Titan A.E.

After reading a number of negative reviews of this film, I went ahead and bought the DVD. I had read that, although the movie was mediocre, it was the kind of film that's great for showing off your DVD player.

I am thrilled to own this movie.

True enough, the story is cliched. Yet I didn't think about it for a second while I watched the film unfold. I was completely caught up in everything I saw on the screen. If it was a slow scene, I just gazed at the beautiful eye candy. And during the incredibly inventive action scenes, I was surprised to find myself at the edge of my seat.

There are some who say that the mix of 3d and traditional 2d animation didn't work. I couldn't disagree more. There are times when the two styles were a glaring contrast. Yet, as the movie progressed, the two became as one to my eyes. I have no problem calling this a revolutionary step forward in animation.

I loved A Bug's Life and Toy Story. But this trip, in my eyes blew those films away.

Finally, though I wouldn't consider this film 'adult' by any means, the slighter darker tone made it much more accessible as an adult viewer. Every year I sigh when I see a preview for another assembly line Disney film. (Hey, let's dumb down the gothic horror 'The Hunchback of Notre Dame' and give him cute sidekicks!) The look of Disney films hasn't changed in years. (If anything, they look more simple) This film, as cliched as the story was, was visually inspired.

The original Fantasia needed no story. It was an appreciation of music and animation. Let this be the new Fantasia. If you want to experience breathtaking and beautiful animation, I couldn't recommend this any more.

The storyline of TITAN A.E. follows standard mythical canon: unlikely youthful hero from the boondocks is forced to follow his destiny and struggle against overwhelming odds to save his people. No surprises there, to be sure, but God is in the details, and the details is where this film excels. I can't say enough good about the animation and visual artistry--it's the best ever. Hopefully this will raise the bar for animated feature films. After forty-odd years, I have had enough of the formulaic Disney approach.

I would also give TITAN A.E. high marks for acting and for the musical selections in the soundtrack. This film should make a great addition to any enthusiast's DVD library.

I agree that the plot is rather holey, but I was so busy enjoying the film that I didn't notice at the time.

TITAN A. E. / (2000) *** (out of four)

"Titan A.E." is like a giant looming over movie animation landscape; it is one of the most visually bracing family fantasy adventures to come down the pike in years. The film's animation is wonderfully spectacular, visually enticing and entirely convincing. Directors Don Bluth and Gary Goldman enthrall the audience with a sweeping sense of atmosphere and action. This is the kind of cartoon that is mature to the level in which the characters and set designs could have been replaced with live action filmmaking without changing the movie's perspective.

The production takes place twenty-eight years after the third millennium. Planet Earth has been demolished by a cruel species called the Drej, who fear the potential intelligence of the human race. Cale (voiced by Matt Damon) is a young man working as a space dump attendant who believes his father abandoned him when he was a child. Cale doesn't know it yet, but he holds the key to the survival of the human race with a genetically coded map on his hand showing the course to the hidden position of a special spacecraft called the Titan.

Cale meets a young woman named Akima (voiced by Drew Barrymore), who cherishes conventional memorabilia of her late planet. She and her captain, Korso (voiced by Bill Pullman), and the navigator, Gune (John Leguizamo), set out to locate the vital Titan before the evil Drej can exterminate it along with mankind's future hope of existence.

Instead of our traditional, well-developed bad guy that posses serious threats to the protagonist's mission, in "Titan A.E." we receive something of a different sort: an underwritten alien race whose motives and backgrounds are unclear and undeveloped. The movie seems to know of this, however, therefore the film wisely switches villains in the second act. The story provides an interesting twist that supplies us with solid and comprehendible antagonism.

This movie's plot feels somewhat pieced together from previous science fiction fantasies like "Star Trek," "Star Wars," and "Lost in Space." John Whedon, Ben Edlund, and John August vividly detail a story that moves along steadily, but occasionally stalls to build momentum for the character's purpose for achieving goals. There is a scene on a spaceship holding Cale in captivity that feels trite and dual, but the film quickly rejuvenates itself with an exhilarating chase sequence. The film's plot would have been more involving if we knew more about the characters. They seem pretty interesting but we never really get to know them because the filmmakers were more concerned with special effects, a common misconception both animated and live action films.

This production is engaging and well animated; "Titan: After Earth" is smart to jolt a appropriate about of energy into its action scenes and contains sufficient amounts of style and wit to satisfy younger audiences as well to hold the attention of the older, more sophisticated viewers. It is not every day a cartoon is able to do that.

Titan A. E. was a tragic victim of 'studio sidelining' where a film is shafted in favour of a bigger and 'more viable' product; in this case, it seemed Fox was focusing its efforts on X-Men in getting adequate promos and licensing deals to make that movie soar at the box office. Titan A. E. was sporadically promoted besides the occasional tv spot, but the tie-in campaign proved very moot compared to tentpole Disney films at the time.

Titan A. E. also has the distinction of being Don Bluth's latest feature film, as his in-development Dragon's Lair film still hasn't been released. It sucks, because Don always had a knack for blending pathos in with slapstick comedy that few animators dared to balance as well as he did (with the likes of Secret of Nimh, American Tail, Land Before Time and All Dogs Go To Heaven); and it would have been nice seeing that trend continue into the 2000s and beyond. Sadly, it hasn't seen another film of his yet, and fans of Don Bluth are still waiting for Dragon's Lair to become a movie. Hopefully the day will come soon when Bluth graces the world with another of his feature films.

This movie was also a nice refreshing change of pace from all the musical animated films that were nigh-omniscient thanks to the Disney Renaissance still rubbing off on the competition. Science fiction has only gotten stronger representation in animation recently thanks to the Spider-Verse films, and films like them and Wall-E owe themselves to films like Titan A. E. and The Iron Giant daring to give audiences something different and high-concept escapism in a field dominated by Disney Princesses and talking animals.

2000s animation was something of a crazy and difficult time for theatrical toons; the technology evolved rapidly thanks to PIXAR's films and Dreamworks' Shrek, and traditional cel-animation still had a foothold on television when it was dying out at the movies. And Titan A. E. is a fascinating window into that time for the animation industry, where the demands of audiences were changing and becoming very complicated, and it seemed like a case of it being too ahead of its time (who knows how a film like this would have performed in the 2010s or 2020s in a post-Spider-Verse world?). Hindsight makes it impossible to know if a failure could have had a 'second chance' at success given the proper promotional material, or if it was always gonna play out the same way regardless.

7/10 IMDb points. 3.5/5 stars. Titan A. E. gives us a glance at a simpler time for animated cinema; and how sci-fi animation has continued to refine itself thanks to the likes of it and others daring to defy Disney.

It's 3028 A.D. Earth is attacked by the Drej, aliens of pure energy. Hundreds of ships manage to escape before the earth is destroyed. Cale is separated from his father Professor Sam Tucker who saves the spaceship Titan. Sam gives him a ring which is a map to find Titan. Tucker was the lead researcher on Project Titan which is feared by the Drej. 15 years later, Cale is working on a salvage station with other aliens. Humanity is reduced to lower class citizens. Joseph Korso, captain of the Valkyrie, finds Cale and his ring to search for Titan, humanity's last hope.

The blend of traditional hand drawn animation and CGI works well mostly. The best is the ice crystal world. The hide-and-seek game inside the crystal is both exhilarating and visionary. In general, the story is a little too simplistic with questionable plot lines. Why would the father give the key to the ship to his son? Why couldn't the father do what the son ended up doing? If the father figure out how to build Titan, couldn't he build simple weapons against the Drej? Wouldn't it be simpler to build contraptions that sucks up Drej energy? The whole quest seems manufactured. The simple story has some rip-roaring fun. The characters are interesting. The evil aliens are formidable. The animation is interesting. I don't like the use of rock music. Overall it's a fun ride but not that compelling.