Laurie Strode, now the dean of a Northern California private school with an assumed name, must battle the Shape one last time, as the life of her own son hangs in the balance.Laurie Strode, now the dean of a Northern California private school with an assumed name, must battle the Shape one last time, as the life of her own son hangs in the balance.Laurie Strode, now the dean of a Northern California private school with an assumed name, must battle the Shape one last time, as the life of her own son hangs in the balance.
- Awards
- 2 wins & 12 nominations total
Featured reviews
when i went to go see this movie at the theaters, i was scared to death. But when i first watched it on VHS a couple times, i had no clue that it ignored what happened in Halloween 3-6.
Halloween h20 picks up 20 years after the happenings of the first Halloween. Keri Tate/Laurie Strode (Jamie Lee Curtis) has gone into hiding and working as a teacher at a private school in California. But it's getting close to Halloween and she is unaware that Michael has now relocated his sister. Sooner than later, Lauri fights back, not wanting to live a life a fear and preying that her brother will not find her. The ending **spoilers** was great how Lauri fights back. At the end**spoilers** it showed how Lauri would kill Michael once and for all, but that was messed up in the next Halloween movie "Halloween Resurrection".
Halloween h20 picks up 20 years after the happenings of the first Halloween. Keri Tate/Laurie Strode (Jamie Lee Curtis) has gone into hiding and working as a teacher at a private school in California. But it's getting close to Halloween and she is unaware that Michael has now relocated his sister. Sooner than later, Lauri fights back, not wanting to live a life a fear and preying that her brother will not find her. The ending **spoilers** was great how Lauri fights back. At the end**spoilers** it showed how Lauri would kill Michael once and for all, but that was messed up in the next Halloween movie "Halloween Resurrection".
After so many poor follow ups, H20 serves up thrills and spills, with the franchise managing to go bigger, and yet get back to basics.
It's well acted, very well paced, and entertaining from start to finish. It's also nice to see the hunted become the hunter, great to see Laurie get revenge on her sadistic brother.
Curtis is great, Hartnett is cool also, although why's he wearing a shirt six sizes too big for him?
Some great moments, it's very suspenseful, kind of builds on the success of the Scream franchise, it very much has that vibe as opposed to it's predecessors.
One of the best. 8/10
It's well acted, very well paced, and entertaining from start to finish. It's also nice to see the hunted become the hunter, great to see Laurie get revenge on her sadistic brother.
Curtis is great, Hartnett is cool also, although why's he wearing a shirt six sizes too big for him?
Some great moments, it's very suspenseful, kind of builds on the success of the Scream franchise, it very much has that vibe as opposed to it's predecessors.
One of the best. 8/10
Ah, the mid-to-late 1990's... sort-of a rebirth of horror in a way. After all, the period from 1990 to about 1995 was wholly and decidedly a relatively murky period for the genre, with quality releases being very few and far between. Audiences were tiring of the holdover 80's slasher flicks and ho-hum ghost stories, with really only a handful of stand-out creep-shows to keep horror fans satiated. With so few quality-choices (notably the mini-series "It" from the book by Stephen King and the wonderful thriller "Candyman" from the stories of Clive Barker), it was no wonder that the early 90's were considered a "dead" period.
Then, "Scream" happened and changed everything. It proved that not only could horror be widely appealing at the hands of gifted writers and quality filmmakers, but also showed that the old tropes and clichés could be "hip" and "cool" again when handled with care and a degree of nostalgic love.
So, it should come as no shock that after the colossal misfire that was the previous film ("The Curse of Michael Myers"), the "Halloween" series got a new lease on life with a post-"Scream" sensibility in this 1998 release- "Halloween H20: Twenty Years Later." A minor degree of self-awareness, a focus on modern teenage and young adult culture and a fun blast from the past by way of original star Jamie Lee Curtis made the series relevant and modern in a way that both worked to re-invigorate interest and also pay homage to the series origins.
The film was lovingly crafted to serve as a book-end to the original, cleverly taking advantage of being released on the twentieth anniversary of the John Carpenter classic as part of it's schtick. It was built up as the "Halloween" to end all "Halloween's"... A "Halloween" for the modern era. A "Halloween" for the sharp and post-modern 90's crowd. And a "Halloween" that honored the long- beloved roots of the series.
Directed by Steve Miner, the film revolves around Jamie Lee Curtis' Laurie Strode, now living as a teacher under a false name. Still haunted by nightmares of her murderous sibling Michael Myers, Laurie is trying her hardest to move on. But when her brother comes calling, the stakes are set for a final and apocalyptic battle from which only one can emerge alive.
The success of the film really falls onto its clear adoration of the original and the desire to "evolve" and "complete" the story that it started in a new and fresh way. You can feel the love for that film oozing in virtually every scene here, with many subtle homages and call-backs. Yet it also builds and evolves the franchise in a way that previous films hadn't. Whereas prior sequels truly did feel like they were simply trying to re-create the magic of the original to increasingly diminishing results, "H20" actually has the guts to say "No, the best way to pay tribute to the origin of the series is to make homage and continue the story, but allow it to change with the times." A huge part of that is the result of that late-90's self-aware mindset popularized by other films, and I think it works wonders. There are numerous levels of subversion that make you second-guess where it's all leading, there's plenty of banter and humor that satisfies the audience, and it also makes the wise move to make all the characters likable... nobody here really has their own agenda as so many other slasher-sequels have done with their characters.
Miner's direction is strong, with a keen sense of scope, atmosphere and composition. He finds just the right balance between old- fashioned cinematography and 90's era aesthetics, giving the film a unique tone and visual palate that both compliments and contrasts with the Carpenter original.
Performances are uniformly strong for the material. Curtis is a joy in her returning role, giving Laurie a grand sense of pathos but also a drive to finally face her fears. Supporting roles by the likes of Josh Hartnett, Adam Arkin and even rapper LL Cool J round out a likable and believable cast. And there's no sore thumbs to be found. Also of note is voice-over artist Tom Kane, who perfectly re- creates the brilliant dialog of the late Donald Pleasance in a wonderful opening sequence. (Also, keep your eyes peeled for future superstar Joseph Gordon- Levitt in a small role in the opening sequence!)
Should I have to address any negatives, I would definitely have to dock some slight points for a frankly shaky first act, which does fall back on the old tropes and clichés a bit too much. It just feels contrary to the much stronger second and third acts of the film, and it doesn't do much to subvert expectations or built on the legacy of the series. I also take some slight issue with the film's at times break-neck pace... it's already a fairly short film, and it rushes a bit too much for everything to really set in.
Still, those flaws being stated, I can't help but feel that for my money, this is the best of the "Halloween" sequels. It built off of what came before, served as a loving tribute and also book-ended the series with what was at the time built up to be the final entry in the series. To me, the "Halloween" franchise is a trilogy- Carpenter's "Halloween", it's first sequel "Halloween II" and this film, "H20." Everything else to me is pure fan-fiction.
I give "Halloween H20: Twenty Years Later" a strong 8 out of 10 as a horror fan and in particular as a fan of the franchise. Definitely worth seeing. (It's follow-up "Resurrection"... not so much.)
Then, "Scream" happened and changed everything. It proved that not only could horror be widely appealing at the hands of gifted writers and quality filmmakers, but also showed that the old tropes and clichés could be "hip" and "cool" again when handled with care and a degree of nostalgic love.
So, it should come as no shock that after the colossal misfire that was the previous film ("The Curse of Michael Myers"), the "Halloween" series got a new lease on life with a post-"Scream" sensibility in this 1998 release- "Halloween H20: Twenty Years Later." A minor degree of self-awareness, a focus on modern teenage and young adult culture and a fun blast from the past by way of original star Jamie Lee Curtis made the series relevant and modern in a way that both worked to re-invigorate interest and also pay homage to the series origins.
The film was lovingly crafted to serve as a book-end to the original, cleverly taking advantage of being released on the twentieth anniversary of the John Carpenter classic as part of it's schtick. It was built up as the "Halloween" to end all "Halloween's"... A "Halloween" for the modern era. A "Halloween" for the sharp and post-modern 90's crowd. And a "Halloween" that honored the long- beloved roots of the series.
Directed by Steve Miner, the film revolves around Jamie Lee Curtis' Laurie Strode, now living as a teacher under a false name. Still haunted by nightmares of her murderous sibling Michael Myers, Laurie is trying her hardest to move on. But when her brother comes calling, the stakes are set for a final and apocalyptic battle from which only one can emerge alive.
The success of the film really falls onto its clear adoration of the original and the desire to "evolve" and "complete" the story that it started in a new and fresh way. You can feel the love for that film oozing in virtually every scene here, with many subtle homages and call-backs. Yet it also builds and evolves the franchise in a way that previous films hadn't. Whereas prior sequels truly did feel like they were simply trying to re-create the magic of the original to increasingly diminishing results, "H20" actually has the guts to say "No, the best way to pay tribute to the origin of the series is to make homage and continue the story, but allow it to change with the times." A huge part of that is the result of that late-90's self-aware mindset popularized by other films, and I think it works wonders. There are numerous levels of subversion that make you second-guess where it's all leading, there's plenty of banter and humor that satisfies the audience, and it also makes the wise move to make all the characters likable... nobody here really has their own agenda as so many other slasher-sequels have done with their characters.
Miner's direction is strong, with a keen sense of scope, atmosphere and composition. He finds just the right balance between old- fashioned cinematography and 90's era aesthetics, giving the film a unique tone and visual palate that both compliments and contrasts with the Carpenter original.
Performances are uniformly strong for the material. Curtis is a joy in her returning role, giving Laurie a grand sense of pathos but also a drive to finally face her fears. Supporting roles by the likes of Josh Hartnett, Adam Arkin and even rapper LL Cool J round out a likable and believable cast. And there's no sore thumbs to be found. Also of note is voice-over artist Tom Kane, who perfectly re- creates the brilliant dialog of the late Donald Pleasance in a wonderful opening sequence. (Also, keep your eyes peeled for future superstar Joseph Gordon- Levitt in a small role in the opening sequence!)
Should I have to address any negatives, I would definitely have to dock some slight points for a frankly shaky first act, which does fall back on the old tropes and clichés a bit too much. It just feels contrary to the much stronger second and third acts of the film, and it doesn't do much to subvert expectations or built on the legacy of the series. I also take some slight issue with the film's at times break-neck pace... it's already a fairly short film, and it rushes a bit too much for everything to really set in.
Still, those flaws being stated, I can't help but feel that for my money, this is the best of the "Halloween" sequels. It built off of what came before, served as a loving tribute and also book-ended the series with what was at the time built up to be the final entry in the series. To me, the "Halloween" franchise is a trilogy- Carpenter's "Halloween", it's first sequel "Halloween II" and this film, "H20." Everything else to me is pure fan-fiction.
I give "Halloween H20: Twenty Years Later" a strong 8 out of 10 as a horror fan and in particular as a fan of the franchise. Definitely worth seeing. (It's follow-up "Resurrection"... not so much.)
H20 was the twentieth anniversary that features the return or I like to call it revenge of Laurie Strode.
Jamie had realized during lunch that twenty years had pass since the original film and wanted to do a follow up film. She wanted to get the whole crew back and John Carpenter to direct. He refused after divorcing himself after his anthology idea was ruined. I consider Halloween, the fog, season of the witch, Prince of darkness and the thing his true series.
Williamson wrote a script that was quite different from the finished project yet Jamie didn't want her character to be seen as a bad mother.I don't blame her. Who wants to look bad?
The supporting castes were all fresh faced and did fine. The Halloween theme and scream score mix well together.
The only problem is Donald Pleasence passed away before It was even dreamed of.
It truly was the final Halloween in my opinion.
Jamie had realized during lunch that twenty years had pass since the original film and wanted to do a follow up film. She wanted to get the whole crew back and John Carpenter to direct. He refused after divorcing himself after his anthology idea was ruined. I consider Halloween, the fog, season of the witch, Prince of darkness and the thing his true series.
Williamson wrote a script that was quite different from the finished project yet Jamie didn't want her character to be seen as a bad mother.I don't blame her. Who wants to look bad?
The supporting castes were all fresh faced and did fine. The Halloween theme and scream score mix well together.
The only problem is Donald Pleasence passed away before It was even dreamed of.
It truly was the final Halloween in my opinion.
Some may be turned off by this film because it is the 7th installment of the Halloween series. However, the filmmakers of this feature seem to treat it as the third since they totally disregard 3-6. Too bad 4 had to be in that group of forgotten movies because it was actually quite good and better than this sequel in my opinion. The main highlight is that it takes place 20 years after the original and it brings back one of the greatest horror heroines to ever grace the screen, The original scream queen, Jamie Lee Curtis. Essentially this is a project made for her and in that aspect it totally works, however as a Halloween film it feels out of place. It seems to have picked up on the new millenium horror trend of adding hot teen actors into the mix and is basically shot like an episode of Dawson's Creek. Kevin Williamson even did some polishing on the script. In this aspect it doesn't work too well, but for the 7th installment in the series i guess it could've been worse.
As i said this is a showcase of Jamie Lee Curtis. It's very interesting to see how her character has changed in 20 years. Her performance is very good and is much more assertive than she was in the first 2 installments of the series. The problem is she is one oft he few characters worth any interest. Josh Hartnet as her son, and Michelle Williams as his love interest are the only 2 teen actors in the film worth mentioning. Josh Hartnet and Jamie Lee Curits share a very good mother/son chemistry that is vry effective in the film. Michelle Williams is more believeable than most potential teen slasher movie victims in her role. The rest of the cast is DOA. The supporting characters are vastly under-written. LL Cool J is funny in his scenes but they are too far and in between for him to become very interesting character. The other teen actors are just there to be slaughtered. The only oher interesting cast choice is Janet Leigh(shower victim from Psycho) in a Cameo. very cool to see mother and daughter together on screen. Michael Myers just isn't scary in this film. No because his presence is wearing thin because this is the 7th installment but because he isn't portrayed well by the actor/stuntman.
There are good things though that raise it above most of the sequels. The second half comes at you with full force. After a rather long set-up things move into high gear once Michael begins to wreck havoc. His showdown with Laurie is good but i wish it could've been longer. Another interesting thing this sequel does is gives us some closure. you'll see once you view the film. It's very rare that a series does this and it's very effective in this film.
I recommend this film based on the performance of Jamie Lee Curtis. If you want to see how she has been in the last 20 years than this is a film for you. Fans of the series should see this. I just worry that Halloween Ressurrection will ruin the semi-good note this film ended on, when it's released this summer. I hope to god they have a reason to bring Michael back for THE 8TH TIME. Evil never dies apparently and neither does this series even when it does have a fairly good finale.
As i said this is a showcase of Jamie Lee Curtis. It's very interesting to see how her character has changed in 20 years. Her performance is very good and is much more assertive than she was in the first 2 installments of the series. The problem is she is one oft he few characters worth any interest. Josh Hartnet as her son, and Michelle Williams as his love interest are the only 2 teen actors in the film worth mentioning. Josh Hartnet and Jamie Lee Curits share a very good mother/son chemistry that is vry effective in the film. Michelle Williams is more believeable than most potential teen slasher movie victims in her role. The rest of the cast is DOA. The supporting characters are vastly under-written. LL Cool J is funny in his scenes but they are too far and in between for him to become very interesting character. The other teen actors are just there to be slaughtered. The only oher interesting cast choice is Janet Leigh(shower victim from Psycho) in a Cameo. very cool to see mother and daughter together on screen. Michael Myers just isn't scary in this film. No because his presence is wearing thin because this is the 7th installment but because he isn't portrayed well by the actor/stuntman.
There are good things though that raise it above most of the sequels. The second half comes at you with full force. After a rather long set-up things move into high gear once Michael begins to wreck havoc. His showdown with Laurie is good but i wish it could've been longer. Another interesting thing this sequel does is gives us some closure. you'll see once you view the film. It's very rare that a series does this and it's very effective in this film.
I recommend this film based on the performance of Jamie Lee Curtis. If you want to see how she has been in the last 20 years than this is a film for you. Fans of the series should see this. I just worry that Halloween Ressurrection will ruin the semi-good note this film ended on, when it's released this summer. I hope to god they have a reason to bring Michael back for THE 8TH TIME. Evil never dies apparently and neither does this series even when it does have a fairly good finale.
Did you know
- TriviaJamie Lee Curtis considers the film a thank you note to her fans. She stated that "Without that early career, I truly don't think I would have been an actor."
- GoofsThe newspaper clip shown during the opening credits, which states that Laurie Strode died in a car accident, says that she was a survivor of the "Halloween murders" of 1968. They took place in 1978.
- Quotes
Tony: Hasn't anyone ever told you that second-hand smoke kills?
Nurse Marion: Yeah, but they're all dead.
- Alternate versionsAn early workprint version had a different score and an altered opening credits montage, as well as a slightly different version of of the dorm room scene, where the girls have "So I Married An Ax Murderer" playing on the TV instead of in the final version where they have on "Scream 2."
- ConnectionsFeatured in 2nd Annual Mystery Science Theater 3000 Summer Blockbuster Review (1998)
- SoundtracksMr. Sandman
Written by Pat Ballard
Performed by The Chordettes
Courtesy of Barnaby Records, Inc.
By Arrangement with Celebrity Licensing, Inc.
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Halloween: 20 ans après, il revient
- Filming locations
- La Puente, California, USA(town: Summer Glen)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $17,000,000 (estimated)
- Gross US & Canada
- $55,041,738
- Opening weekend US & Canada
- $16,187,724
- Aug 9, 1998
- Gross worldwide
- $55,041,738
- Runtime
- 1h 26m(86 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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