Les Aiguilleurs

Okay, several parts of this movie were a bit far-fetched; (the wake turbulence from a heavy jet being one of them)but from a technical standpoint I can say that the phraseology, hazing, harassment, and ego trips are very accurate. Why? In a word, pride. Perhaps false pride at times, but pride nonetheless. The U.S. air traffic control system handles more traffic in a single day than any other country does in a week. Check the numbers, kids. It's true. The training is rigorous and relentless, and, at the risk of sounding like a commercial for the Marines, if you happen to be the one out of about a thousand who makes it through training to become a full performance level controller, it becomes a badge of honor. Very few people can do it. It is a close-knit family, which was also displayed in the film. If you'll notice the scene where a particular departure didn't "tag up" and one controller didn't notice it, several others jumped in to help out, and all joking and hazing stopped. Forgive my preaching, but this is the first movie that actually gave a somewhat accurate view of my profession, so hopefully I can be forgiven for being protective. (By the way, if I was married to someone who looked like Angelina Jolie, I'd keep her in the woods away from the slugs I work with, too.)

This movie just doesn't deliver. It gets too bogged down all through the middle as Cusack's life comes apart because of his determination to outdo Thornton's character. Also, Thornton's character (although he is the antagonist of the film) is way more interesting than Cusack's character, with whom we get frustrated and just wish he'd get his act together.

The movie does become more amusing towards the end once Cusack finally tries to do something about his sorry state. But too little, too late.

The film also uses the style of super-verite everyone-talk-at-once, which means that you can't hear the lines and it rarely does anything to add to the story. Seemed like the whole first third of the movie was there just to develop the "atmosphere". A number of scenes here and there that don't have any purpose in the story.

The acting's all fine and good, and the NJ/Long Island clothes and decor are fun. I blame the writer, director, and editor for the failure of this flick.

Here's 1999's winner for the film least likely to be shown during an overseas flight. Cusack stars as a hotshot air traffic controller whose top dog status is threatened by the arrival of the equally gifted but enigmatic Billy Bob Thornton. Cusack's mounting rivalry with the inscrutable Thornton eventually consumes his personal life as he falls prey to Thornton's sexy wife (Angelina Jolie) and his marriage (to Cate Blanchett) gradually disintegrates. Director Mike Newell showed great flair in balancing comedy and drama in 1994's "Four Weddings And A Funeral", but here the mix is less assured and the extremes far too close together. Only fitfully amusing, "Pushing Tin" too rarely concentrates on its examination of air traffic controllers and their daily stresses, opting instead for a simple one-upmanship plotline with a superficial and sometimes flippant look at the men and women within whose hands we entrust our lives. The four leads are more than adequate in their roles, though the characters portrayed by Blanchett and Jolie (excellent during her brief appearances) are all but forgotten for long stretches at a time. As for rental possibilities, visibility should remain zero.

Pushing Tin takes a unique subject matter, a job that affects almost everyone in America, and compelling lead character in the midst of a moving internal struggle and absolutely ruins it. Why did the director and/or producer have to try and make Top Gun for Air Traffic Controllers? The first scene of this movie was so laughable I almost walked out. These filmmakers adapted this movie from an article, as the opening credits state. Too bad they used the Hollywood cookie cutter to do it. Mr. Cusack and Mr. Thornton are enjoyable as usual and so was Ms Blanchett, unfortunately that is not enough.

PUSHING TIN (1999) ***

Starring: John Cusack, Billy Bob Thornton, Cate Blanchett, Angelina Jolie, and Jake Weber Directed by: Mike Newell Running time: 124 minutes Rated R (for language, and some sexuality/nudity)

By Blake French:

"Pushing Tin" is really nothing more than a very interesting character study that maintains support from its script to succeed. So many movies these days have well-written characters but not the thriving screenplay to back them up. At last, we can enjoy a film with strong comic performances, smart dialogue, and an engaging atmospheric environment.

The film stars John Cusack as a hot shot air traffic controller named Nick Falzone, nicknamed "the zone" because he is truly the best at his profession. He lives in New Jersey with his happy housewife, Connie, and their son. (who is seldom mentioned or seen.) He has an intense, stressful work life, enjoys having fun with his co-workers, and seems to have a pretty optimistic look at life.

All things change, however, when Nick meets his new neighbor, Russell Bell. He's a roughneck motor cycle-driving, quiet and challenging man who really needs to shave. Nick immediately feels tension between Russell and himself. And it just so happens that Russell is also an air traffic controller, making things even more competitive between these two individuals. The two soon begin efforts to try to impress the other, in and outside the job.

The personal battles between Nick and Russell soon put each of them in bed with the opposite's wife. Nick is the first to commit adultery when he falls for Bell's highly attractive young wife, Mary. While he meant well, by taking her out for dinner after observing Mary sobbing at the grocery store, when they got home, things obviously got out of hand.

The movie is very detailed both in the workplace and in its colorful, intriguing characters. The original tasting flavor of being placed in an air traffic control tower is quite captivating. The characters stare at the plane monitors like children at a television screen while playing a video game. The characters themselves are relevant, ordinary people, which is why they are so easy to relate to. Even though some of their personalities and motives are instantly obvious, we still have lots of fun watching their everyday living style

While some comedies would eventually regulate into a formalistic climax and follow predictable events, "Pushing Tin" is too smart for that. The ending is happy and light hearted, but it's most of the fun getting there. Mike Newell, director of "Four Weddings and a Funeral," knows exactly what he wants out of the actors here, and they do exceedingly well at giving what he requires. Each fits their character perfectly, especially Cusack, Jolie, and contributing an Oscar worthy performance, Thornton.

"Pushing Tin" offers a variety of characters and contrasts them effortlessly. In particular, during a just-for-fun basketball game, Nick makes a sudden bet for $100 that Russell can not make a hoop from a certain point in the court. Russell excepts. Nick nervously changes his gamble to fifty cents, but Russell stands firmly on the original amount. He shoots...and misses. "Close enough, Russell," pardons Nick, "Lets call it even." Russell walks over to him manly and states "You either make it or you don't," as he hands Nick the cash promised. The chemistry between these characters is as effective as pouring oil in to water. And that is exactly how it is designed to be.

Brought to you by 20th Century Fox.