The story is set in late 19th century rural corner of South England. The daughter of timber merchant Melbury, Grace, returns to the town after finishing school. Her father now believes she c... Read allThe story is set in late 19th century rural corner of South England. The daughter of timber merchant Melbury, Grace, returns to the town after finishing school. Her father now believes she can find a better husband than her childhood sweetheart, woodsman Giles. She marries handso... Read allThe story is set in late 19th century rural corner of South England. The daughter of timber merchant Melbury, Grace, returns to the town after finishing school. Her father now believes she can find a better husband than her childhood sweetheart, woodsman Giles. She marries handsome young doctor FitzPiers, but soon finds out he's not the man of her dreams and she still... Read all
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Featured reviews
Performance-wise the cast is well-chosen, with gorgeous Rufus Sewell in the lead role as the brooding woodman Giles, who keeps his feelings for the now-better-than-he Grace (Emily Woof) to himself; as Fitzpiers, Cal Macaninch makes the character just as unsympathetic as he was in print (a close cousin to the Brontes' Edgar Linton is this starchy doctor). Jodhi May completes the mix as Marty, the village girl who remains doggedly devoted to Giles.
The countryside is photographed well but the momentum lacks the cinematic scope which would have made this a truly interesting film.
Rufus Sewell, in an early role, brings warmth and life to the film as humble woodsman Giles. He's in love with Emily Woof, who ends up betrothed to another man entirely (local doctor Cal Macaninch). Fleshing out the cast are Tony Haygarth (extremely typecast as a gruff but lovable type, but so good at it) and ROME's Polly Walker, vamping it up as the sinister Mrs Charmond.
This adaptation is well shot and, dare I say it, authentic. The main problem is that the cold characters are so hard to like, and that even includes heroine Emily Woof, who doesn't seem to see what's right under her nose. The only appealing character of the bunch is Sewell and he gets only a little screen time. Yes, this production is moving in places and the themes are engaging, so it's not all bad, but I would have preferred something with a little more drama and oomph.
This is also a wonderful discovery for those of us who have come to love movie versions of Thomas Hardy novels (or stories). It tells the story of a young woman who has been sent off to finishing school by her father so that she can rise above the level she has grown up in: the lower- class timber workers of the deep woods in 19th-century rural England.
Though she and a local woodlander had had an agreement to marry when they came of age, her father wants something better for her and encourages her to marry a local doctor who lives and practices in the village. She agrees to marry the doctor, but soon learns that he cannot stand the crude rustic manners of the local people.
This sets up a series of conflicts between her and her father as well as the way she feels about the life she had been raised in and the life that her father wants for her. I love the way the story unfolds as well as the dark (and often wet) sylvan atmosphere that it so capably captures and inhabits.
The story is faithful to the book, but omits some of the peripheral details. It's about a young woman who returns to a close knit woodland community after several years away. In that time, she has become an educated lady, and she finds it quite difficult to relate to the people she once grew up with, having experienced wider and more varied cultures. Her childhood sweetheart is a simple woodcutter, and she feels that she is now too "good" for him, so she forsakes her fondness for him and marries a wealthy and educated doctor, with tragic consequences.
The film was filmed in the New Forest (a gorgeous area of England) and it is a visual treat from first frame to last. The scenery is simply ravishing. Furthermore, the performances are very thoughtful and persuasive, complementing the sharp and carefully worked out script. This is definitely one of the best adaptations of a Thomas Hardy novel, and it can stand alongside Polanski's Tess and Schlesinger's Far From the Madding Crowd with its head held high.
Did you know
- TriviaFinal film of Sheila Burrell .
- Quotes
Marty South: Oh, Giles, if only you could tell your heart to be free.
Giles Winterbourne: You can't tell the heart. The heart hopes. Most of all where it's hopeless.
- How long is The Woodlanders?Powered by Alexa
Details
- Runtime
- 1h 38m(98 min)
- Sound mix
- Aspect ratio
- 2.35 : 1