Les taudis de Beverly Hills

i'm not quite sure exactly why i like this film but as the credits rolled i was smiling nonetheless. the orange/brown/pea-soup green 70's setting of it was one of the things i found authentic and quirky about it. the whole texture of the movies seems saturated by that awful color scheme, as though the whole world is being invaded and lorded over by kitsch. another more base reason is the infinitely watchable natasha lyonne as the blossomed teenager coping with an increasingly unstable world. first her family life and now even her body seem to follow wild and unpredictable spurts. she is obviously quite attractive and i would say the best actor/actress to come out of the American pie bunch and thus not surprisingly the most overlooked. the characters all seem believable to the point that one has to understand that some biographical elements are playing heavily into the story. that said brings to mind the old adage that truth is often stranger than fiction, and in this case it also is more entertaining.

7 out of 10

The Slums of Beverly Hills is a coming-of-age story from the perspective of a young girl. Vivian, the protagonist, is the pubescent member of a roving band of urban gypsies in 1976 Beverly Hills. The band consists solely of her divorcee father, and two brothers; one older and one younger. They don't roam far, just in the confines of the Beverly Hills school district. They are joined by a rehab-fleeing, neurotic female cousin, who becomes a guide for the young Vivian, leading her through the sexual-emotional vicissitudes of teenagerdom. Very clever, and also very heartfelt, The Slums of Beverly Hills really connected with me. I felt for the family. The acting is top flight and this makes up for some grating story lapses. When in the mood for a comedy I highly recommend this movie.

THE SLUMS OF BEVERLY HILLS (3 outta 5 stars) I figured this was going to be just another silly movie about the trials and tribulations of spoiled rich kids in Cali. Actually it's a pretty good coming-of-age story circa 1976. Vivian (Natasha Lyonne) has just grown breasts and now considers herself deformed. Her dad (Alan Arkin) is a divorced man of almost-retirement-age who has never been able to provide a stable home for his kids and keep dragging them from place to place like nomads (and presumably keeping one step ahead of bill collectors). One brother is a struggling actor and the other is too young to really fit in anywhere. In a desperate attempt to make ends meet Arkin takes in his troubled 29 year old niece (Marisa Tomei), charging his rich brother a fee for keeping an eye on her. So they all move into a small, cheap Beverly Hills apartment block and try to cope. Very funny moments... punctuated by some heavy drama and some unexpected twists. One of the better roles that Alan Arkin had had in recent years... proving that he hasn't lost his touch as he's gotten older (unlike many other comic actors of his generation). I have never been much of a fan of Marisa Tomei but I liked her a lot in this movie. The scenes of her and Lyonne conversing in their "secret language" are priceless!

This was a very pleasant surprise. It's hilarious and nostalgic (especially if you're a woman in her mid-thirties), but also really meaningful and moving. This movie is a highly original and often painfully accurate depiction of female adolescence -- from bras to blood stains.

The whole cast is wonderful. Natasha Lyonne is amazing -- I haven't been so captivated by an actress since I saw Emily Watson in "Breaking the Waves." Alan Arkin -- where has he been? -- is wonderful as her father, and Marisa Tomei is outrageous, but not over the top, as her sexy rehab-escapee cousin. Marisa and Natasha are particularly amusing in their scenes together, where they often speak a private language not unlike "ubby-dubby" (remember ZOOM?). The vibrator scene is not to be missed -- you'll never hear "We Got the Funk" the same way again!

I've been very disappointed with a lot of the highly-touted indies of the past few years, but "Slums of Beverly Hills" is the genuine article. I can 't wait to see Tamara Jenkins' next film!

Bright performances are the reason to see Tamara Jenkins' Slums of Beverly Hills, since the situations offered up by the writing consist of the usual comedic complications writers call "quirky" and "zany." Following the nomadic existence of Murray Abramovitz (Alan Arkin), a 65-year-old wash-out father of two teenagers and their kid brother, the movie focuses on Vivian (Natasha Lyonne) the single-parent family's lone female. Vivian is exasperated by her newly sprouted breasts, and a significant measure of the film's comedy arises from this singular obsession. Most out of place is Marisa Tomei, who plays the flaky, pregnant, basket case of a cousin who comes to live with the family. Jenkins would have done well to leave out this completely unnecessary character and devote more time to the challenges faced by Vivian.