IMDb RATING
6.2/10
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Vampire in London is searching for the ideal woman to redeem him.Vampire in London is searching for the ideal woman to redeem him.Vampire in London is searching for the ideal woman to redeem him.
- Awards
- 3 wins & 3 nominations total
Nicholas Lamont
- Toll Bridge Attendant
- (as Nick Lamont)
- Director
- Writer
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The Wisdom of Crocodiles is one of a new breed of vampire movies. Probably started by Abel Ferrera's "The Addiction", vampirism has turned into a sort of curse that turns it's afflicted into brooding philosophers. Gone are the vampire bats, wooden stakes and crucifixes that once were the staples of the genre, and the vampire genre has been changed into a commentary on disease. However, I'm all for innovation, even if it's not always advisable innovation, and The Wisdom of Crocodiles is one of the better 'new wave' vampire films. It actually seems to be taking more influence from George Romero's excellent 'Martin' than 'The Addiction' anyway. The Wisdom of Crocodiles (great name, by the way) stars Jude Law, in a tight performance, as a man afflicted with some sort of curse that forces him to suck the blood of women while in the act of lovemaking. To say any more than that would mean spoiling it, so I'll leave it there.
The Wisdom of Crocodiles has gained itself something of a cult following, and the channel I saw it on even introduced it as a 'cult classic'. I think this is an incorrect description of the film, as although it's not bad and certainly has it's moments; it hardly has the same qualities as true cult masterpieces, such as the aforementioned 'Martin'. The film benefits from a brooding atmosphere that is created by a brooding musical score that plays through almost the entire running time. This never gets annoying however, as the music is good and almost always adds to the images seen on screen. The film is slowly plotted, which might annoy some people and it's littered with philosophical ideas that Jude Law utters for a lot of the running time. This will probably irritate people that tuned in expecting a vampire movie, especially as there's little bloodletting, but some of the ideas put forward are fairly interesting, and keep the film alive.
This film shouldn't really be in with the classic vampire films at all, as it's a completely different animal (I suppose they couldn't really put it in with 'brooding cursed people', though). Vampire fans should take note of this, but even without the classic vampire thrills; there is much to like about this British chiller.
The Wisdom of Crocodiles has gained itself something of a cult following, and the channel I saw it on even introduced it as a 'cult classic'. I think this is an incorrect description of the film, as although it's not bad and certainly has it's moments; it hardly has the same qualities as true cult masterpieces, such as the aforementioned 'Martin'. The film benefits from a brooding atmosphere that is created by a brooding musical score that plays through almost the entire running time. This never gets annoying however, as the music is good and almost always adds to the images seen on screen. The film is slowly plotted, which might annoy some people and it's littered with philosophical ideas that Jude Law utters for a lot of the running time. This will probably irritate people that tuned in expecting a vampire movie, especially as there's little bloodletting, but some of the ideas put forward are fairly interesting, and keep the film alive.
This film shouldn't really be in with the classic vampire films at all, as it's a completely different animal (I suppose they couldn't really put it in with 'brooding cursed people', though). Vampire fans should take note of this, but even without the classic vampire thrills; there is much to like about this British chiller.
I'm not one to be at a loss of words when it comes to movies, but I believe I have seen one of the best of all time. What do you do to a vampire movie to make it stand above the rest? Don't make it an obvious vampire movie that's what you do. Po-Chih Leong did an excellent job of directing a film which kept me, a vampire movie enthusiast glued to my seat.
He didn't use the typical dark gloomy setting per typical vamp movies, neither did he restrict hi vampire character to the typical stereotypes of common vampire movies. This vampire could be out in the sunlight, see his reflection, yaddayaddayadda. The only thing that holds to the truth is he must drink blood. He is caring, sensitive, and above even his thirst all he is searching for is love.
The plot of this movie was outstanding. The dialog made me think of having everyday conversations. Jude Law was an excellent pick for the main character. I give this movie a 10 based on it's originality and new look at vampires. It can be a bit slow at parts but over all an outstanding movie.
He didn't use the typical dark gloomy setting per typical vamp movies, neither did he restrict hi vampire character to the typical stereotypes of common vampire movies. This vampire could be out in the sunlight, see his reflection, yaddayaddayadda. The only thing that holds to the truth is he must drink blood. He is caring, sensitive, and above even his thirst all he is searching for is love.
The plot of this movie was outstanding. The dialog made me think of having everyday conversations. Jude Law was an excellent pick for the main character. I give this movie a 10 based on it's originality and new look at vampires. It can be a bit slow at parts but over all an outstanding movie.
The Wisdom if Crocodiles is a very well made, character driven vampire film, that does away with many of the clichés associated with vampire films for the better.
The film centres around it's central character, Steven Grlscz, his relationship with women, and the police, who eventually suspect him of murder.
Steven doesn't have fangs, (which incidentally, were first brought into the vampire myths by the Hammer films.) doesn't burn up in the sunlight, (or even worse, go around wearing sunglasses and black in the day.) he is not a poseur, he is a real vampire. He needs to drink blood to live, for reasons that are revealed gently throughout the film.
The films success lies in it's shedding of these usual clichés, to make something that is less a part of a fantasy world, a more grounded in reality. This is fully represented through the whole of the films strata, for example when a fight breaks out involving local thugs, we are not treated to a slow-motion fest set to some industrial metal or matrix-like techno, but a realistic scrap, with a weird white noise sound crossed with choral singing musical accompaniment.
The film is also successful in some small touches that make it worth re-watching. Some little things that seem normal on a first viewing, that take up perhaps a second, are seen in a different way on repeat viewings. I find this quite a admirable addition to the films quality.
To sum up, The Wisdom of Crocodiles is an inventive, intelligent vampire film, without the clichés, grounded in reality and definitely worth watching.
The film centres around it's central character, Steven Grlscz, his relationship with women, and the police, who eventually suspect him of murder.
Steven doesn't have fangs, (which incidentally, were first brought into the vampire myths by the Hammer films.) doesn't burn up in the sunlight, (or even worse, go around wearing sunglasses and black in the day.) he is not a poseur, he is a real vampire. He needs to drink blood to live, for reasons that are revealed gently throughout the film.
The films success lies in it's shedding of these usual clichés, to make something that is less a part of a fantasy world, a more grounded in reality. This is fully represented through the whole of the films strata, for example when a fight breaks out involving local thugs, we are not treated to a slow-motion fest set to some industrial metal or matrix-like techno, but a realistic scrap, with a weird white noise sound crossed with choral singing musical accompaniment.
The film is also successful in some small touches that make it worth re-watching. Some little things that seem normal on a first viewing, that take up perhaps a second, are seen in a different way on repeat viewings. I find this quite a admirable addition to the films quality.
To sum up, The Wisdom of Crocodiles is an inventive, intelligent vampire film, without the clichés, grounded in reality and definitely worth watching.
The film is named 'Immortality' in the DVD version I saw, and the alternative title is not listed in IMDb, which almost made it the first movie I would miss when doing a search in IMDb!
Not that I have too much to say about this film. It is certainly not an enjoyable experience. The script is bad, with literary ambitions that are never fulfilled by real emotions. The atmosphere (kind of London outside, definitely Beverly Hills interiors) brings nothing new to the genre. The plot is slow, trailing, and the end is what can be defined a real anti-climax. There is some good acting, though - Jude Law in one of his pre-A.I. movies gives me reason to believe that with some luck he will fall upon a great script, and a good director and make his Oscar day. It is not enough to save an un-pleasant and un-satisfying cinema experience.
Unless you are a fan of vampire movies, you have no reason to pick it from the shelves.
Not that I have too much to say about this film. It is certainly not an enjoyable experience. The script is bad, with literary ambitions that are never fulfilled by real emotions. The atmosphere (kind of London outside, definitely Beverly Hills interiors) brings nothing new to the genre. The plot is slow, trailing, and the end is what can be defined a real anti-climax. There is some good acting, though - Jude Law in one of his pre-A.I. movies gives me reason to believe that with some luck he will fall upon a great script, and a good director and make his Oscar day. It is not enough to save an un-pleasant and un-satisfying cinema experience.
Unless you are a fan of vampire movies, you have no reason to pick it from the shelves.
I thought this film was quite good and more genuine in its story, for it questions the wisdom of passion.Jude Law is incredibly vulnerable , yet fiercely determined ,in his portrayal of a lovestruck, obsessed vampire.The object of his desire is a very sassy lady who brings elements to the film that are unpredictable.Some of Law's scenes are gross, but therein lies a victim in him.It carries a lot of tension , for I did not know where the plot was going-I like that.I try to guess the outcome of movies as I watch them. A lot of movies are just too predictable; this one is not.If you like a different kind of vampire film, with a lot of emotion and some sexy love scenes, this is a movie you'll love.If you are a fan of Jude, by all means see it.He uses his eyes in incredibly intense and versatile ways. He is charming and kind to people.He's also not afraid of looking absolutely horrible.He's more than a pretty face, much more. I would compare this more to "Basic Instinct" and "Fatal Attraction" than any of the Dracula films. But be warned: although this is not your typical vampire film, there is a lot of bloodshed.
Did you know
- TriviaAnthony Minghella's wife produced the film and used to watched the dailies at home each evening. Minghella would watch over her shoulder and was so impressed with Jude Law's performance he would cast him the following year as Dickie Greenleaf in "The Talented Mr Ripley" (1999)
- GoofsWhen Steven is standing in the police lineup he has a bruise on the corner of his mouth. During his interrogation in the next scene, the bruise is gone.
- Quotes
Steven Grlscz: When I was a boy I fell out of a tree but I managed just to grab a branch. I hung there for a long time, terrified. The silence and the pain in my arms. And the pounding in my ears. And then I fell. I don't remember what happened when I hit the ground. All I can remember now is the agony of holding on. And the wonderful feeling, the wonderful of letting go.
- ConnectionsReferenced in Atraco a las 3... y media (2003)
- How long is Immortality?Powered by Alexa
Details
- Release date
- Countries of origin
- Language
- Also known as
- Immortality
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $25,648
- Opening weekend US & Canada
- $10,281
- Jul 16, 2000
- Gross worldwide
- $54,836
- Runtime
- 1h 38m(98 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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