Chicken Run

CHICKEN RUN / (2000) ***1/2 (out of four)

"Chicken Run," DreamWorks Picture's newest animation festival, is an old-fashioned fairy tale with more heart and truth than most movies can even imagine about containing. The film's animated style contains state-of-the-art clay-animation techniques, which make it worth the trip to the multiplex just for feasting your eyes on such brilliant special effects. Directors Peter Lord and Nick Park, with co-writer Karey Kirkpatrick, give the characters depth, reason, and dimension-even if the main star is a feathered farm animal that converges with his companions about political matters.

"Chicken Run" details the miserable lives of a clan of chickens being withheld within a sinister dairy farm in 1950's England. Ginger (voiced by Miranda Richardson) is the central character, who, along with her acquaintances, deeply lust for the sweet smell of freedom that lies beyond the constricting boundaries of their pens. The unhappy farm owners, the smart and devious Mrs. Tweedy and the dumb and precarious Mr. Tweedy, brutally dispose of chickens who fail to produce the amount of eggs they require.

When a overzealous circus Rooster named Rocky (voiced by Mel Gibson) stumbles onto the farm one evening, the other chickens blackmail him into teaching them how to escape. This is also when the Tweetys lurch up a devilish new plan to strike it rich by purchasing a machine that will turn innocent chickens into merchandising pot pies.

The film's plot is steady, solid, and knowing; it portrays a series of events that gradually build tension eventually inducing an exciting climax that is both conclusive and satisfying. "Chicken Run" is a precise piece of filmmaking, an inoffensive family adventure that will entertain audiences of all ages.

Regardless of how well crafted it is or how artful the material, the movie is about chickens escaping out of their pen in order to find genuine independence. No, the stakes are not nearly high enough, and with a plot like this, it is only natural for some audiences to expect a shallow, cheap cartoon publicity stunt. However, the filmmakers make this movie feel original, fresh, suspenseful, and involving, regardless if the main characters are chickens with patriotic instincts.

The great animation director Chuck Jones has often stated that his cartoons "weren't made for children. Neither were they made for adults. They were made for me." Jones's seven-minute shorts were made on a far lower budget than the animated features of today. With features, much more money is at stake, as well as the livelihoods of more people. Because of the pressure to make back the investment, animated features can give an impression of being created by committee, as though tailored to fit some committee's idea of a prefabricated audience segment. It's remarkable, then, that Aardman Animation's "Chicken Run" shows off so much personality, the mark of a film made not for an imagined mass audience, but because it satisfied some need for the filmmakers-besides the need to put food on the table, that is.

The story revolves around an English egg farm designed a lot like a WWII-era prison camp, with overtones of the Nazi concentration camps as well, in that chickens that don't produce end up as dinner. While most of the chickens are resigned to their fate, one plucky hen named Ginger keeps leading escape attempts and keeps getting locked in "solitary" for her pains. Her task takes on new urgency when the Tweedys (the couple who run the farm) prepare to convert their operation into a chicken-pie factory. Hope arrives in the form of an American known (amusingly, in view of the recent "Rocky & Bullwinkle" film) as "Rocky the Flying Rooster", whom Ginger thinks can teach the chickens how to fly. Naturally, Rocky isn't really what he seems to be, and the revelation of his secret threatens to dash all hope of escape, because everyone knows chickens can't fly-or can they?

Unlike most cartoon films, "Chicken Run" is animated using clay figures in stop-motion. While this process involves much more labor than drawn animation, it also makes easier the use of many of the tools of live-action filmmaking, such as dramatic lighting and moving camera work. Directors Peter Lord and Nick Park both have considerable experience in this field, Park with "Creature Comforts" and the "Wallace & Gromit" series (perhaps the most popular animated shorts of the 1990's) and Lord as a co-founder (with David Sproxton) of Aardman and director of such shorts as "Adam", "Wat's Pig", and "Early Bird".

The look of "Chicken Run" displays a harmonious blending of Park's and Lord's strengths; the character designs have the cartoony look of Park's work, while the more realistic settings and backdrops (which appear subject to grime and weathering) are typical of those in Lord's films. All the major characters are distinctive and believable on their own terms; even the numerous chickens have their own distinct looks and voices. The only times the illusion of believability fails are when a clay chicken collides with a metal fence; I half expect to see the clay figure sliced up on the way through. (This may be a personal reaction, conditioned by years of exposure to "Tom & Jerry" and "Roadrunner/Coyote" cartoons.) The story moves efficiently and contains much humor and detail that reward close attention, as well as bravura set-pieces such as Rocky and Ginger's dramatic encounter with the Tweedys' pie machine.

While it has justifiably been compared with military prison-camp escape movies such as "Stalag 17" and "The Great Escape", as well as with the revisionist farm-animal melodrama "Babe", the movie "Chicken Run" resembles most is Pixar's computer-animated "A Bug's Life". The resemblence lies partly in certain details of plot (such as the hero[es] who isn't/aren't what he/they seem to be) but mostly in the nature of the story itself. While human prisoners have a life before prison upon which to look back upon, the chickens in this movie have never known such freedom. Thus, when Ginger talks of escape, she not only urges them to change their location but their entire way of thinking. In chicken terms, this is a radical message, the same one put forth by all the great human radical organizers: that those who are exploited have a right to expect a better life. Though the species and the methods of exploitation are different, "A Bug's Life" shares this revolutionary message (with Flik playing the radical visionary part). Both movies also stress the importance of banding together against oppressors whose power turns out to be more apparent than real.

While one could quibble about such commonalities, I'm impressed that two such films exist at all, that they were funded by major Hollywood studios (Disney for "A Bug's Life", Dreamworks for "Chicken Run"), and that kids love them and parents don't mind watching them more than once. One wonders if the parents know exactly what it is they're watching, and letting their kids watch. Then again, maybe they, too, believe they and their children deserve better lives, and enjoy seeing fellow victims of exploitation get such a life in the end.

Hailing from the animation house that brought us such jems as Morph, the Wallace and Gromit series and Rex the Runt, Chicken Run is the first ever feature length claymation ever attempted.

Set on a chicken farm in Yorkshire some time in the middle of the century, our plucky (sorry) heroines face a lifetime of hard labor laying for the farmers, and if their performance is not up to par they quite literally face the chop. Ginger, making her way to the top of the pecking order (sorry again) attempts jailbreak after farcical jailbreak, but success is less than forthcoming.

Enter Rocky The Rhode Island Red, (Rocky Rhodes for short, and you can't blame me for that one, the writers came up with it) apparently able to fly, the chickens look to him to help them bust this chicken coup, but Rocky is not what he may appear to be.

That's the plot in a nut (egg?) shell, and as you can imagine the subject matter made for perfect "salutes" to the classic world war 2 escape movies, references to which abound throughout. From Ginger tossing a baseball (actually a sprout) in the "cooler" (coal bunker), to Fowler's incessant ramblings about his old RAF days.

The lead characters are deep and endearing enough for you to care about what happens to them, if a little stereotypical at times. The interaction between them is fluid and believable, all the more amazing considering that Mel Gibson never even set foot in the same recording studio as the other actors, reading his lines in a studio in America instead. The supporting cast provide plenty of humour and Mrs. Tweedy substitutes quite nicely for the Nazi camp commandant.

The animation is lively and colourful the characters wonderfully expressive in that unmistakable style developed in the Wallace and Gromit shorts, and thanks to the fact the sets are real models there is plenty of scope for dramatic lighting effects.

The only real fault I could find in the film was that it just seemed a little too... American at times. Hollywood's involvement showed through the English setting to some degree, especially as you get to the movie's climax which seems to go a bit overboard, especially compared to the utterly hysterical ending to The Wrong Trousers. But all in all I have to say I really enjoyed this movie. Now all we need is a Wallace and Gromit movie.

As an older gentleman with a rather refined taste in flim viewing, I was surprised by how absorbed I got in this elaborate cartoon-like feature. It's no mean trick to create rubber characters that you can really care about. My favorites were Mr & Mrs Tweedy -- especially the latter. Mrs Tweedy was the personification of evil (within the confines of a cartoon of course) and just a thoroughly interesting character. The sets were well done, especially the Stalag 17 camp image (notice the 17 on the meeting hut). Lots of British stereotype stuff which worked pretty well and kept my attention. Fast paced without becoming just another Roger Rabbit.

Recommended!

'Chicken Run' is a delighted little film about...well, chickens. I've always loved the claymation of Aardman. 'Creature Comforts' and 'Wallace and Gromit' are among many of my favorites. Aardman Studios have come up with a brilliant cast, a funny and smart script, fine cinematography and production design. The inspiration of films like 'The Great Escape' shows. The female characters are so strong and yet they have their own sense of humour and Brit-wit. Aardman's claymation is splendid. The large eyes, body size and shape and movements create this a unique class of comedy. The writing is very sharp and crisp but I disliked the obvious symbolism (of British and America joining hands to save the world and fight evil) which looked a little forced. I don't see the need to make the Rocky character an American rooster (as if it's an ingredient to have an American on board). Yet, that does not take away the sheer pleasure and entertainment one derives from the film. The voice cast is suitably chosen. Gibson plays the typical hero with charisma but it's the Brit cast, which includes names like Imelda Staunton, Lynn Ferguson, Jane Horrocks and Julia Sawalha that did it for me. Their sharp witty humour and strong will just put them on a league of their own. 'Chicken Run' is a cute, heartwarming, uplifting and hilarious little film. To quote another user, it is eggcellent!