IMDb RATING
6.7/10
16K
YOUR RATING
In 1976, a lower-middle-class teenager struggles to cope living with her neurotic family of nomads on the outskirts of Beverly Hills.In 1976, a lower-middle-class teenager struggles to cope living with her neurotic family of nomads on the outskirts of Beverly Hills.In 1976, a lower-middle-class teenager struggles to cope living with her neurotic family of nomads on the outskirts of Beverly Hills.
- Awards
- 10 nominations total
Mena Suvari
- Rachel
- (as a different name)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is a Jewish movie with the missing mom being a really key component. In the scene with Viv looking at the remote figure of the mom with two daughters as they leave to go shopping -- even (or especially) this mom who says big breasts are out of date, and who has provided her daughter with a nose job -- there is clear yearning for and respect for a mother. And in the responsibilities Viv is given and which she takes pretty courageously i'd say, she is a little mother to her family. Cousin Rita Abramovitz, on the other hand, is a female disaster, and Marisa Tomei's performance is spot on. Again, not comic. Human feeling and weakness showing through veneer of sexual energy. Our culture provides for sex first. Sex sells. There's a temporary sense of power, but this is not what people are. And Tomei gets that across. She disentigrates into illness. Elliott the pot dealer is drawn with accuracy and tenderness, recalling people i knew back then and illuminating them for me. The scene that was key for me in this motion picture is the father at his restaurant(with hair on his head in a lovely flashback)dealing with his cook. The meat. Could move the setting from Beverly Hills to the LaBrea tarpits . . . watching living creatures thrash and sink in the black goo of materialism.
This was a very pleasant surprise. It's hilarious and nostalgic (especially if you're a woman in her mid-thirties), but also really meaningful and moving. This movie is a highly original and often painfully accurate depiction of female adolescence -- from bras to blood stains.
The whole cast is wonderful. Natasha Lyonne is amazing -- I haven't been so captivated by an actress since I saw Emily Watson in "Breaking the Waves." Alan Arkin -- where has he been? -- is wonderful as her father, and Marisa Tomei is outrageous, but not over the top, as her sexy rehab-escapee cousin. Marisa and Natasha are particularly amusing in their scenes together, where they often speak a private language not unlike "ubby-dubby" (remember ZOOM?). The vibrator scene is not to be missed -- you'll never hear "We Got the Funk" the same way again!
I've been very disappointed with a lot of the highly-touted indies of the past few years, but "Slums of Beverly Hills" is the genuine article. I can 't wait to see Tamara Jenkins' next film!
The whole cast is wonderful. Natasha Lyonne is amazing -- I haven't been so captivated by an actress since I saw Emily Watson in "Breaking the Waves." Alan Arkin -- where has he been? -- is wonderful as her father, and Marisa Tomei is outrageous, but not over the top, as her sexy rehab-escapee cousin. Marisa and Natasha are particularly amusing in their scenes together, where they often speak a private language not unlike "ubby-dubby" (remember ZOOM?). The vibrator scene is not to be missed -- you'll never hear "We Got the Funk" the same way again!
I've been very disappointed with a lot of the highly-touted indies of the past few years, but "Slums of Beverly Hills" is the genuine article. I can 't wait to see Tamara Jenkins' next film!
THE SLUMS OF BEVERLY HILLS (3 outta 5 stars) I figured this was going to be just another silly movie about the trials and tribulations of spoiled rich kids in Cali. Actually it's a pretty good coming-of-age story circa 1976. Vivian (Natasha Lyonne) has just grown breasts and now considers herself deformed. Her dad (Alan Arkin) is a divorced man of almost-retirement-age who has never been able to provide a stable home for his kids and keep dragging them from place to place like nomads (and presumably keeping one step ahead of bill collectors). One brother is a struggling actor and the other is too young to really fit in anywhere. In a desperate attempt to make ends meet Arkin takes in his troubled 29 year old niece (Marisa Tomei), charging his rich brother a fee for keeping an eye on her. So they all move into a small, cheap Beverly Hills apartment block and try to cope. Very funny moments... punctuated by some heavy drama and some unexpected twists. One of the better roles that Alan Arkin had had in recent years... proving that he hasn't lost his touch as he's gotten older (unlike many other comic actors of his generation). I have never been much of a fan of Marisa Tomei but I liked her a lot in this movie. The scenes of her and Lyonne conversing in their "secret language" are priceless!
Being 17 in 1976, this movie perfectly captured that era's tackiness and lack of direction. It hurt just to look at the clothes and listen to the music.
I found the movie a perfectly realistic change from the overwrought seriousness and cookie-cutter "family" pieces.
I especially liked the dead cat, Rita's "boyfriend", and "It's a building thing."
Evocative, scary [in a PVC-upholstered sofa sort of way], redeeming, honest -- I was laughing through my tears.
I found the movie a perfectly realistic change from the overwrought seriousness and cookie-cutter "family" pieces.
I especially liked the dead cat, Rita's "boyfriend", and "It's a building thing."
Evocative, scary [in a PVC-upholstered sofa sort of way], redeeming, honest -- I was laughing through my tears.
"Slums" is one of the more underrated films of the 1990s. It seems to rub some people the wrong way for unclear reasons, but I found it to be touching and hilarious from start to finish. Perhaps I'm just a sucker for Alan Arkin, whom I've always liked, and see on screen all to infrequently. More likely I was impressed by the witty script, deft direction and solid cast. I especially appreciated the spot-on portrayal of Southern California during the mid-70s, which just happens to be the era when I migrated from "back East" to Los Angeles. Fortunately, we weren't as hapless as the Abramowitz family, who throughout this film are trying desperately to hang onto the ragged edge of the good life.
This is one "coming of age" story that you don't need to be a teenage girl to enjoy.
This is one "coming of age" story that you don't need to be a teenage girl to enjoy.
Did you know
- TriviaThe female lead is uncomfortable with the attention she gets when she grows large natural breasts. At first, Natasha Lyonne was excited about the silicone breasts she wore for her role. Then, director Tamara Jenkins told her to walk around for a day while wearing them. Lyonne came back and told Jenkins, "I get it now."
- GoofsIn the closing credits, the word "Soundtrack" is spelled incorrectly as "Sountrack".
- SoundtracksI'd Love to Change the World
Performed by Ten Years After
Courtesy of Chrysalis Records, a division of EMI
Under license from EMI-Capitol Special Markets
Written by Alvin Lee
Published by Chrysalis Music (ASCAP)
Details
- Release date
- Country of origin
- Language
- Also known as
- Les Déjantés de Beverly Hills
- Filming locations
- 425 S Willaman Dr, Los Angeles, California, USA(The Camelot)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $5,000,000 (estimated)
- Gross US & Canada
- $5,502,773
- Opening weekend US & Canada
- $125,561
- Aug 16, 1998
- Gross worldwide
- $5,502,773
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