Un thé avec Mussolini

It's certainly not clear how fictionalized a version of Zeffirelli's autobiography "Tea With Mussolini" is, what with the usual disclaimers at the end. Even presuming this is just a riff off an incident in his life, that he had some contact with memorable English ladies, it's clearly his tribute to where his love of English literature comes from, particularly Shakespeare. He's done several Shakespeare interpretations-- movies, opera and play directing. The film has a lovely scene of him being first introduced to acting out "Romeo & Juliet" with puppets, as well as constant quotes from Shakespeare throughout about war and his situation.

I was surprised how good the movie was - I was in tears several times, especially with visuals that bring up the same comparisons as "The Train" did, with art vs. war, humanity's heights of creativity vs. its lows of prejudice and violence.

These Oscar-winning ladies are absolutely terrific, yes including Cher. One elderly gentleman behind me complained that Maggie Smith basically always plays the same character but I thought her character does change towards the end. The others were certainly not their usual on-screen personas, Judi Dench as a free-spirited artist, Joan Plowright as a quite warm-hearted grandmotherly type, and Lily Tomlin a hoot as a butch archaeologist.

But why choose bland Italian actors for them to play off of? To make the Scorpioni, as they are called, stand out more? The Italians seemed stereotyped to me, Latin lover, ignorant peasants not appreciating their ancient artistic heritage.

What the movie also brought to mind is how few Italian movies have dealt with their fascist past as much as the French have been exploring their consciences of collaboration in film. Sure "Garden of Finzi Continis," "Two Women" and "Life Is Beautiful" show arrests, etc. but I don't get the sense of soul searching as to how did this happen here and could it again? Just because they didn't have Shakespeare and appreciate the treasures of the Uffizi as this film implies? (originally written 5/15/1999)

I had wanted to see this film for some time and when the opportunity finally materialised I was enthralled. It is probably the best performance I have seen by Maggie Smith, who often seems to be playing the same character actually. But this is her best since Miss Jean Brodie, and Joan Plowright, Judi Dench, Lily Tomlin and Cher are all equally impressive.

The settings are skilfully designed to draw the viewer in, and when you are setting your movie in Florence and its environs you can't go wrong anyway. The ongoing clash between two worlds i.e. Lady Hester Random (Maggie Smith) versus Elsa (Cher) reaches a satisfying resolution which it would be unfair to reveal.

There are splendid comic vignettes mixed into the overall drama. Judi Dench and her dog being thrown out of the cathedral, sharply contrasts with the chilling moment when the Jewish arts professor is taken away by the Gestapo. Understated but none the less effective, probably more so, because of it.

If you haven't seen this film, see it as soon as you can.

After nearly 20 years as a top pop and television star, Cher suddenly skyrocketed to film stardom in the mid-80's, walked off with an Academy Award, ranked among the top ten box-office stars and just as suddenly disappeared from the big screen in 1991 after one last hit "Mermaids"(1990) cleaned up at cinemas. In 1999 she made a tremendous comeback with a multimillion selling CD "Believe"(Warner Bros, 1998) and most impressively returned to the big screen with a luminous performance in Franco Zefferelli's "Tea With Mussolini"(MGM,1999). Reviews were mixed but after I saw this in the movie theater, I felt the film was rather good. Based on an autobiography by Zefferelli recounting his early years trying to survive the Nazi-Mussolini atrocities of WWII. During this dangerous time Zefferelli was protected by a coterie of socialite dowagers played splendidly by Maggie Smith, Judi Dench, Joan Plowright, Lily Tomlin and of course Cher who was perfectly cast as a gorgeous Jewish chanteuse. The story has some holes and the film was probably edited down too much for its US release that cause some continuity issues but this is overall a charming, thoughtful period piece highlighted by Cher at her latter day peak. Shame this success did not resuscitate her dormant film career. She has made nothing of note since.

This is a melodrama and you should not expect anything else. But what a melodrama! In the hands of a great director, using an eccentric story involving some eccentric people, it conveys straight to the heart how the great darkness descended upon Europe in the 1930's. It tells you that the greatest evil is the work of humans, and that the potential for evil lurks in the human soul. But, and here is the movie greatest strength, it shows you that humans possess the capacity to be human and to act human, when they heed Shakespeare's advice: "Love thyself last". All the negative comments that can be made about this or that deficiency caused me to downgrade this movie's rating from a "10" to a mere "9". Go see it. If you have kids - make sure to take them along for a great and satisfying lesson about life as it should be lived.

Another Judi Dench film that in no way disappoints.

This film opens the mind even more to that important chapter in history and lets you look from various perspectives at events.

I found it a really fascinating film, absolutely beautiful cinematography.

Excellent story telling, narrative, really well paced and put across.

And wonderfully acted across the board, from main characters to all the supporting cast, I did not realise Cher was such a good actress.

Stories like this based on fact, are so wonderful.

And the movie captures Florence, so pleasingly, you will long to visit.

A welcome break from the mindless action flicks.