The Interview

THE INTERVIEW ( rating, * * * * out of 5 )

Edward Flemming, (Hugo Weaving) is a seemingly everyday guy a little bit down on his luck. In the early hours of the morning, his door is broken down and he is arrested for a crime he apparently knows nothing about.

Detective Sergeant John Steele, (Tony Martin) a cop with a dubious reputation, conducts a series of interviews searching for the truth. As time ticks by, it becomes obvious all is not as it seems. Does Edward have a confession to make? Is he innocent? Or is Steele stepping way over the line?

Writer/director Craig Monahan, with help in the script department by Gordon Davie, construct a tense and absorbing movie which is punctuated by a menacing soundtrack composed and performed by David Hirschfelder.

This is stylish film-making at its best. Lush production values, elegant lighting, the skilful manipulation of slow motion, all combine to take the discerning viewer on a strange and mysterious ride.

Everything about this movie works - fine acting, expert writing and imaginative directing. Craig Monahan moves the story slowly but surely - deft handling of mood and atmosphere.

This film has to be really watched as the usual over-the-top bells and whistles are traded for innuendo and simmering tension. The longer this film went, the more it felt like a return to classic film noir where true movie-making was about absorbing an audience with story and character.

'The Interview' has many surreal qualities due to its intelligent subtleties. However, if these elements are missed, it will undoubtedly fall a little flat.

My only real criticism is that the ending was a little unsatisfying. The movie built up such viewer unease that the finale just fell away almost making the whole exercise pointless. This aside, 'The Interview' is a rare film and should not be missed.

The reality is that this film is not for everyone due to its strict attention demand on the audience. If you're looking for a film where you can slip your brain into neutral then give this one a miss. However, if a sharp thriller where the narrative is driven by deception is your bag, then 'The Interview' will not displease.

"The Interview" dedicates most of it's run time to a police interview (Aussie for interrogation) of a suspect in a stolen car case. The interview is supposed to be a process where questions are asked and answered in an attempt to discern the truth of a matter. In this film, however, one question leads to another and another and so on until the truth seems inextricably buried and the usually clear line between good and evil becomes blurred beyond recognition. An dark, claustrophobic, artfully presented all-business psychodrama out of Australia, "The Interview" will prove an enjoyable watch for those into mind game flicks. With good acting by all, special kudos to Weaving for an excellent performance.

What an excellent movie. Do not pass this one by: although it's virtually static (most of it takes place in a police station interview room, and most of what's left occurs in other portions of the same station) it is absolutely riveting. I wonder how many viewers of this movie shared my thoughts immediately afterwards: why in the world don't we see more movies of this calibre?

If you've ever doubted Hugo Weaving's acting skill - then this is the movie to set you straight. Weaving's performance is spectacular, it's got a gritty, human tangible feel - I saw this on the big screen, but even on TV he still has that emotional realism you can't fault.

If you're a Weaving fan and you haven't seen this - then go and get it right now.

If you're a Matrix fan and you haven't seen this - go and get it now - you'll get to see agent smith on the other side of an interrogation room.

This movie is a non-stop discovery, you'll spend the entire movie questioning the characters, their motives and the truth of the tale unfolding.

I cannot recommend this movie strongly enough, it is an unknown classic.

Most audiences around the world would by now know who Austrialian actor Hugo Weaving is, after appearing in big budgeted Hollywood trilogies like The Matrix and The Lord of the Rings. The Interview presents one of his earlier works in an Australian film, and my, does he show off his acting chops in this.

Hugo Weaving plays Eddie Fleming, a simple man whose just been retrenched from his job, separated from his wife and living off state welfare. The film begins with him being literally yanked off his sofa chair at home, when the cops barge in and arrested him with strong arm tactics. Later he's told, that he's in for a car jacking incident.

However, Fleming pleads innocence to chief interrogator John Steele (played superbly too by Australian actor Tony Martin), who has a reputation of solving crimes, regardless of the methods used. It's one man against the other, as Fleming initially begins as an innocent helpless man, clueless to why he's bring held in a police station, undergoing an interrogation.

As we go along, we see a power play between the two men, as each try to gain one up against the other. We start to question Fleming's innocence, as he begins to drop various hints that he might be involved in the crime Steele is investigating, and perchance, might be the serial killer Steele is looking for. The tension built between the two is tremendous, and both hold court against each other. Also added to the subplot is the exploration of ethics into Steele's techniques, and the politics of policing, investigations and the conducting of interrogations and interviews.

It's excellent storytelling if you're willing to put up with little or no action, but laden with plenty of insightful dialogue. Weaving adds a beautiful dimension to the character of Fleming - innocent man, guilty sinner, schizophrenic, or just manipulator? You'll also learn a bit about the Australian police and justice process at the evidence gathering stage, and one in which Fleming takes advantage of quite skillfully.

So for fans of Hugo Weaving, you might want to pick up this DVD to check out his performance.

This Code 1 DVD contains the theatrical trailer, cast biographies, cast interviews with Hugo Weaving and Tony Martin, an audio commentary by the director/writer Craig Mohanan, and deleted scenes, one of which features an alternative ending.