La sagesse des crocodiles

I thought this film was quite good and more genuine in its story, for it questions the wisdom of passion.Jude Law is incredibly vulnerable , yet fiercely determined ,in his portrayal of a lovestruck, obsessed vampire.The object of his desire is a very sassy lady who brings elements to the film that are unpredictable.Some of Law's scenes are gross, but therein lies a victim in him.It carries a lot of tension , for I did not know where the plot was going-I like that.I try to guess the outcome of movies as I watch them. A lot of movies are just too predictable; this one is not.If you like a different kind of vampire film, with a lot of emotion and some sexy love scenes, this is a movie you'll love.If you are a fan of Jude, by all means see it.He uses his eyes in incredibly intense and versatile ways. He is charming and kind to people.He's also not afraid of looking absolutely horrible.He's more than a pretty face, much more. I would compare this more to "Basic Instinct" and "Fatal Attraction" than any of the Dracula films. But be warned: although this is not your typical vampire film, there is a lot of bloodshed.

The film is named 'Immortality' in the DVD version I saw, and the alternative title is not listed in IMDb, which almost made it the first movie I would miss when doing a search in IMDb!

Not that I have too much to say about this film. It is certainly not an enjoyable experience. The script is bad, with literary ambitions that are never fulfilled by real emotions. The atmosphere (kind of London outside, definitely Beverly Hills interiors) brings nothing new to the genre. The plot is slow, trailing, and the end is what can be defined a real anti-climax. There is some good acting, though - Jude Law in one of his pre-A.I. movies gives me reason to believe that with some luck he will fall upon a great script, and a good director and make his Oscar day. It is not enough to save an un-pleasant and un-satisfying cinema experience.

Unless you are a fan of vampire movies, you have no reason to pick it from the shelves.

For a vampire movie set in modern-day England, "The Wisdom of Crocodiles" is peculiarly bloodless. But then, vampire hunger is more a metaphor than a cue for screaming, and sucking in this chilly love story, a philosophical thriller that's no less intriguing for being murkily theological and ceaselessly artsy.

"The line that separates good and evil cuts through every human heart," Steven murmurs to Anna. And that's just one of the many quotable Steven spouts to explain his dilemma: He needs nourishment from a woman's love - but he is doomed to destroy love in the process.

Steven also sustains a Russian-lit-like relationship with a detective on his trail, a man who takes his Catholicism as portentously as Steven takes his existential crisis. Through all the agony and ecstasy, Chinese-born, English-educated film-maker Po Chih Leong, working from an epigrammatic script, sustains a luxury-loving interest in the play of light on texture: Fountain pens have rarely looked more sensuous, nor vampires more like aesthetes who are never too blood-starved to appreciate fine craftsmanship.

This is the umpteenth story of the lonesome vampire who's got to bite -only women here- to survive.You get the picture?Directing is listless and does not create any stir.So why bother?

Because Jude here carries the world upon his shoulders ;and he seems to realize that the director here doesn't even play it cool and thus makes his world a little colder.That is to say Jude Law saves the movie from absolute mediocrity.He's prodigious notably in two scenes that would be undistinguished without his presence:the first in the tube with the hoodlums where he mesmerizes the whole pack and even the cop ;the second in the hospital when he talks to the little girl,smiling sweetly .The wisdom of crocodiles indeed.One wishes Roman Polanski had directed him.

The Wisdom of Crocodiles is one of a new breed of vampire movies. Probably started by Abel Ferrera's "The Addiction", vampirism has turned into a sort of curse that turns it's afflicted into brooding philosophers. Gone are the vampire bats, wooden stakes and crucifixes that once were the staples of the genre, and the vampire genre has been changed into a commentary on disease. However, I'm all for innovation, even if it's not always advisable innovation, and The Wisdom of Crocodiles is one of the better 'new wave' vampire films. It actually seems to be taking more influence from George Romero's excellent 'Martin' than 'The Addiction' anyway. The Wisdom of Crocodiles (great name, by the way) stars Jude Law, in a tight performance, as a man afflicted with some sort of curse that forces him to suck the blood of women while in the act of lovemaking. To say any more than that would mean spoiling it, so I'll leave it there.

The Wisdom of Crocodiles has gained itself something of a cult following, and the channel I saw it on even introduced it as a 'cult classic'. I think this is an incorrect description of the film, as although it's not bad and certainly has it's moments; it hardly has the same qualities as true cult masterpieces, such as the aforementioned 'Martin'. The film benefits from a brooding atmosphere that is created by a brooding musical score that plays through almost the entire running time. This never gets annoying however, as the music is good and almost always adds to the images seen on screen. The film is slowly plotted, which might annoy some people and it's littered with philosophical ideas that Jude Law utters for a lot of the running time. This will probably irritate people that tuned in expecting a vampire movie, especially as there's little bloodletting, but some of the ideas put forward are fairly interesting, and keep the film alive.

This film shouldn't really be in with the classic vampire films at all, as it's a completely different animal (I suppose they couldn't really put it in with 'brooding cursed people', though). Vampire fans should take note of this, but even without the classic vampire thrills; there is much to like about this British chiller.