the early 80's. How I wish I had purchased it then as it is no longer available. I would love to see this film over and over again.

This adaptation of the stage play is so dated that it almost overshadows the amazing performances. Elly Stone does not have your typical voice but she does have all the power and passion that you could ever add to an interpretation of a Brel song. Watching her sing "Sons of..." is the highpoint of the film.

The worst thing about this film is it starts out so poorly it is hard to recover. The opening renditions are very poorly shot. and there are some non-singing, non-vocal moments of "surrealism" that are too awful to be believed. But as we settle into the idea of not having a plot and not apologizing for this fact, the songs become more straight-forward performances. The heartbreaking "Song for Old Lovers" is the highpoint towards the end. It is, however, unfortunate that such a crazy song as sung by Ms. Stone, namely "Carousel", is ruined by some very petty editing "techniques" that climaxes in an image we've already seen and that wasn't effective the first time.

Some other song highlights are "Next" and "Mathilde", but it is Ms. Stone that really makes you feel the urgency of these songs. If we could just watch her and the other cast just perform these the way they did on stage, it would have been a better film. But the director decides to rely on some cinematic tricks that just look worse after time.

As for Brel's appearance, it is slightly anti-climactic, but utterly moving. His is the saddest and most recognizable of all the songs gathered here, and in its original French the most authentic. We should consider ourselves lucky for the documentation of that moment.

I would advise anyone who is willing to watch this to skip the first 8 chapters or so, and start with "Alone" sung by the Priest at the funeral. Then the film is shorter and you miss the embarrassing opening numbers...

I love this film because I loved the music... Jacques Brel is a talented songwriter... he writes with much emotion and feeling. I wish this film was available on Video or broadcasted again on television. I have not seen it for over a decade.

Hopefully, it will be revived soon or made available to the public...As long as someone listens to his music... Jacques Brel is still Alive and Well and Living in Paris.

While this is not the best presentation of Jacques Brel's songs, for those who have access to nothing better it will have to suffice. Best is go directly to Brel CDs and DVDs and enjoy him in French. Next best is to attend an excellent theatrical production such as Jacques Brel is Alive an Well" directed by Gordon Greenberg at the Zipper Theatre in New York which opened March 2006. It even outdoes the original 1968 production, retaining the European flavor of the songs, and pleases even the French.

After that, there's this sometimes silly, confusing and dated movie with Mort Shuman, American songwriter, who together with Eric Blau did the adaptations of the songs for this show. His performance is worth seeing, especially of Jacky.

But the most interesting thing about this show for a hardcore Brel fan like myself is the appearance of Jacques in February of 1974. After this film was made Jacques learned navigation, bought his yacht the Askoy, and took off for a round -the -world -yachting trip. He was no longer living in Paris. By October of the same year he received his lung cancer diagnosis . He was no longer "well".

So this movie, which opens with him in audience puffing on a cigarette, confronted by an Addams family type ghoulish character is Jacques last film appearance and somehow premonitory. His glorious performance of Ne Me Quitte Pas is worth the price of the DVD.

For American fans of Jacques Brel, this is a rare opportunity to see him perform. The rest of the cast is excellent. This movie was part of a series of stage performances that the Zanucks put on film. They ran as a subscription series in very limited venues. All were good, some excellent, all very different from what was generally available.