All the Little Animals

Read Roger Ebert's review for plot description and more. He says it far better than I ever could. I can't believe some of the user comments that didn't like it. If I were a filmaker, this is the film I would want to be known for.

It is definitely not a children's film. Nor is it a "tearjerker" inthe way,say Bambi or The Yearling were; not that they weren't good. It's more about good vs. evil; and more than that. It's for people who think; who want to see more than car chases and Hollywood cliches. See it. You'll never forget it.

ALL THE LITTLE ANIMALS

Aspect ratio: 2.39:1 (2.35 Research)

Sound format: Dolby Digital

Until it takes a darker turn during its latter stages, there's a quiet dignity at the heart of this unusual drama, the directorial debut of producer Jeremy Thomas, based on a novel by Walker Hamilton. Christian Bale - a long way from EMPIRE OF THE SUN and two years from American PSYCHO - plays a mentally impaired young man who runs away from his creepy stepfather (Daniel Benzali) in the wake of his mother's death and ends up in Cornwall, where he befriends an eccentric hermit (John Hurt) whose fondness for animals strikes a healing chord within Bale's damaged psyche. Together, they set out to bury the dead creatures they find around their ramshackle home in the forest, many of them killed by traffic on lonely country roads.

Characterized by its magical performances (Bale is utterly convincing as the 10 year old boy trapped in a 25 year old's body) and eye-popping, panoramic vistas of the English landscape, the film offers a gentle reminder of mankind's place in the natural scheme of things, though Thomas makes his point without stooping to preachiness or obvious metaphors. In an amusing turnabout from standard Hollywood practices, this UK-lensed film features an American actor (Benzali) playing a Brit villain, the catalyst for a late-breaking plot development which some may find overly melodramatic. By turns humane, frightening and beautiful, this isn't a movie for all tastes, but adventurous viewers will be rewarded for their patience. A possible cult in the making.

It seems that most child actors don't transition well as they mature. They either end up with childish physical features or an acting style that suffers from an inability to evolve past the primitive roles they had in their youth. Then there's Christian Bale. From Empire of the Sun to American Psycho he has displayed a competent transition into adulthood and has made a fan out of me. And unlike female fans, guys who like Christian Bale, nine times out of ten, are not transfixed on the shower scene in AP.

All the Little Animals is yet another competent performance, and not only from Christian, but for the impeccable John Hurt and the terrifying Daniel Benzali. Christian Bale plays Bobby Platt, a twenty-four year old man child. He tells us that when he was younger he was hit by a car and has never been the same since. Bobby is very emotionally fragile and slightly simple minded, though not to the degree of a virtual on screen degenerate. This is the key to his performance. Most actors playing the role of the mentally handicapped overplay the affliction thus making their characters completely incapable of functioning in society, a la Rainman. Christian's Bobby Platt is 95% normal, like any other person, but when stressed he starts to cry, more like a 10 year old child than a 24 year old man. Coupled with the fact that he is relatively simple and not capable of expressing himself as well as he otherwise would, he ends up being victimized by his step father (played perfectly by Daniel Benzali), whom Bobby refers to as "the Fat." Benzali's character is a sadist who suffocates Bobby's pet mouse in order to get Bobby to sign legal documents which Bobby is clearly not capable of understanding. Bobby has enough intelligence to refuse to sign anything and out of fear of the Fat's threat that he will be institutionalized he runs away from home.

Bobby eventually comes across Mr. Sommers (John Hurt) who is an eccentric recluse who goes around Englands small country roads burying animals that have been crushed by motorists. Bobby begs Mr. Sommers to let him live with him and Mr. Sommers reluctantly agrees.

As the story unfolds, Bobby becomes comfortable enough with Mr. Sommers to reveal his secret (that he has run away) and Mr. Sommers likewise tells him of his own, strangely similar past which I will not reveal. Realizing that running away from the Fat is not a solution to Bobby's problems, Mr. Sommers convinces Bobby to return to the Fat, sign the legal documents and then live with Mr. Sommers without any more fear of his stepfather. However, Mr. Sommers is a bit naive about dealing with the Fat who reveals in the last 20 minutes of film just why he may very well be one of the most evil stepfathers of all time.

The ending is unfortunately predictable and unnecessarily long. Also, far too much of the film focuses on Mr. Sommers curious "work" of burying road kill. This would not be so bad had there been more of a story line. Also, this film propounds a simplistic moral message about life being precious. Yet the ending completely undermines this moral absolute.

This film is plot driven, and not a character study, and therefore the good performances are not enough to make this film worthy of greater praise. If not for the powerful acting this film would be merely mediocre.

I came across this film from a review by Roger Ebert. I have grown to respect his opinions most of the time. It was also a big motivator to check out to see Christian Bale and John Hurt on screen together. I'm a fan of both of them. The film starts out well with a good introductory to Bale's character caring for his mouse which he must keep hidden from his step father. However the second the step father appears and comes across as a James Bond villain or Darth Vader, especially with the over bearing music, I began to get concerned. Evil step father's are often poorly portrayed in films and are over the top but this one takes the cake. It was just ridiculous. Pretty much every character was over the top and felt over exaggerated. You could make a drinking game off of how many times Bale cries in this film. It just seemed the director was stereotyping mentally challenged people as crying a lot. Even John Hurt, arguably one of the best Shakespearean actors of all time, looks weak in this film. Of course it isn't the actors faults. We all know that Bale and Hurt are amazing talents. It's clearly the fault of an inexperienced director who definitely has not learned the art of subtlety. The concept was interesting and could have lead to a good story in the right hands. In these hands though the narrative is unfocused and poses to be meaningful but in the end isn't. There are plot points that come up that are out of place and have no real point in the film. Towards the end of the film, the whole thing goes off of the deep end. We go into pure fantasy with the step father turning into the equivalent of a comic book super villain. He apparently has the strength of a few men, is unfazed by injury, and can punch through glass windows. It was just so ridiculous. There are so many directions this film could have gone in and they took the worst route imaginable. I really have nothing good to say about this movie other then that Christian Bale and John Hurt did an okay job given that they clearly had nothing to work with. Though it's interesting to look at Bale's performance in this and lay it beside his eerily comedic role in American Psycho, which came out only a year later. If you look at both performances side by side you can see that Bale has an incredible range.

you can't help it.

I found it is better to watch this movie as a spectator rather than as a participant, because if you allow yourself to become involved in the story, the inconsistencies will annoy you to no end.

The whole theme about cruelty to animals holds no weight because we never become involved with any animals - in fact the stepfather seems to be more of a true animal in the sense of doing what is necessary to survive than any other character.

Christian Bale wavers from being profoundly retarded one minute to quite normal the next. John Hurt shows no remorse for his past deed, indeed is rather demented in confiding that he did the right thing in his little fairy tale retelling.

The main thing that will keep you watching is to see what will happen next. Nothing happens as it should - oh, the basic good will triumph over evil theme is there in all its faded glory, but what will keep you watching this movie is because it is exactly like roadkill. You know it's bad, but you just have to see what it is...