Aussi profond que l'océan

All praise goes to Jonathan Jackson who saves this sticky sentimental crap movie. The screen lights up whenever Jackson enters as Beth and Pat Cappadora's oldest son Vincent. You can feel the torment in that adolescent body. Why the heck is it so hard for his parent to understand him?

If you like the Vincent character I can recommend you to read the book by Jacquelyn Mitchard. It's about as sentimental as the movie (if not more) but interesting in the way that it is told through a shared view, with both Beth and Vincent narrating the story. In the book we learn a lot more about Vincent and his life, why he became who he is and what he thinks and feel about the whole situation. Most of the time seen from Vincent's view is spent at his psychiatrist Tom, a character they completely cut out of the movie. That's too bad, because that's where all the action really takes place. Vincent is a really messed up kid, and the scenes between him and Tom are both funny and thoughtful.

In the book Vincent also suffers from panic attacks, something experienced by many teens and that could have been used in the movie as a good identification issue. Sadly, that was cut out too. Basically, what they have done is taken what is in the book a multilayered and very interesting character, and turned him one-dimensional and less inspiring. What we can be thankful for is Jonathan Jackson who I think does a great job with the little he is given. Ryan Merriman, who plays the lost son Ben/Sam is also very good.

But otherwise this movie seems like a made-for-TV-sleeze-thing and I can't stand the bad acting put up by the adults. Michelle Pfeiffer can be really good in roles that are more toned down than this one and her overacting everything is annoying. Treat Williams is mostly just vacant. Whoopi Goldberg on the other side does a fine job as a minority within the majority: a black, lesbian cop that befriends the family. Basically: you can get a lot out of reading the book if you just skip the parts about Beth.

I never heard of Deep End of the Ocean until it showed up on cable the other night. The whole time that I watched it, I thought that it was a made for cable movie. Pretty good performances--I think some of the other reviewers came down extremely hard on this movie. Not generally my kind of movie(emotional chick/family movie), but I was pleasantly surprised, even though I must say that it did have that "Lifetime Channel", feel about it. 7/10 stars

Michelle Pfeiffer delivers a great performance as a mother who loses her 3-year old son when she leaves him alone for a minute with his older brother. The movie is not only about how a missing child can affect one's life, but it gets stranger after the family moves to a different city and one day a child who looks exactly like the msising boy is spotted.

I personally had a little difficulty about the happenstance this would have to take in order to happen, but it did lead to interesting questions on how a (possible) reunion after such a long time would play out. Pfeiffer acts with a lot of feeling without it becoming over the top, so she steals the show in my opinion. The other actors do a fine job, but not as excellent as her. There are a lot of themes from different perspectives, so it is shown e.g. How the child feels, how the "other" kids are affected as well, even how it is for a police officer working the case.

However, I do feel the movie was lacking, though I have a hard time putting my finger on why that is: seeing what I've written above makes me feel like this movie is good, at least on paper. But the experience itself wasn't so great. I just felt bored a lot of the time and the movie seemed longer than it's runtime of about 1 hour and 45 minutes. I wasn't really in it, even though usually this type of movie is very heartfelt and captivating. Nothing - apart from Pfeiffer's performance - stood out. Perhaps it can also be attributed to the long time spent on filming what happens in the 9 year period the boy is missing. In any case, it felt like it wasn't going anywhere and my attention was often lost.

If you don't have anything better to watch, I recommend you view this movie yourself and judge if it's good or not. For me, it left me unsatisfied, but because of Pfeiffer and because of how much work obviously went into making this movie, I felt a 5 was too low a score.

Ulu Grosbard has directed this fine adult drama adapted from the best-selling novel by Jacquelyn Mitchard. Michelle Pfeiffer and Treat Williams portray Beth and Pat Cappadora, parents of three youngsters. On a trip to her high school reunion, Beth loses her three year old son in a busy hotel lobby. The boy is absent from the family for nine years, after which he is surprisingly returned to his birth family. This is just the bare bones of the plot. However, it is the touching performances of all of the principals which transcend the television movie-of-the-week sound of the plot.

Michelle Pfeiffer adds another moving performance to her gallery of roles. If the film had been released in the fall of 1998, as was originally planned, she might have had an Academy Award nomination. Treat Williams' role is less defined, but it is alway a pleasure to watch this under-used and under-rated actor. However, it is Jonathan Jackson and Ryan Merriman as the oldest son and the lost boy who make this such an emotionally satisfying drama. Whoopi Goldberg adds some needed humor to the serious proceedings as the detective assigned to the case.

Stephen Schiff, writer for the New Yorker, has done a lean adaptation of the novel. Grosbard has unpretentiously directed this fine cast. "The Deep End of the Ocean" is one of the best contemporary dramas to come along in quite a while.

This movie is so famous, and has so many great actors in it, that I had expected more from it. As it was, it had some heart-warming moments, handsome people and beautiful exteriors and interiors - but all in all it was not very exciting. The story was the kind of sentimental family drama one would expect on Hallmark television in the afternoon - not a big cinema movie with famous stars.

By the way, I think it is not possible to place a lost-and-found kid drama in present times, because DNA technique, finger prints etc. can prove the identity with almost hundred per cent's certainty. The interesting thing in the lost-and-found stories, is to guess if the person found is who he/she claims to be, or an impostor. As in "Anastasia".

And YES I understand that this kind of mystery was not the major issue here, but the reactions of all the family members afterwards. But it is that kind of story that one expects, when one reads about this movie or watches the trailer. So - it was a bit of a disappointment.