IMDb RATING
5.1/10
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An anthropologist creates a fictitious lost New Guinea tribe using his family members to cover up his misuse of grant monies.An anthropologist creates a fictitious lost New Guinea tribe using his family members to cover up his misuse of grant monies.An anthropologist creates a fictitious lost New Guinea tribe using his family members to cover up his misuse of grant monies.
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- 1 nomination total
Siobhan Fallon Hogan
- Lori
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Featured reviews
Richard Dreyfus. An anthropologist creates a fake New Guinea tribe to further his career.
This sounded like it would be painful to watch, and in some places, it is just that. but overall, this bears an endearing tone, and a genuine humor, which consistently colors the work, throughout.
Dreyfus's character, Krippendorf, is a frantic/manic anthropologist who tries to seem as though he is calm and collected, on the surface of the deception he has laid. Dreyfus is a phenomenal actor, who needs another Jaws/Close Encounters to revitalize his career. I wonder if Spielberg is listening? His performances come off as direct projections from the heart, no matter how low the budget they allow him, or what horrendous costars they saddle him with.
This work features a quirky story line with quirky subplots, and quirky characters, but none as enigmatic as Krippendorf himself.
This is a great way to spend a couple of hours, but as a Disney movie? Disney rewrites known history to suit its ends, and usually does so with great panache, but the return to ethnocentrism is potentially damaging to the field of anthropology. However, if you can suspend belief, which you must do to enjoy any Disney movie, then you may find the enjoyment from it that I did, but as usual, I'm in the minority.
It rates a 7.1/10 from...
the Fiend :.
This sounded like it would be painful to watch, and in some places, it is just that. but overall, this bears an endearing tone, and a genuine humor, which consistently colors the work, throughout.
Dreyfus's character, Krippendorf, is a frantic/manic anthropologist who tries to seem as though he is calm and collected, on the surface of the deception he has laid. Dreyfus is a phenomenal actor, who needs another Jaws/Close Encounters to revitalize his career. I wonder if Spielberg is listening? His performances come off as direct projections from the heart, no matter how low the budget they allow him, or what horrendous costars they saddle him with.
This work features a quirky story line with quirky subplots, and quirky characters, but none as enigmatic as Krippendorf himself.
This is a great way to spend a couple of hours, but as a Disney movie? Disney rewrites known history to suit its ends, and usually does so with great panache, but the return to ethnocentrism is potentially damaging to the field of anthropology. However, if you can suspend belief, which you must do to enjoy any Disney movie, then you may find the enjoyment from it that I did, but as usual, I'm in the minority.
It rates a 7.1/10 from...
the Fiend :.
I think this is a great film for anthropology students. It demonstrates many of the hypocricies that exist within academia as well as the types of pressures that many professionals feel within the field. I also think it's a great introductory example for anthropology students regarding ethics, structures of cultures, and the nature of our own culture (how we justify normally taboo items).
I show it to my Introduction to Anthropology students every year. They laugh, they ask questions, and they appreciate the film. I recommend it. I've used it for years in Anthropology classes - I have students analyze the Shelmikedmud and come up with more cultural traits. I then follow by having them simulate the type of cultural creations that scifi writers do - creating their own alien cultures.
I show it to my Introduction to Anthropology students every year. They laugh, they ask questions, and they appreciate the film. I recommend it. I've used it for years in Anthropology classes - I have students analyze the Shelmikedmud and come up with more cultural traits. I then follow by having them simulate the type of cultural creations that scifi writers do - creating their own alien cultures.
If it is possible to recommend a film soley on the fact that it has a couple funny scenes, "Krippendorf's Tribe" is the one to recommend. It is not sporadically funny. It is barely remotely funny. But it hits the laugh-mark a few times, and when it does, the results are hilarious.
The hilarious scene in "Krippendorf's Tribe" isn't a potentially smart one, nor a particularly witty one. But it is hilarious, and it had me rolling over on the floor in laughter. Sadly, there are only one or two scenes like this; the rest of the film tries to be funny but just isn't. Blame it on the script, blame it on the director, but don't blame it on Richard Dreyfuss, because you can tell he tried.
Dreyfuss plays Krippendorf, an anthropologist researching a legendary tribe deep in New Guinea. The film opens with shots of him filming with his camera. Unfortunately, he comes back to America with no evidence of any real tribe. But the real bad news is that his grant money has been completely used up. And things get even worse when Krippendorf finds out that a person can go to jail for what he has done (misappropriating grant money).
The day of his lecture on the tribe grows nearer, and when he finally gets up in front of everyone...he lies.
You see, earlier that day, in the spur of a moment, Krippendorf took his three children, dressed them up with Indian-tribe-type cloaks, and painted their faces. Presto. Instant tribe-members. He filmed them in the backyard, then took the video to his conference, where he proceeds to lie to everyone in the room, saying he has found the legendary tribe and has caught them on videotape. He plays the tape, and they all believe him. Whew.
But now they want to see more. They want to see the tribe. They want to hear about their lifestyles, their rituals; Access Hollywood, anyone?
Because of this plot setup results the funniest scene in the movie, in which Krippendorf sets up a fake circumcision bit with one of his children. I won't ruin that scene, because it is really the only thing worth seeing in the movie.
If you want a night-in watching a film, but don't feel like anything profound of memorable, "Krippendorf's Tribe" is the way to go, but don't expect anything too special.
2.5/5 stars -
John Ulmer
The hilarious scene in "Krippendorf's Tribe" isn't a potentially smart one, nor a particularly witty one. But it is hilarious, and it had me rolling over on the floor in laughter. Sadly, there are only one or two scenes like this; the rest of the film tries to be funny but just isn't. Blame it on the script, blame it on the director, but don't blame it on Richard Dreyfuss, because you can tell he tried.
Dreyfuss plays Krippendorf, an anthropologist researching a legendary tribe deep in New Guinea. The film opens with shots of him filming with his camera. Unfortunately, he comes back to America with no evidence of any real tribe. But the real bad news is that his grant money has been completely used up. And things get even worse when Krippendorf finds out that a person can go to jail for what he has done (misappropriating grant money).
The day of his lecture on the tribe grows nearer, and when he finally gets up in front of everyone...he lies.
You see, earlier that day, in the spur of a moment, Krippendorf took his three children, dressed them up with Indian-tribe-type cloaks, and painted their faces. Presto. Instant tribe-members. He filmed them in the backyard, then took the video to his conference, where he proceeds to lie to everyone in the room, saying he has found the legendary tribe and has caught them on videotape. He plays the tape, and they all believe him. Whew.
But now they want to see more. They want to see the tribe. They want to hear about their lifestyles, their rituals; Access Hollywood, anyone?
Because of this plot setup results the funniest scene in the movie, in which Krippendorf sets up a fake circumcision bit with one of his children. I won't ruin that scene, because it is really the only thing worth seeing in the movie.
If you want a night-in watching a film, but don't feel like anything profound of memorable, "Krippendorf's Tribe" is the way to go, but don't expect anything too special.
2.5/5 stars -
John Ulmer
Well, it seems like perhaps my opinion of this film is somewhat rare compared to most. I didn't like it, I didn't hate it...it was just an adequate time-filler. There's nothing particularly wrong with it, but it just isn't too funny either, which can be a problem if you're making a comedy. There's nothing I can really praise or trash about this movie, so I'd say that if you have an extreme need to see a standard film that isn't boring or especially entertaining, then this should nicely satisfy your mediocre movie requirements.
If this movie can be accepted as is (a comedy), it is funny. If totally unbelievable plot and situations are ignored it can still be a laugher. A few of the better instances were Lilly Tomlin (?) in the jungle, the television interview, and the banquet scene.
Did you know
- TriviaOn Twitter, Richard Dreyfuss wrote, "I had so much fun with Jenna Elfman during 'Krippendorf'. The movie was not very good, but we had some fun."
- GoofsKrippendorf repeatedly refers to the Shelmikedmu as a Neolithic tribe, but their level of development would mean they are technically Paleolithic (pre-Neolithic).
- Quotes
James Krippendorf: [to his teenage daughter] Excuse me! Who is the adult in this room?... Don't answer that! I am the adult in this room.
- Crazy creditsProduction Dogs .... Rosebud and Mickey
- SoundtracksThe Sound of Drums
Written by Angélique Kidjo and Jean Hebrail
Performed by Angélique Kidjo
Courtesy of Island Records Ltd.
By Arrangement with PolyGram Film & TV Music
Details
Box office
- Gross US & Canada
- $7,571,115
- Opening weekend US & Canada
- $3,316,377
- Mar 1, 1998
- Gross worldwide
- $7,571,115
- Runtime
- 1h 34m(94 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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