eXistenZ

"We're both stumbling around together in this unformed world, whose rules and objectives are largely unknown, seemingly indecipherable or even possibly nonexistent, always on the verge of being killed by forces that we don't understand." So says Ted Pikul in the film. Which for some people sums up life and 'eXistenZ' probably is a film about existence. What is real and what is unreal and how you tell the difference. Or not. The last line of the film is superbly ambiguous.

The film seems like a shaggy dog story (indeed it has a real shaggy dog in it) but it takes you along on an interesting ride, full of provocative Cronenberg touches that will make you look at amphibians, game pods, fish, spines and bones in a new light. Some bits are quite icky. It takes place in a rural setting where the gas station is called 'GAS STATION' and a Chinese restaurant is called 'CHINESE RESTAURANT.'The film has an engrossing texture that is leagues away from your usual big budget science fiction movie.You can read many things into the film and it repays watching more than once.

The main actors are Jude Law who is OK and Jennifer Jason Leigh who is great. Some roles don't suit this very talented actor but when she has a good role like this she is unmatchable. Her unconventional beauty and fascinating voice suits the part of Allegra. (Looks great in a short black skirt too.) There are other familiar actors but they are not given much to do. It looks good, sounds good and a Howard Shore score complements the film very well. Cronenberg is possibly the Alfred Hitchcock of the sci-fi/horror genre. No matter what film he makes he is always worth watching.

Wouldn't it be great, if you could really recreate, a world inside a simulation, to release imagination, everything feels like it should, you just need to have a plug, connected into your back socket, a human docking kind of pocket, then enact against your friends, a myriad of worlds to blend, conjure up crazy locations, solving puzzles and creations, couldn't tell which world you're on, reproduction or the one, perhaps you're visiting there now, but haven't worked out why or how.

An innovative and perpetually relevant story of how we'll all be hoodwinked in the end. Let's just hope we have the chance to pause or cancel while we still can.

'eXistenZ' sorts out the men from the boys. That is, your reaction to this marvellous movie will depend whether you are S.F. literate and familiar with Cronenberg's oeuvre, or a 'Matrix'-loving, Johnny-come-lately. Now I enjoy 'The Matrix' as a superior action movie, but no movie in recent years has been so overrated, and grossly exaggerated as intellectual fare! 'eXistenZ' and Alex Proyas' similarly overlooked 'Dark City' are everything 'The Matrix' claims to be - intelligent, thought provoking, CHALLENGING S.F.

This movie is almost a summary of all the themes and motifs that Cronenberg has been obsessed about for the last 25 years or so. Especially the Burroughsian "biological horror" and the Phildickian questioning of reality. While it echoes many of his previous movies, it especially evokes his masterpiece 'Videodrome'. It may not reach the hallucinogenic heights of that movie - very few have - but it certainly takes you to places most contemporary S.F. and horror movies don't even try to reach.

However this movie isn't just Cronenberg rehashing his "greatest hits". There are more than enough new and interesting touches, especially the Rushdie-like Fatwah theme, the odd sexual symbolism, and the witty touches such as the bone guns that fire teeth. Helping all this along is the interesting, carefully chosen cast. All are good, but I especially like Willem Dafoe's creepy garage mechanic, and it was also great to see Canadian cult star Don McKellar ('Highway 61', 'Twitch City',etc) as the enigmatic "Russian" Yevgeny.

'Videodrome' has taken many years to find its real audience, and maybe 'eXistenz' will too. But I believe eventually it will be recognised for what it is - a work of great imagination and flair.

I feel compelled to speak up for this film against the spoilt ravings of the it-said-it-was-like-the-Matrix-but-I-didn't-see-any-cool-computer-graphics-a nywhere crowd that have dominated these pages.

There seem to be two schools of thought on the use of special effects in movies. The prevalent theory - depressingly common among film goers and film-makers alike - seems to be that a good effect should stand out of a film and make the audience coo like a pigeon. If you subscribe to that theory, fine, watch the Matrix and be happy. If you think that a special effect is a means to an end, a way to portray a fictional vista as a believable realism, then watch eXistenZ and marvel at how a grotesque and visceral world can be made so engrossingly real and intriguing. This film has its fair share of effects, but they are so well grafted into the ethos the film evokes that you just won't notice them on first viewing. And in contrast with the current trend towards computer-generated effects, Cronenburg knows the value of his tactile world; the physical creativity involved in the gristle-gun building scene is a fantastic example.

Okay, so virtual reality has been used many times as a concept - and by films that actually came BEFORE the Matrix too - but the totality with which this film portrays its own organic brand of VR is truly engrossing. Jude Law and Jennifer Jason Leigh are utterly watch-able and the chemistry between them is the perfect vehicle to lead an audience through the admittedly gruesome situations the film describes.

There is an element of old-fashioned escapist fantasy in this film that manages to be strangely endearing despite the gore and I suggest that this is where the film triumphs - a triumph that can be attributed to clever writing, intelligent acting and characterisation, a compelling story, charismatic leads, a vivid and disciplined imagination and the discerning use of effects and visual style.

If the Matrix is an `oooh, aaah' sort of film, then this is more an `oooh, eeugh' movie - but don't allow the glare of the Matrix to dull your senses to the darker appeal of eXistenZ.

By far the most bizarre and inventive films from David Cronenberg, and a film that is sure to become a cult classic. The story cannot easily be summarized in a small review without spoiling the movie completely, so you'll have to see it for yourself.

The special effects are well done, but thankfully not overdone. The film relies mainly on the chemistry between Jennifer Jason Leigh and Jude Law, who plug in and out of the game throughout the movie, and what is actually the real world become less clear as the movie goes on. The violence and carnage, which Cronenberg has become famous for, certainly catches you off guard at times. In fact, some scenes will send a shiver up your spine. The acting is superb, with Jennifer Jason Leigh playing a convincing hero, while Jude Law is excellent as the uneasy, often unwilling participant in her mind-boggling game. Willem Dafoe is, as always, a treat to watch as the mysterious, intimidating, and off-the-wall characters he is so good at playing.

eXistenZ is the most unusual Cronenberg film to date, and that is saying something when comparing to his earlier movies like Shivers, Scanners, and Videodrome. It has a great script, great direction, and the idea behind the film is pure gold. Cronenberg is definitely one of the most daring and original directors of our time.