Le choix d'une vie

I have been waiting to see this movie for some time. I was not disappointed. As a woman, from a woman's perspective, I found this to be uncomfortably accurate. I was floored by Diane Lane's performance as a bored "yet not, not in love with her husband" woman who was willing to find new love, to fully be loved by the "blouse man". The love scenes were incredibly truthful and believable, and I just thought this movie was absolutely flawless in it's portrayal of what would have really happened between "Marty" and "Pearl". I thought Diane Lane was awesome, as well as the understated acting feel of the beautiful and beyond sexy, Viggo Mortensen. I cannot say enough how authentic and beautiful I thought this movie was. I give it a 10+. I thought it was a masterpiece, perfect and breathtakingly beautiful, it was human imperfection at its best. It truly made me feel love for each man, I felt sorrow for her decision.

A WALK ON THE MOON as written by Pamela Gray ("Music of the Heart") and directed by actor Tony Goldman conjures up more atmosphere for the year 1969 than any film to date. Remember Woodstock, the Jewish summer retreats in the Catskills, hippies, face and body painting, threats from the Vietnam era and promises of space habitation by the famous first walk on the moon? It is all faithfully created here as the background for a lovely little sentimental tale about family and fidelity.

The Kantrowitz family - Pearl (Diane Lane), Marty (Liev Schreiber), Alison (Anna Paquin), Daniel (Bobby Boriello) and Marty's mother Lilian (Tovah Feldshuh) - are spending their usual summer away form New York in a Catskill settlement bungalow along with other Jewish families of the same ilk. All seems swell, except that Marty must spend the weekdays returning to his job as a TV repairman, leaving the family under Pearl's and Lilian's care until his weekend visits. A hippie blouse salesman Walker Jerome (Viggo Mortensen) peddles his wares to the settlement and casually but inevitably Pearl feels an attraction to Walker, the man of adventure who represents all the lost dreams of becoming a mother and wife at the too early age of 17. Life has slipped her by but feels salvageable in Walker's advances.

Woodstock is close by and Pearl and Walker spend a day of hippie love-in in the crowd, not knowing that teenage Alison is also there observing their free love antics. This crisis event affects the family's unity and the way Pearl faces her moment of indiscretion with Marty and her children builds to a terrific climax.

Diane Lane, Viggo Mortenson, Liev Schreiber and Tovah Feldshuh completely inhabit these simple characters and pull us into accepting all aspects of the predicament of this family crisis. The confrontation among Lane, Schreiber and Mortenson is a trio of acting not to be forgotten. Tony Goldwyn has paced his film beautifully and proves that he has as great skill as a director as well as an actor. The cinematography by Anthony B. Richmond is as recreative of a special time on our history as has been captured. This little film will stay with you long after the credits are over. Grady Harp

I really enjoyed this movie. I think the soundtrack is amazing and appropriate although "Helplessly Hoping" is a cover of the CSNY classic. Still, we have Jefferson Airplane, Jesse Colin Young, Joni Mitchell, Judy Collins, and Richie Havens to drop a few names. Listen to the lyrics in this movie...apply them to how Pearl, Diane Lane's character is feeling... Diane Lane does a wonderful job of portraying a 60's housewife who, like so many other women of the time, found herself in a life she fell into. She meets a man who reminds her of who she wanted to be...of feelings she forgot she had. Movies aren't obligated to be lessons on morality, rather they are slices of the lives we all lead or dream of leading or hope to never lead. Some of the scenes in this movie are so powerful-they really rattle the soul. The love scene at the waterfall is wonderfully scored with the amazing "Cactus Tree" by Joni Mitchell. One can feel Pearl's guilt and confusion coupled with an excitement and verve for life she truly deserves. We see Pearl come of age metaphorically as she searches her heart to find out who she truly is. I recommend checking this one out and watching with an open heart and an open mind...the music alone is worth it.

The first time I watched this movie, I think I was just captivated by the excellent performances. Viggo Mortenson, like William H. Macy and James Caviezel, is one of those whose roles are understated but so well executed and you anticipate their next work. Diane Lane is gorgeous, and I think that somehow is supposed to drive a pitiful feeling from us that a woman of so much beauty is shackled down to a normal existence. Liev Schreiber's role was the most successful of the principles. The real sympathy in this movie DOES go to him for spending the duration of it separated from his family, and his philandering wife, simply keeping his tv-repair job.

Rule #1 about this movie, don't see it with your significant other. The passionate scenes of a cheating spouse copulating with a free-spirited, self-centered vagrant under a waterfall will make both of you uncomfortable. The scene that bothered me most was the actual moon-landing, where while he's quarantined to the shop repairing TVs so everyone can watch the event she's making it with the blouse-man on the bus. As others have said in this forum, the main point at the end of the movie is that she was misunderstood by a caring husband, her needs weren't satisfied (we never mention his), and ulimately he'll have to forsake his matured take on life if he's ever going to have his wife back.

It was the equivalent of watching Dharma and Greg with explicit adultery, where once again the responsible spouse has to pick up the pieces and try to understand their act-before-thinking partner. This isn't a statement of gender specifics, I'm well aware that plenty of men are unfaithful and self-centered as well. I'm just tired of people in this country deciding we can be married and never compromise on anything. It simply won't work that way. Marriage is a give and take, and in order to function right we need movies that emphasize communication. A movie that tries to justify infidelity isn't going to enhance anyone. I love my wife dearly, and I don't need to see a movie like this one as a cautionary tale of what could be if her needs are left ungratified. See it if you like, but I could mention PLENTY more "chick flicks" which will leave you with a warm or sorrowful feeling at the end worth seeing, rather than an akward feeling that neither of you want to discuss.

I was 16 years old in 1969. This movie caused a lot of memories to come rushing back. I want to thank the director Tony Goldwyn and writer Pamela Gray for recreating some of the vibrations of the time so beautifully. The movie is really about the cultural clash when a young couple trying to live out the 1950's ideal realize that time has passed and they adopt to the new world of personal growth, peace, Moon landings and Woodstock Festivals.

Some people are complaining that the lead character, Pearl, was a bad role model, being unfaithful or indecisive, not knowing what to do; however, that was the way things were back then. To me the film was incredibly believable and faithful to the times and setting.

My only complaint is the scene where Ross rejects Alison's request to "go all the way." Being 16 at the time, I had only one desire, to "go all the way" with every teenage girl who would let me. I spent nearly every moment I could trying to convince them and I did find three or four who said yes. If anyone who looked like Anna Paquin had said to me when I was 16, that she wanted to go all the way, I would have been out of my clothes in 10 seconds flat.

The only other thing perhaps that the movie missed were all the crazy, repulsive, hateful, violent conservatives who were around then threatening and terrorizing progressive, loving, peaceful people. That actually hasn't changed much since 1969. They're still doing the same thing.

This movie also has a terrific soundtrack and uses popular music from the time better than any movie since "Easy Rider." For those who grew up in the 60's, see it to remember, for those who grew up after the 60's, see it to learn.